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From Cary Elwes, who played the iconic role of Westley in The Princess Bride, comes a first-person behind-the-scenes look at the making of the film.
Cinema's Doppelgängers is a counterfactual history of the cinema - or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it's a history of the movies written from an alternative unfolding of historical time - a world in which neither the Bolsheviks nor the Nazis came to power, and thus a world in which Sergei Eisenstein never made movies and German filmmakers like Fritz Lang never fled to Hollywood, a world in which the talkies were invented in 1936 rather than 1927, in which the French New Wave critics didn't become filmmakers, and in which Hitchcock never came to Hollywood. The book attempts, on the one hand, to explore and expand upon the intrinsically creative nature of all historical writing; like all works of fiction, its ultimate goal is to be a work of art in and of itself. But it also aims, on the other hand, to be a legitimate examination of the relationship between the economic and political organization of nations and film industries and the resulting aesthetics of film and thus of the dominant ideas and values of film scholarship and criticism. Doug Dibbern's first book, Hollywood Riots: Violent Crowds and Progressive Politics in American Film, won the 2016 Peter Rollins Prize. He has published scholarly essays on classical Hollywood filmmakers, film criticism for The Notebook at Mubi.com, and literary essays for journals like Chicago Quarterly Review and Hotel Amerika. He has a Ph.D. in Cinema Studies from New York University, where he teaches now in the Expository Writing Program.
THE INTERNATIONAL BESTSELLER, “A captivating mystery: beautifully written, with a rich sense of place, a cast of memorable characters, and lots of deep, dark secrets.”—Kate Morton, New York Times bestselling author of The Clockmaker's Daughter “Extraordinary…Absolutely her best yet.”—Lisa Jewell, New York Times bestselling author of The Family Upstairs Three generations. Three daughters. One house of secrets. The truth can shatter everything . . . When the Harrington family discovers an abandoned baby deep in the woods, they decide to keep her a secret and raise her as their own. But within days a body is found in the grounds of their house and their perfect new family implodes. Years later, Sylvie, seeking answers to nagging questions about her life, is drawn into the wild beautiful woods where nothing is quite what it seems. Will she unearth the truth? And dare she reveal it? (Published in the UK as The Glass House) “The Daughters of Foxcote Manor is not really about a murder, or a creepy house, but about families - the ones we're born into, the ones we make and especially the ones we flee.”—The New York Times One of the New York Times "Novels of Suspense and Isolation" One of The Washington Posts' Best New Audiobooks One of Bustle's Most Anticipated Books of Summer One of PopSugar's Best Books of July One of New York Posts Best Books of the Week
"Poems by all the big names in both children's and adult writing, from Margaret Mahy and Hone Tuwhare to Denis Glover as well as some fresh new poets"--Publisher's information.
“This unflinching novel chronicles a woman’s relationship with a violent man in a way that brings fresh insight to the subject . . . engaging and uplifting.” —O, The Oprah Magazine From Roddy Doyle, Booker Prize-winning author of The Women Behind the Door, the heartrending origin story of Paula Spencer, a brave and tenacious housewife Paula Spencer is a thirty-nine-year-old mother of four, a blue-collar worker, an alcoholic in recovery—or maybe not. Then one day a police officer knocks on her door. From the look on his face, she can tell it’s not good news. His revelation takes Paula back to the past, to her contented childhood, the audacity she learned as a teenager, the exhilaration of her romance with her husband Charlo, and the violent marriage to him that left her powerless. Now, as she struggles to reclaim her dignity from the abuse that left her with scars and a worsening drinking problem, this new revelation threatens to shatter the fragile peace she’s built for herself and drag her back down the dark paths she thought she’d left behind. Capturing both her vulnerability and strength, Roddy Doyle gives Paula a voice that is singular and real, the story of an ordinary woman whose extraordinary character will stay with you long after this novel and into the subsequent books in his trilogy, Paula Spencer and The Women Behind the Door.
'Strikingly beautiful' Guardian 'Tough and tender' Joanne Harris After the Sickness has killed off her parents, and the bombs have fallen on the last safe cities, Monster emerges from the Arctic vault which has kept her alive. When she washes up on the coast of Scotland, everyone she knows is dead, and she believes she is alone in an empty world. Slowly, piece by piece, she begins to rebuild a life. Until, one day, she finds a girl: another survivor, feral, and ready to be taught all that Monster knows. But as the lonely days pass, the lessons the girl learns are not always the ones Monster means to teach . . .
On a blue day a rainbow wraps the sky with bright ribbons. 'The Rainbow' Well-known poet and author Paula Green combines with the talents of Myles Lawford to create a unique poetry book for children.
The large literature about the politics of Hollywood in the period of McCarthy and the blacklist has largely overlooked political filmmaking during those agitated years. "Hollywood Riots" examines the most vibrant cycle of independently produced political films made while House Committee on Un-American Activities was investigating communists in the film industry. In doing so, it shifts the focus from the politics of Washington to the politics of Los Angeles and from the films of the Hollywood Ten to the more politically complex films of the progressive community at large. Dibbern shows how the movies produced by progressives at the end of the 1950s, including "The Lawless", "The Sound of Fury", "The Underworld", were the logical cinematic parallel to their political and journalistic advocacy fighting the conservative newspapers. In these films they were recasting political events from California's recent past as politically-engaged narratives that were inflected with their own fears of persecution." Hollywood Riots" re-views the work of notable directors like Joseph Losey and Cy Endfield, as well as introducing unheralded political screenwriters and directors such as Daniel Mainwaring, Jo Pagano, and Leo C. Popkin.
In this acclaimed book, DiBattista paints vivid portraits of the grandest fast-talking dames of the 1930s and 1940s movie era including Katharine Hepburn, Irene Dunne, and Barbara Stanwyck. 39 illustrations.