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English Writers - A Bibliography with Vignettes
The sixth volume of the personal correspondences of British literary giant T. S. Eliot The letters of T. S. Eliot collected in this sixth volume were written during the years the Nobel Prize–winning poet, playwright, critic, and essayist called, “the happiest I can ever remember in my life.” Penned in large part during his tour of Depression Era America, these letters reflect Eliot’s resolve to end his torturous eighteen-year marriage to his wife, Vivienne, and offer fascinating descriptions of the author’s encounters with F. Scott Fitzgerald, Edmund Wilson, Marianne Moore, and other notable figures.
This volume brings together specially commissioned essays by some of the world's leading experts on the life and work of W. H. Auden, one of the major English-speaking poets of the twentieth century. The volume's contributors include a prize-winning poet, Auden's literary executor and editor, and his most recent, widely acclaimed biographer. It offers fresh perspectives on his work from Auden critics, alongside specialists from such diverse fields as drama, ecological and travel studies. It provides scholars, students and general readers with a comprehensive and authoritative account of Auden's life and works in clear and accessible English. Besides providing authoritative accounts of the key moments and dominant themes of his poetic development, the Companion examines his language, style and formal innovation, his prose and critical writing and his ideas about sexuality, religion, psychoanalysis, politics, landscape, ecology, and globalisation. It also contains a comprehensive bibliography of writings about Auden.
As both a politically engaged and stylistically versatile poet, W.H. Auden is one of the most influential writers of the twentieth century. His work is not only widely studied and read, but has been used in musical scores and quoted in Hollywood films. This guide to Auden’s compelling work offers: an accessible introduction to the contexts and many interpretations of Auden’s texts, from publication to the present an introduction to key critical texts and perspectives on Auden’s life and work, situated in a broader critical history cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of W.H. Auden and seeking not only a guide to his works but also a way through the wealth of contextual and critical material that surrounds them.
Eliot is called upon to become the completely public man. He gives talks, lectures, readings and broadcasts, and even school prize-day addresses. As editor and publisher, his work is unrelenting, commissioning works ranging from Michael Roberts's The Modern Mind to Elizabeth Bowen's anthology The Faber Book of Modern Stories. Other letters reveal Eliot's delight in close friends such as John Hayward, Virginia Woolf and Polly Tandy, and his colleagues Geoffrey Faber and Frank Morley, as well as his growing troupe of godchildren - to whom he despatches many of the verses that will ultimately be gathered up in Old Possum's Book of Practical Cats (1939). The volume covers his separation from first wife Vivien, and tells the full story of the decision taken by her brother, following the best available medical advice, to commit her to an asylum - after she had been found wandering in the streets of London. All the while these numerous strands of correspondence are being played out, Eliot struggles to find the time to compose his second play, The Family Reunion (1939), which is finally completed in 1938.
Despairing of his volatile, unstable wife, T. S. Eliot, at 44, resolves to put an end to the torture of his eighteen-year marriage.He breaks free from September 1932 by becoming Norton Lecturer at Harvard. His lectures will be published as The Use of Poetry and the Use of Criticism (1933). He also delivers the Page-Barbour Lectures at Virginia (After Strange Gods, 1934). At Christmas he visits Emily Hale, to whom he is 'obviously devoted'. He gives talks all over - New York, California, Missouri, Minnesota, Chicago - and the letters describing encounters with F. Scott Fitzgerald, Edmund Wilson and Marianne Moore ('a real Gillette blade') brim with gossip. High points include the première at Vassar College of his comic melodrama Sweeney Agonistes (1932). The year 'was the happiest I can ever remember in my life . . . successful and amusing.'Returning home, he hides out in the country while making known to Vivien his decision to leave her. But he is exasperated when she buries herself in denial: she will not accept a Deed of Separation. The close of 1933 is lifted when Eliot 'breaks into Show Business'. He is commissioned to write a 'mammoth Pageant': The Rock. This collaborative enterprise will be the proving-ground for the choric triumph of Murder in the Cathedral (1935).
This volume covers the production of Eliot's play The Family Reunion; the publication of The Idea of a Christian Society; and the joyous versifying of Old Possum's Book of Practical Cats. After exhausting himself through nights of fire-watching in the London wartime blackout, he travels the country, attends meetings of The Moot, delivers talks, and advises a fresh generation of writers including Cyril Connolly, Keith Douglas, Kathleen Raine and Vernon Watkins. Major correspondents include W. H. Auden, George Barker, William Empson, Geoffrey Faber, John Hayward, James Laughlin, Hope Mirrlees, Mervyn Peake, Ezra Pound, Michael Roberts, Stephen Spender, Tambimuttu, Allen Tate, Michael Tippett, Charles Williams and Virginia Woolf. Four Quartets, Eliot's culminating masterpiece, is discussed in detail.
T. S. Eliot's career as a successful stage dramatist gathers pace throughout the fascinating letters of this volume. Following his early experimentation with the dark comedy Sweeney Agonistes (1932), Eliot is invited to write the words of an ambitious scenario sketched out by the producer-director E. Martin Browne (who was to direct all of Eliot's plays) for a grand pageant called The Rock (1934). The ensuing applause leads to a commission from the Bishop of Chichester to write a play for the Canterbury Festival, resulting in the quasi-liturgical masterpiece of dramatic writing, Murder in the Cathedral (1935). A huge commercial success, it remains in repertoire after eighty years.Even while absorbed in time-consuming theatre work, Eliot remains untiring in promoting the writers on Faber's ever broadening lists - George Barker, Marianne Moore and Louis MacNeice among them. In addition, Eliot works hard for the Christian Church he has espoused in recent years, serving on committees for the Church Union and the Church Literature Association, and creating at Faber & Faber a book list that embraces works on church history, theology and liturgy. Having separated from his wife Vivien in 1933, he is anxious to avoid running into her; but she refuses to comprehend that her husband has chosen to leave her and stalks him across literary society, leading to his place of work at the offices of Faber & Faber. The correspondence draws in detail upon Vivien's letters and diaries to provide a picture of her mental state and way of life - and to help the reader to appreciate her thoughts and feelings.
In an engaging discussion that will appeal to all students of poetry, including veteran scholars, this book shows which poems most occupied the attention of these moderns, summarizes their attitudes toward historical romanticism, explores what use they made of aesthetic and ethical ideas from the critical prose of 1800-1825, and takes notice of when, where, and precisely how they adapted images and echoed phrases from romantic poetry for use in their own work. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.