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A "must" introduction to significant African-American events & people in Massachusetts where so much American history began. The first slaves arrived in Boston in 1638; the first Black gave his life in the Boston Massacre. Entries are dramatic bullet-style cameos set off by more than 100 photographs. Arranged chronologically within a dozen categories--Science, Religion, Government, Creative Arts, among them--the elegantly designed paperback offers instant identification of names & invites follow up research--a catalyst "to find out more." Among the entries: a high school student wins ten dollars in gold for her essay on the "Evils of Intemperance"; a physician fights for the right to deliver babies at the city hospital; Blacks unite in protest against the film BIRTH OF A NATION; a Boston mechanic invents a diving suit & a dentist invents a golf tee. The BOSTON GLOBE calls it a book that explores the "rich heritage & legacy of leaders who lived here but had an impact upon all America--including Frederick Douglass, William DuBois, Phillis Wheatley, Malcolm X, Dr. Martin Luther King, Jr." An executive of Bank of Boston, which funded the publication, calls it "a book about dreams." And the dreams came true. Available through Publisher's Sales Office--666 Boylston Street, Boston, MA 02116, Tele-(617)-536-5400. xt 346.
Today, Boston is in a uniquely powerful position to make our city more affordable, equitable, connected, and resilient. We will seize this moment to guide our growth to support our dynamic economy, connect more residents to opportunity, create vibrant neighborhoods, and continue our legacy as a thriving waterfront city.Mayor Martin J. Walsh's Imagine Boston 2030 is the first citywide plan in more than 50 years. This vision was shaped by more than 15,000 Boston voices.
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} In just three years, between 1893 and 1896, Frederick William MacMonnies’s Bacchante and Infant Faun evolved from a clay sketch in the artist’s Paris studio to the most controversial sculpture in the United States. Perceptions of the sculpture, which depicts an over life-size dancing woman who gleefully holds an infant in one arm and grapes aloft in the other, still range from provocative to innocuous. This Bulletin provides a close examination of Bacchante and Infant Faun, a work most frequently associated with the scandal that led to its acquisition: the public uproar over the impropriety of the figure’s nudity and her apparent inebriation spurred its original owner, architect Charles McKim, to withdraw it as a gift to the Boston Public Library and give it to The Met instead. While earlier studies focused almost exclusively on the controversy, this Bulletin takes a fresh look at one of the icons of the American Wing, from its origins in the artist's Beaux-Arts training to its place in the rich tradition of the bacchante as a subject of eighteenth- and nineteenth-century art.