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To read Lacan closely is to follow him to the letter, to take him literally, making the wager that he comes right out and says what he means in many cases, though much of his argument must be reconstructed through a line-by-line examination. And this is precisely what Bruce Fink does in this ambitious book, a fine analysis of Lacan's work on language and psychoanalytic treatment conducted on the basis of a very close reading of texts in his Icrits: A Selection. As a translator and renowned proponent of Lacan's works, Fink is an especially adept and congenial guide through the complexities of Lacanian literature and concepts. He devotes considerable space to notions that have been particularly prone to misunderstanding, notions such as "the sliding of the signified under the signifier,"or that have gone seemingly unnoticed, such as "the ego is the metonymy of desire." Fink also pays special attention to psychoanalytic concepts, like affect, that Lacan is sometimes thought to neglect, and to controversial concepts, like the phallus. From a parsing of Lacan's claim that "commenting on a text is like doing an analysis," to sustained readings of "The Instance of the Letter in the Unconscious," "The Direction of the Treatment," and "Subversion of the Subject" (with particular attention given to the workings of the Graph of Desire), Fink's book is a work of unmatched subtlety, depth, and detail, providing a valuable new perspective on one of the twentieth century's most important thinkers. Bruce Fink is a practicing Lacanian psychoanalyst, analytic supervisor, and professor of psychology at Duquesne University in Pittsburgh. He is the author of A Clinical Introduction to LacanianPsychoanalysis (1997) and The Lacanian Subject (1995). He has coedited three volumes on Lacan's seminars and is the translator of Lacan's Seminar XX, On Feminine Sexuality, the Limits of Love and Knowledge (1998), Icrits: A Selection (2002), and Icrits: The Complete Text (forthcoming).
The letters of one of the greatest observers of the human species, revealing his passion for life and work, friendship and art, medicine and society, and the richness of his relationships with friends, family, and fellow intellectuals over the decades, collected here for the first time. Dr. Oliver Sacks—who describes himself in these pages as a “philosophical physician” and a “neuropathological Talmudist”—wrote letters throughout his life: to his parents and his beloved Auntie Len, to friends and colleagues from London, Oxford, California, and around the world. The letters begin with his arrival in America as a young man, eager to establish himself away from the confines of postwar England, and carry us through his bumpy early career in medicine and the discovery of his writer’s voice; his weight-lifting, motorcycle-riding years and his explosive seasons of discovery with the patients who populate his book Awakenings; his growing interest in matters of sight and the musical brain; his many friendships and exchanges with writers, artists, and scientists (to say nothing of astronauts, botanists, and mathematicians), and his deep gratitude for all these relationships at the end of his life. Sensitively introduced and edited by Kate Edgar, Sacks’s longtime editor, the letters deliver a portrait of Sacks as he wrestles with the workings of the brain and mind. We see, through his eyes, the beginnings of modern neuroscience, following the thought processes of one of the great intellectuals of our time, whose words, as evidenced in these pages, were unfailingly shaped with generosity and wonder toward other people.
Alphabetic letters are ubiquitous, multivalent, and largely ignored. Playful Letters reveals their important cultural contributions through Alphabetics—a new interpretive model for understanding artistic production that attends to the signifying interplay of the graphemic, phonemic, lexical, and material capacities of letters. A key period for examining this interplay is the century and a half after the invention of printing, with its unique media ecology of print, manuscript, sound, and image. Drawing on Shakespeare, anthropomorphic typography, figured letters, and Cyrillic pedagogy and politics, this book explores the ways in which alphabetic thinking and writing inform literature and the visual arts, and it develops reading strategies for the “letterature” that underwrites such cultural production. Playful Letters begins with early modern engagements with the alphabet and the human body—an intersection where letterature emerges with startling force. The linking of letters and typography with bodies produced a new kind of literacy. In turn, educational habits that shaped letter learning and writing permeated the interrelated practices of typography, orthography, and poetry. These mutually informing processes render visible the persistent crumbling of words into letters and their reconstitution into narrative, poetry, and image. In addition to providing a rich history of literary and artistic alphabetic interrogation in early modern Western Europe and Russia, Playful Letters contributes to the continuous story of how people use new technologies and media to reflect on older forms, including the alphabet itself.
This book draws on elements from everyday life, architecture, and the arts to provide the reader with elementary notions of geometric topology. Pac Man, subway maps, and architectural blueprints are the starting point for exploring how knowledge about geometry and, more specifically, topology has been consolidated over time, offering a learning journey that is both dense and enjoyable. The text begins with a discussion of mathematical models, moving on to Platonic and Keplerian theories that explain the Cosmos. Geometry from Felix Klein's point of view is then presented, paving the way to an introduction to topology. The final chapters present the concepts of closed, orientable, and non-orientable surfaces, as well as hypersurface models. Adopting a style that is both rigorous and accessible, this book will appeal to a broad audience, from curious students and researchers in various areas of knowledge to everyone who feels instigated by the power of mathematics in representing our world - and beyond.
Beckett, Lacan and the Mathematical Writing of the Real proposes writing as a mathematical and logical operation to build a bridge between Lacanian psychoanalysis and Samuel Beckett's prose works. Arka Chattopadhyay studies aspects such as the fundamental operational logic of a text, use of mathematical forms like geometry and arithmetic, the human obsession with counting, the moving body as an act of writing and love, and sexuality as a challenge to the limits of what can be written through logic and mathematics. Chattopadhyay reads Beckett's prose works, including How It Is, Company, Worstward Ho, Malone Dies and Enough to highlight this terminal writing, which halts endless meanings with the material body of the word and gives Beckett a medium to inscribe what cannot be written otherwise.
This text contains a detailed introduction to general topology and an introduction to algebraic topology via its most classical and elementary segment. Proofs of theorems are separated from their formulations and are gathered at the end of each chapter, making this book appear like a problem book and also giving it appeal to the expert as a handbook. The book includes about 1,000 exercises.
Organized into topics ranging from lattice models in condensed matter physics to graph theory in mathematics. This title presents an overview of each of the topics and a look at how crucial developments emerged.
A fresh approach to topology makes this complex topic easier for students to master. Topology—the branch of mathematics that studies the properties of spaces that remain unaffected by stretching and other distortions—can present significant challenges for undergraduate students of mathematics and the sciences. Understanding Topology aims to change that. The perfect introductory topology textbook, Understanding Topology requires only a knowledge of calculus and a general familiarity with set theory and logic. Equally approachable and rigorous, the book's clear organization, worked examples, and concise writing style support a thorough understanding of basic topological principles. Professor Shaun V. Ault's unique emphasis on fascinating applications, from mapping DNA to determining the shape of the universe, will engage students in a way traditional topology textbooks do not. This groundbreaking new text: • presents Euclidean, abstract, and basic algebraic topology • explains metric topology, vector spaces and dynamics, point-set topology, surfaces, knot theory, graphs and map coloring, the fundamental group, and homology • includes worked example problems, solutions, and optional advanced sections for independent projects Following a path that will work with any standard syllabus, the book is arranged to help students reach that "Aha!" moment, encouraging readers to use their intuition through local-to-global analysis and emphasizing topological invariants to lay the groundwork for algebraic topology.
This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.
The essentials of point-set topology, complete with motivation and numerous examples Topology: Point-Set and Geometric presents an introduction to topology that begins with the axiomatic definition of a topology on a set, rather than starting with metric spaces or the topology of subsets of Rn. This approach includes many more examples, allowing students to develop more sophisticated intuition and enabling them to learn how to write precise proofs in a brand-new context, which is an invaluable experience for math majors. Along with the standard point-set topology topics—connected and path-connected spaces, compact spaces, separation axioms, and metric spaces—Topology covers the construction of spaces from other spaces, including products and quotient spaces. This innovative text culminates with topics from geometric and algebraic topology (the Classification Theorem for Surfaces and the fundamental group), which provide instructors with the opportunity to choose which "capstone" best suits his or her students. Topology: Point-Set and Geometric features: A short introduction in each chapter designed to motivate the ideas and place them into an appropriate context Sections with exercise sets ranging in difficulty from easy to fairly challenging Exercises that are very creative in their approaches and work well in a classroom setting A supplemental Web site that contains complete and colorful illustrations of certain objects, several learning modules illustrating complicated topics, and animations of particularly complex proofs