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New Directions is proud to be the publisher of the the distinguished Italian novelist Antonio Tabucchi, whose works include The Edge of the Horizon, a story of an “unimportant death,” now available for the first time in a paperback edition. Late on night, the body of a young man is delivered to the morgue of an Italian town. The next day's newspapers report that he was killed in a police raid, and that went by the obviously false name "Carlo Nobodi." Spino, the morgue attendant on duty at the time, becomes obsessed with tracing the identity of the corpse. "Why do you want to know about him?" asks a local priest. "Because he is dead and I'm alive," replies Spino. In this spare yet densely packed cautionary tale, Tabucchi reminds us that it is impossible to reach the edge of the horizon since it always recedes before us, but suggests that some people "carry the horizon with them in their eyes."
SSecret letters spark true love in this emotionally compelling romance from the New York Times bestselling author of A Curse So Dark and Lonely, Brigid Kemmerer. Juliet Young always writes letters to her mother, a world-traveling photojournalist. Even after her mother's death, she leaves letters at her grave. It's the only way Juliet can cope. Declan Murphy isn't the sort of guy you want to cross. In the midst of his court-ordered community service at the local cemetery, he's trying to escape the demons of his past. When Declan reads a haunting letter left beside a grave, he can't resist writing back. Soon, he's opening up to a perfect stranger, and their connection is immediate. But neither Declan nor Juliet knows that they're not actually strangers. When life at school interferes with their secret life of letters, sparks will fly as Juliet and Declan discover truths that might tear them apart.
Michael Curtiz (1888-1962) was without doubt one of the most important directors in film history, yet he has never been granted his deserved recognition and no full-scale work on him has previously been published. The Casablanca Man surveys Curtiz' unequalled mastery over a variety of genres which included biography, comedy, horror, melodrama, musicals, swashbucklers and westerns, and looks at his relationship with the Hollywood studio moguls on the basis of unprecedented archive research at Warner Brothers. Concentrating on Curtiz' best-known films - Casablanca, Angels With Dirty Faces, Mildred Pearce and Captain Blood among them - Robertson explores Curtiz' practical creative struggles and his friendships and rivalries with other film celebrities including Errol Flynn, Bette Davis and James Cagney, and his discovery of future stars. Casablanca Man is the first comprehensive critical exploration of Curtiz' entire career and, linking his European work and his subsequent American work into a coherent whole, Robertson firmly re-establishes Curtiz' true standing in the history of cinema.
Antonio Tabucchi's novel Requiem is set in Lisbon on a torrid July day. The unnamed narrator - clearly a persona of Tabucchi himself - awaits a midnight appointment on a quay of the Tagus. His time is filled with a succession of encounters with residents of the Portuguese capital, and with late friends and relations. Part travelog, part autobiography, part fiction, Requiem at once becomes a homage to a country and a people and a farewell to the past; requiescat in pace. In all this, the narrator himself remains shadowy, walking in a dream atmosphere. The midnight appointment approaches. The narrator meets at last with another unnamed writer, now long dead, though the evidence points to the great poet Fernando Pessoa. Requiem thus ends as an act of succession, the narrator's claim to a literary forebear who, like himself, is of evasive and manifold personalities.
A Los Angeles Times bestseller A New York Times Book Review “Editor’s Choice” Selection “Even the die-hardest Casablanca fan will find in this delightful book new ways to love the movie they were certain they could never love more.” —Sam Wasson, best-selling author of Fifth Avenue, 5 A.M. Casablanca is “not one movie,” Umberto Eco once quipped; “it is ‘movies.’” Film historian Noah Isenberg’s We’ll Always Have Casablanca offers a rich account of the film’s origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere.
Donated to the Library of Congress in the mid-1960s, Groucho Marx's correspondence was first crafted into this celebration of wit and wisdom in 1967. Reissued today with his original letters and humor intact, The Groucho Letters exposes one of the twentieth century's most beloved comedian's private insights into show biz, politics, business, and, of course, his illustrious personal life. Included are Marx's conversations with such noted personalities as E. B. White, Fred Allen, Goodman Ace, Nunnally Johnson, James Thurber, Booth Tarkington, Alistair Cooke, Harry Truman, Irving Berlin, and S. J. Perelman. To Confidential Magazine Gentlemen: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription. Sincerely, Groucho Marx
The film Casablanca opens with the words, “With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas.” Leslie Epstein’s Hill of Beans is the story of how one nation, one industry, and in particular one man responded to that desperate hope. That man is Jack Warner. His impossible goal is to make world events—most importantly, the invasion of North Africa by British and American forces in 1942—coincide with the release of his new film about a group of refugees marooned in Morocco. Arrayed against him are Stalin and Hitler, as well as Josef Goebbels, Franklin Roosevelt, a powerful gossip columnist, and above all a beautiful young woman with a terrible secret. His only weapons are his hutzpah and his heroism as he struggles to bring cinema and city, conflict and conference together in an epic command performance. Hill of Beans is the novel that Leslie Epstein—the son and nephew of Philip and Julius Epstein, the screenwriters of Casablanca—was born to write.
A literary thriller of heroin rings and headless bodies uncovers social ills and corruption in modern day Portugal, whileas in all of Tabucchi's workblurring genre boundaries. Antonio Tabucchi, Italy's premier writer and a best-selling author throughout Europe, draws together Manolo the gypsy, Firmino, a young tabloid journalist with a weakness for Lukacs and Vittorini, and Don Fernando, an overweight lawyer with a professed resemblance to the actor Charles Laughton, to solve a murder that leads far up and down Portugal's social ladder. As the investigation leads deeper into Portugal's power structure, the novel defies expectations, departing from the formulaic twists of a suspense story to consider the moral weight of power and its abuse.
Beloved author Jackson Pearce brings her trademark humor and emotion to a compelling and hopelessly romantic story about how impossible fame and love can be on their own, much less together. Maybe everything they say about Vivi Swan is true. Maybe America's Sweetheart is all fluff and no substance. And maybe every guy she dates is fodder for her next breakup song. But session drummer Remy Young doesn't care. Touring with Vivi Swan means more money than he and his brother could ever earn on their own. And he's smart enough to keep himself away from drama. Then a bus mix-up forces Remy and Vivi to spend hours together, and he's surprised to discover that she's nothing like the rumors said. When she asks for his help writing her next song, he's immediately on board—for professional reasons, of course. Soon, it's clear that every variation of their song is just a different way to write a love letter, even as Remy wonders if he's setting himself up to be the next guy on her list of exes. And when Vivi's private life and public facade finally clash, a celebrity gossip blog threatens everything they've created together...