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"Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.
Introduction : "A camera is a tool for learning how to see ...".
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
The J. Paul Getty Museum Journal 17 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 17 includes articles written by Elisabeth Doumeyrou, Gerhard Gruitrooy, Lee Hendrix, Clark Hulse, David Jaffé, Jean-Nérée Ronfort, and Belinda Rathbone.
Adolph F. Bandelier, Charles Fletcher Lummis, and Father Anton Docher are names closely associated with the early colonial days in New Mexico. All of these characters appear in this narrative of Isleta Pueblo which tells the story of Father Docher's life in the Indian pueblo from the day when he first arrived along the road that was bad, but the sunset beautiful in 1891 until the time of the death of his two great friends, Bandelier and Lummis, and his own death several months later in 1928. Father Docher's job was not an easy one, but his great patience and understanding helped him through many difficulties. The story goes into many of these and into much of the legend and superstition of Isleta Pueblo which the Padre encountered during his long life there. He was particularly interested in the story of Father Padilla, the Franciscan friar who came with Coronado's band, whose body was buried in the church at Isleta but which refused to stay underground. Julia Keleher was a member and Professor in the English Department of the University of New Mexico from 1931 to her retirement in 1959. She was also a professional writer and edited each of her brother, William A. Keleher's books, all of which have been published by Sunstone Press in its Southwest Heritage Series. Her collaboration with Elsie Ruth Chant resulted in this fascinating collection of incidents for all readers interested in the American Southwest. She was married to Lloyd Chant and raised two children, George Ashley Chant and Julia Jane Chant.
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph’s place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
"A classic on the functions, styles and structure of the major visual art forms, this well-received text is reputed to have the best treatment available on the theory and practice of art criticism. It examines the connection between the visual, social, and physical dimensions of everyday life in which the arts perform essential roles, while illustrating clearly the common features of theme and style in works of art separated by time and culture. For art critics, artists, and all those interested in art criticism."--Publisher.