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A biting, funny, always revealing collection of personal stories from the legendary Kid in the Hall, comedian, writer and director, Bruce McCulloch Comedian, writer, director and legendary Kid in the Hall Bruce McCulloch chronicles his journey from wild early days as a ‘young punk’ in 80’s Alberta, to his flannel plaid days and futon nights in 90's Toronto, to becoming a ‘pajama-clad dad’ living in the Hollywood Hills. From scowling teenager to father of two, this biting, funny collection of personal stories, peppered with moments of surprising poignancy, proves that although this infamous Kid may be all grown up, his singular brand of humor and signature wit remain firmly intact.
Happy Land is the happiest place to visit, or is it? Daily, Happy Land becomes threatened by the politics, sexuality, and a little terrorist hiding in Happy Land. Happy Land: A Novel will taking you on a roller coaster ride of all myths related to a single college, Bartholomew University of Delaware (BUD for short). Join the characters as they try to prevent Happy Land from total destruction at Bartholomew University of Delaware and try to make it their school. Happy Land: A Novel is a story line based off of the myths and stories of The Evergreen State College. Pictures were taken of the real Happy Land in the College Activities Building before it was destroyed in 2009. The book is dedicated to Happy Land from RIP 1989-2009
Young people are walking away from the church and those still in the church often struggle with indifference about their faith. But it doesn't have to be this way. It's time for a revolution, a holy uprising. A riot. With passion and authenticity, teen author Sara Barratt calls on her generation to reject apathy and embrace a daring, costly faith. Not content with safe religion that demands nothing of us, Sara shows teens how they can stop giving in to the status quo and devote themselves fully to Christ, following him no matter what their friends do or the culture around them does. She challenges them to give everything over--their comfort zones, their time, their loyalties, their pride--and discover that in losing control they are gaining the life that was meant for them all along. Love Riot is a battle cry from one teen to another to embrace a life of wholehearted commitment and relentless abandon for Christ . . . no matter the cost.
The Climb is a book of poetry that encompasses a wide range of experiences, moods, settings, and philosophies, all of which are based on biblical principles. Textured with the sights and sounds of modern schools, to church in the South, through the sunflower-ridden fields of Kansas, all the way to deserts and dark waters, these stunning poems tackle racism, depression, loss, and folly, but also love, hope, spirituality, wisdom, and potential. Through an aesthetic given to montage using an assortment of styles, these poems address the uneasy questions about relationships, love, death, forgiveness, riots, entitlement, and God’s unfailing love in spite of us. Hightower assesses America’s predominant fascinations with wealth, fame, pleasure, and acceptance. What is the meaning of life? How important is being accepted? Who are we beneath the surface of our flesh? These questions resonate within the halls of Hightower’s poems, and seldom are the answers reflected back without first requiring the reader to ponder.
The first book to explore their history, legacy, and influence This is a book about the Kids in the Hall „ the legendary Canadian sketch comedy troupe formed in Toronto in 1984 and best known for the innovative, hilarious, zeitgeist-capturing sketch show The Kids in the Hall „ told by the people who were there, namely the Kids themselves. John SemleyÍs thoroughly researched book is rich with interviews with Dave Foley, Mark McKinney, Bruce McCulloch, Kevin McDonald, and Scott Thompson, as well as Lorne Michaels and comedians speaking to the KidsÍ legacy: Janeane Garofalo, Tim Heidecker, Nathan Fielder, and others. It also turns a criticÍs eye on that legacy, making a strong case for the massive influence the Kids have exerted, both on alternative comedy and on pop culture more broadly. The Kids in the Hall were like a band: a group of weirdoes brought together, united by a common sensibility. And, much like a band, theyÍre always better when theyÍre together. This is a book about friendship, collaboration, and comedy „ and about clashing egos, lost opportunities, and one-upmanship. This is a book about the head-crushing, cross-dressing, inimitable Kids in the Hall.
In the current year of 2251, the world has been dominated by a new race of beings: Buranians. Genetically altered not to feel, they ruthlessly conquered the world and united it under one empire. The Elite is a resistance force that refuses to adhere to the new world laws and fights for their freedom. Neera is a Buranian living peacefully. That peace is shattered however, when The Elite launch an attack that kills the only person to ever care for her. Broken by the act, she declares revenge on their leader, Shadow. Shadow lives under the radar leading his resistance group and planning uprisings. It’s during one of these attacks that he stumbles upon something he didn’t realize he was missing. A petite, beautiful woman with the most gorgeous silver eyes he’s ever seen – a Buranian. At first, they mix like oil and water but circumstances beyond their control force them to spend time together. Neera soon finds herself unable to resist Shadow, and Shadow discovers a deep need for her, both with emotions not in their control. Can they find common ground and can they survive together? This is book one in The Final Rebellion series and a complete book. No cliffhanger. Publisher’s Note: This sci-fi romance contains elements of mystery, suspense, action, adventure, danger, power exchange and sensual themes. If any of these offend you, please do not purchase.
It is easy to condemn hip-hop for the condition of our society, but as we condemn our own young people for being who they are, what role do we play in making them who they are, and what do we have to offer them as an alternative to who they are? Hip-Hop Is Not Our Enemy is an insider's critique of the Black church's role and responsibility in co-opting hip-hop culture. It is written by a Black Baptist Pastor who survived a church split that occurred because of his dedication to co-opting hip-hop culture. The final chapter serves as a how-to guide to preparing a sermon that will connect with the hip-hop generation.
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