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If it were up to Mattie Markham, there would be a law that said your family wasn't allowed to move in the middle of the school year. After all, sixth grade is hard enough without wondering if you'll be able to make new friends or worrying that the kids in Pennsylvania won't like your North Carolina accent. But when Mattie meets her next-door neighbor and classmate, she begins to think maybe she was silly to fear being the "new girl." Agnes is like no one Mattie has ever met -- she's curious, hilarious, smart, and makes up the best games. If winter break is anything to go by, the rest of the school year should be a breeze. Only it isn't, because when vacation ends and school starts, Mattie realizes something: At school Agnes is known as the weird girl who no one likes. All Mattie wants is to fit in (okay, and maybe be a little popular too), but is that worth ending her friendship with Agnes?
The #1 New York Times bestselling (mostly true) memoir from the hilarious author of Furiously Happy. “Gaspingly funny and wonderfully inappropriate.”—O, The Oprah Magazine When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father and a morbidly eccentric childhood. It did, however, open up an opportunity for Lawson to find the humor in the strange shame-spiral that is her life, and we are all the better for it. In the irreverent Let’s Pretend This Never Happened, Lawson’s long-suffering husband and sweet daughter help her uncover the surprising discovery that the most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us the people we are today. For every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud, this is a poignant and hysterical look at the dark, disturbing, yet wonderful moments of our lives. Readers Guide Inside
A multicultural nexus, Toronto hosts Indian, Portuguese, African, Italian, and Chinese communities that provide fertile backdrops for Toronto Noir's corrosive expos s. Features brand-new stories by: RM Vaughan, Nathan Sellyn, Ibi Kaslik, Peter Robinson, Heather Birrell, Sean Dixon, Raywat Deonandad, Christine Murray, Gail Bowen, Emily Schultz, Andrew Pyper, Kim Moritsugu, Mark Sinnet, George Elliott Clarke, Pasha Malla, and Michael Redhill.
Bestselling author Mhairi McFarlane returns with another heartfelt romantic comedy perfect for fans of Josie Silver, Sophie Kinsella, or Sally Thorne. One of Shondaland's 5 Must-Read Books for March and a Best Romance of 2020 by Amazon, OprahMag, Insider, Buzzfeed, Bustle, Cosmo, PopSugar, and BookPage. If faking love is this easy... how do you know when it’s real? When her partner of over a decade suddenly ends things, Laurie is left reeling—not only because they work at the same law firm and she has to see him every day. Her once perfect life is in shambles and the thought of dating again in the age of Tinder is nothing short of horrifying. When news of her ex’s pregnant girlfriend hits the office grapevine, taking the humiliation lying down is not an option. Then a chance encounter in a broken-down elevator with the office playboy opens up a new possibility. Jamie Carter doesn’t believe in love, but he needs a respectable, steady girlfriend to impress their bosses. Laurie wants a hot new man to give the rumor mill something else to talk about. It’s the perfect proposition: a fauxmance played out on social media, with strategically staged photographs and a specific end date in mind. With the plan hatched, Laurie and Jamie begin to flaunt their new couple status, to the astonishment—and jealousy—of their friends and colleagues. But there’s a fine line between pretending to be in love and actually falling for your charming, handsome fake boyfriend...
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
“This book is for anyone who has ever felt ‘less than’ or on the outside. That is to say, this is a book for everyone.” —Elana K. Arnold, author of What Girls Are Made Of "With a clear, compelling voice, Walker creates a believable world where socioeconomic tensions challenge, but never defeat, her well-rounded characters."—Publishers Weekly (starred review) Claire Ladd knows that this summer is going to be special. She and her two best friends, Ronan and Brianna, are turning twelve. She is leaving camp behind and gets to do what she wants all day. She feels everything starting to change. But things don’t always change for the better. With Brianna’s cousin Eden visiting for the summer, Claire feels like a third wheel. Even though she is only a year older, Eden seems so much more sophisticated and glamorous . . . and when she's around, she takes up everyone’s attention, including Brianna’s. But that doesn’t explain why things have felt awkward with Brianna ever since she moved to a fancy new house, or why Ronan, who lives in the trailer next to Claire’s, has started acting moody anytime anyone mentions his dad. Claire has always been happy with her life just as it is, but as the summer wears on and the issues with her friends start to grow, she can’t help but wonder: Would everything be better if she could just be someone else?
The often-tortured class weirdo has disappeared, leaving an enigmatic note on the school library computer. Is he a runaway, a suicide, or a murder victim?
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
What happens when a young woman is accidentally caught up in a dangerous murder investigation, having merely been in the wrong place at the wrong time? Lacey Farrell, a rising star on the Manhattan real estate scene, is witness to a murder - and to the final words of the victim. The dying woman is convinced her attacker was after her dead daughter's journal, which Lacey gives to the police, but not before making a copy for herself. It's an impulse that later proves nearly fatal. Placed in the witness protection programme and sent to live in Minneapolis, Lacey must assume a fake identity, at least until the killer can be brought to trial. There she meets Tom Lynch, a radio talk-show host whom she tentatively begins to date - until the strain of her deception makes her break it off. Then she discovers the killer has traced her whereabouts. Armed with nothing more than her own courage and clues from the journal, Lacey heads back to New York determined to uncover who is behind the deaths of the two women… before she is the next casualty. A terrifyingly chilling bestseller from the internationally adored author of DADDY'S LITTLE GIRL
"Catullus (c. 84 - 53 BC) was raised in a leading equestrian family in Verona. At twenty he moved to Rome and fell in with a group of new poets, or neoteroi as Cicero called them, living a hedonistic existence for the better part of a decade. After his brother's death, Catullus' thoughts migrated home, perhaps to help with the family business and make a living to support a wife and family, something he would never achieve before his death at thirty. The pain of his brother's death, coupled with the pain of Lesbia's rejection and her unwillingness to marry him followed him until his final days. In Goodbye Horses, Nathaniel G. Moore reanimates the lion's share of Catullus' surviving poems in an absorbing homage to the beloved romantic, his world, the friends he loved, his style (elegy, anaphora, hyperbaton), the myths he riffed on (Attis, Laodamia and Protesilaus), the writers he admired (Sappho, Cicero) and the family he left behind. The book includes an afterword by the author with insight into Moore's more than twenty years studying, reading, thinking and dreaming with the late Latin bard, how his book differs from others, and why he's spent so many years with this particular dead poet."--