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Let’s Not Talk Anymore weaves together five generations of women from Weng Pixin’s family, each at age fifteen. Her lineage is full of breakages—her great grandmother Kuan is sent away from her family in South China, her grandmother Mèi is adopted by a neighbor to help with housework, and her mother, Bing, is heartbroken by her father’s estrangement. Pixin's own story centers on her feelings of isolation and her rebellion from her mother. She extends the line by envisioning a fictional future daughter, Rita, who questions her family’s legacy. While spanning one hundred years, Pixin moves back and forth in time seamlessly, as each woman experiences loneliness and kinship, hope and longing. As each story develops, generational traumas are revealed and fraught relationships passed on from mother to daughter. Creative impulses are stifled or nurtured. They struggle with poverty and neglect. And at some point each woman begins to separate herself from her situation and understand the woman she will become. Pixin’s bold, vibrant paintings fill the aching silences between generations with beauty and emotion. Her paintings conjure complete worlds that these women inhabit. Let's Not Talk Anymore is a family history filled with tender moments as these women find connection with plants, animals, and their own creative pursuits, while struggling to connect with one another.
A five-generation family history told through what is seen and heard, if not said Let’s Not Talk Anymore weaves together five generations of women from Weng Pixin’s family, each at age fifteen. Her lineage is full of breakages—her great grandmother Kuan is sent away from her family in South China, her grandmother Mèi is adopted by a neighbor to help with housework, and her mother, Bing, is heartbroken by her father’s estrangement. Pixin's own story centers on her feelings of isolation and her rebellion from her mother. She extends the line by envisioning a fictional future daughter, Rita, who questions her family’s legacy. While spanning one hundred years, Pixin moves back and forth in time seamlessly, as each woman experiences loneliness and kinship, hope and longing. As each story develops, generational traumas are revealed and fraught relationships passed on from mother to daughter. Creative impulses are stifled or nurtured. They struggle with poverty and neglect. And at some point each woman begins to separate herself from her situation and understand the woman she will become. Pixin’s bold, vibrant paintings fill the aching silences between generations with beauty and emotion. Her paintings conjure complete worlds that these women inhabit. Let's Not Talk Anymore is a family history filled with tender moments as these women find connection with plants, animals, and their own creative pursuits, while struggling to connect with one another.
Vibrant swathes of paint build resonant portraits of heartache, childhood memories, and loneliness Sweet Time is an intimate rumination on love, empathy, and confidence. Singaporean cartoonist Weng Pixin delicately explores strained relationships with a kind of hopefulness while acknowledging their inevitable collapse. Her stories are like a series of snapshots in a photo album or the brightest highlights from an Instagram profile. Gorgeous image follows gorgeous image in a delicate quest to find connection. A night out turns into a chance encounter that is at first ecstatic and then quickly descends into awkwardness. A round of “he loves me, he loves me not” becomes a way of reading every action taken by a distant love interest. A couple find themselves in an artificially beautiful landscape, but the relationship can’t survive their difference of opinion on the illusion of its beauty. In Sweet Time, thick and bold strokes of color mingle with delicate lines. Weng combines the colorful realism of Maira Kalman with a gentle wit and introspection all her own, crafting infinitely relatable stories of everyday life and love now.
Striking a perfect balance between heartfelt emotions and spot-on humor, this debut features a pop-culture enthusiast protagonist with an unforgettable voice sure to resonate with readers. Alice had her whole summer planned. Nonstop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting—working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she's asexual). Alice is done with dating—no thank you, do not pass go, stick a fork in her, done. But then Alice meets Takumi and she can’t stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!). When her blissful summer takes an unexpected turn and Takumi becomes her knight with a shiny library-employee badge (close enough), Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood. Claire Kann’s debut novel Let’s Talk About Love, chosen by readers like you for Macmillan's young adult imprint Swoon Reads, gracefully explores the struggle with emerging adulthood and the complicated line between friendship and what it might mean to be something more. Praise for Let’s Talk About Love from the Swoon Reads community: “A sweet and beautiful journey about self-discovery and identity!” —Macy Filia, reader on SwoonReads.com “There aren't many novels that have asexual characters and it's something people need more of.” —Alice, reader on SwoonReads.com “I want this on my shelf where I can admire it every day.” —Kiara, reader on SwoonReads.com
This riveting new novel is about a woman and a family pushed to the brink of destruction by a fatal disease and facing that most difficult question: How far can you go in the name of love?
This is the story of a great lie between members of a middle class family: the Daniels. The direction of their lives changed dramatically as a result of a marriage and the birth of a child. The Danielss alcohol dependency, the Powells unhealthy influence, a priests spiritual failure, erodes the weak structure which apparently sustains the moral principles of our characters, when they fall into a vast web woven into disloyalty, revenge and lust. Overwhelmed by the devastating result of their acts, they realized, but not until much later, that they had been their only victims for wanting to control the lives of others with the sole purpose of satisfying their harmful intentions. Reduced to living in constant turbidity, they did not suspect that inner reconciliation and redemption were hidden from the beginning, behind love. I would like to add a credit for the artist Jorge Posada, who provided his paintings for the covers of both books. Covers by Colombian artist Jorge Posada http://www.jorgeposada-art.com
A major new translation of a forgotten classic Paris, 1793, the onset of the Terror. Brave Republican Maurice rescues a mys-terious and beautiful woman from an angry mob and is unknowingly drawn into a secret Royalist plot—a plot revolving around the imprisoned Queen of France, Marie Antoinette, and her enigmatic and fearless champion, the Knight of Maison-Rouge. Full of surprising twists, breakneck adventure, conspiracies, swordplay, romance, and heroism, The Knight of Maison-Rouge is an exhilarating tale of selflessness, love, and honor under the shadow of the guillotine. Dumas here is at the very height of his powers, and with this first and only modern translation, readers can once again ride with the Knight of Maison-Rouge.
Ling Feng and Han Fei were only actors that had a relationship with the creators. Ling Feng was very cared for by Han Fei, which gave him a lot of confidence in winning the ultimate showdown in the Rock Capital. Han Fei was fairly confident in the Rainboys that she established by herself, even though she was a bit selfish when it was established — — Ling Feng could stay. However, Ling Feng and Wang Jun were both talented and serious with regards to music, and every time they recorded a song, they did not need to use a computer to produce it, no one on the stage or off-stage could match them! This caused Han Fei to feel gratified. She felt that her hard work had not been wasted ...
To look down on the world
When she woke up, she found that she was somehow involved in a series of bizarre events ...