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Graham Malone is my roommate, my personal eye candy, the reason I get up in the morning smiling (that could be from the illicit dreams I have about him too, I suppose. Let's move on.). He's also beautiful to look at, but his heart is where his true beauty lies. Take away the exterior and the interior still shines.  I love him.  I mean, I'm pretty sure I do, having never been in love before. Anyway, it seems legit. And now his brother Blake is here, and, well, he's the complete opposite of Graham. Sarcastic, brooding, and totally available. But he's leaving soon, and Graham's the one I want. I shouldn't have to remind myself of this, right? I wouldn't have to if Blake would quit looking at me like I'm something yummy and he's starving.  Here's a toast to roomies; the ones you should never fall in love with. Or something.
THE STORY: Michael Weller's Fifty Words culminated in one desperate phone call. SIDE EFFECTS is the story of what happened on the other end of the line. Hugh and Lindy's marriage seems picture-perfect, a beacon in their microcosmic Midwester
A mysterious healer with ancient secrets. A deadly game of deception and betrayal. A frantic hunt for truth and love. From outer appearances, Lindy Lee has it all: a successful career as a pediatrician, a gorgeous husband that adores her, and the son that she always wanted. Just when she thinks all is safe and secure in her world, Nick Lewis, the man who betrayed her love reappears after ten years and her life spins out of control. Lindy's career, her son's health and marriage spiral downhill as she is pursued relentlessly by Nick and attacked by the same people who years earlier had ridiculed her for her spiritual beliefs. It is not until she comes in contact with a mysterious healer that she and the others tied together by their secret passions, greed and religious beliefs are forced to face long-buried hurts. But Lindy Lee is hiding behind a past that . Betrayed by her family and the man she loved, she harbors feelings of anger and distrust.
BOOK DESCRIPTION: The CIRCLE is a fast-moving, action-packed story about a real, notorious gang of teenagers. They cared little about who they stomped, what vandalism they did, or whose car they swiped in their attempts to get back at the "codger" and "bags" of the community. The inside details of the many jobs they pulled, how the kids behave toward each other, and what they really think of adults is plainly revealed. Although the story is about teenagers and written for teenagers it is a gutsy book and not for the squeamish or chicken-hearted. The story will "turn off" most adults but it is MUST reading for those parents who refuse to understand their teenagers as a lesson in what can happen if their kids finally "tune them out". AUTHOR BIO: James A. Coleman is a retired college physics professor. However, he has spent a good deal of time as an unpaid street worker helping troubled youths, especially those who organized into street gangs. The CIRCLE is a fictionalised story of one of these gangs. Coleman is also a well-established author of science books for the layman.
Lindy and Ricky are young and in love. Lindy is pretty, blond and petite, and is still grieving over the loss of her mother and sad because her father ignores her. Ricky, tall, dark, and extremely handsome, still misses his father who died suddenly from a heart attack when Ricky was thirteen. Since he just can't get along with his nagging mother, she sends him away from Chicago to live with his uncle in Pittsburgh. On his second day in a new school, he meets Lindy, and from the moment they meet they are dazzled by the strong electricity between them. By the end of the day a strong bond has already begun to form between them. Their relationship is challenged by many adversities, but through it all, the bond only becomes stronger and makes them even more determined to be together. Ricky's Uncle Nick Loves both Lindy and Ricky and recognizes that their love for each other is very real. He becomes a strong ally in their corner as they challenge the rest of the world defending their love and the right to be together forever. This is the first book of the trilogy, followed by "The Bushes are Red" and then "The Full Nelson."
In the early days of swing dancing, Frankie Manning stood out for his moves and his innovative routines; he created the "air step" in the Lindy hop, a dance that took the U.S. and then the world by storm. In this fascinating autobiography, choreographer and Tony Award winner (Black and Blue) Frankie Manning recalls how his first years of dancing as a teenager at Harlem's Savoy Ballroom led to his becoming chief choreographer and a lead dancer for "Whitey's Lindy Hoppers," a group that appeared on Broadway, in Hollywood musicals, and on stages around the globe. Manning brings the Swing Era vividly back to life with his recollections of crowded ballrooms and of Lindy hoppers trying to outdo each other in spectacular performances. His memories of the many headliners and film stars, as well as uncelebrated dancers with whom he shared the stage, create a unique portrait of an era in which African American performers enjoyed the spotlight, if not a star's prerogatives and salary. With collaborator Cynthia Millman, Manning traces the evolution of swing dancing from its early days in Harlem through the post-World War II period, until it was eclipsed by rock 'n' roll and then disco. When swing made a comeback, Manning's 30-year hiatus ended. He has been performing, choreographing, and teaching ever since.
When Char Hawthorn's husband dies unexpectedly, she is left questioning everything she once knew to be true: from the cozy small town life they built together to her relationship with her stepdaughter, who is suddenly not bound to Char in any real way. Untethered explores what bonds truly form a family and how, sometimes, love knows no bounds. Char Hawthorn, college professor, wife and stepmother to a spirited fifteen-year-old daughter, loves her family and the joyful rhythms of work and parenting. But when her husband dies in a car accident, the “step” in Char’s title suddenly matters a great deal. In the eyes of the law, all rights to daughter Allie belong to Lindy, Allie’s self-absorbed biological mother, who wants to girl to move to her home in California. While Allie begins to struggle in school and tensions mount between her and Char, Allie’s connection to young Morgan, a ten-year-old-girl she tutors, seems to keep her grounded. But then Morgan, who was adopted out of foster care, suddenly disappears, and Char is left to wonder about a possible future without Allie and what to do about Morgan, a child caught up in a terrible crack in the system.
In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era. This is a witch hunt. We're witches, and we're hunting you. From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You've got one. In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history. West writes, "We were just a hair's breadth from electing America's first female president to succeed America's first black president. We weren't done, but we were doing it. And then, true to form—like the Balrog's whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, 'If I can't have you, no one can'—white American voters shoved an incompetent, racist con man into the White House." We cannot understand how we got here‚—how the land of the free became Trump's America—without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.
"Fifty Words has a gimlet eye, providing meticulously chosen, artfully integrated details that let us understand why its characters so love and loathe each other. Like Mr. Albee's Who's Afraid of Virginia Woolf? it understands how closely hate and love can be linked in marriage."—The New York Times In Fifty Words, a Brooklyn brownstone becomes a marital battleground for Adam and Jan; Do Not Disturb dramatizes Adam's infidelity at a hotel with former lover Melinda; and in Side Effects, Melinda and her husband Hugh come to terms with their broken relationship. Michael Weller has written over forty dramatic works, including the plays Moonchildren, Fishing, Loose Ends, and Beast, and the screenplays for Hair and Ragtime.