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Secular Musicals - Classroom
(Piano/Vocal/Guitar Songbook). This fun collection features kid-friendly versions of 18 big pop hits from the blockbuster album series! Songs include: Airplanes * Baby * Bad Day * Cooler Than Me * Dynamite * Firework * Hey, Soul Sister * I Gotta Feeling * Just the Way You Are * Party in the U.S.A. * and more.
In this picture book interpretation of Laurie Berkner's "Pillowland" song, three siblings embark on a bedtime adventure, visiting a land where everything is made of pillows.
"Part songbook, part research text, this work is perfect for families to share together or for young scholars who seek to discover an important piece of cultural history."— School Library Journal, starred review From Newbery Honor winner Patricia C. McKissack and two-time Caldecott Honor winner Brian Pinkney comes an extraordinary must-have collection of classic playtime favorites. This very special book is sure to become a treasured keepsake for African American families and will inspire joy in all who read it. Parents and grandparents will delight in sharing this exuberant book with the children in their lives. Here is a songbook, a storybook, a poetry collection, and much more, all rolled into one. Find a partner for hand claps such as “Eenie, Meenie, Sassafreeny,” or form a circle for games like “Little Sally Walker.” Gather as a family to sing well-loved songs like “Amazing Grace” and “Oh, Freedom,” or to read aloud the poetry of such African American luminaries as Langston Hughes, James Weldon Johnson, and Paul Laurence Dunbar. And snuggle down to enjoy classic stories retold by the author, including Aesop’s fables and tales featuring Br’er Rabbit and Anansi the Spider. "A rich compilation to stand beside Rollins’s Christmas Gif’ and Hamilton’s The People Could Fly." —The Horn Book "An ebullient collection.... There is an undeniable warmth and sense of belonging to these tales." —Kirkus Reviews, Starred
Baby and his family make some jazzy music.
(Expressive Art (Choral)). The Disney film Moana is tremendously entertaining, with stunning oceanic animation, a captivating adventure tale, feisty heroine and tuneful musical numbers by Hamilton's Lin-Manuel Miranda and the authentic Polynesian sounds of Opetaia Foa'I and Te Vaka. The arrangements in this collection have been carefully adapted for young unison voices with optional harmonies for added fun. Songs include: How Far I'll Go, Shiny, We Know the Way, Where You Are, You're Welcome.
Can't a wolf just get some bacon? Authored by YouTuber Kyle Exum, Trap 3 Little Pigs is a modern twist of the original Three Little Pigs tale. Complimented by the "Trap 3 Little Pigs" song, the story involves a hungry wolf who just needs an entree for his dinner date, as well as three intelligent and athletic pigs. Although the story is structured as a children's book, the mixture of modern pop culture references and relatable humor is meant to be enjoyed by all ages. The words in this version of the story are modified from the lyrics in the "Trap 3 Little Pigs" song to be friendlier to young readers.
Find customized playlists, sample lessons, and anecdotes from teachers across all subjects and grades who use music to manage mood, energy, and learning in this handbook.
Player. Jock. Slacker. Competitor. Superhero. Goofball. Boys are besieged by images in the media that encourage slacking over studying; competition over teamwork; power over empower - ment; and being cool over being yourself. From cartoons to video games, boys are bombarded with stereotypes about what it means to be a boy, including messages about violence, risktaking, and perfecting an image of just not caring. Straight from the mouths of over 600 boys surveyed from across the U.S., the authors offer parents a long, hard look at what boys are watch ing, reading, hearing, and doing. They give parents advice on how to talk with their sons about these troubling images and provide them with tools to help their sons resist these mes sages and be their unique selves.
In the early years of the twenty-first century, the US music industry created a new market for tweens, selling music that was cooler than Barney, but that still felt safe for children. In Tween Pop Tyler Bickford traces the dramatic rise of the “tween” music industry, showing how it marshaled childishness as a key element in legitimizing children's participation in public culture. The industry played on long-standing gendered and racialized constructions of childhood as feminine and white—both central markers of innocence and childishness. In addition to Kidz Bop, High School Musical, and the Disney Channel's music programs, Bickford examines Taylor Swift in relation to girlhood and whiteness, Justin Bieber's childish immaturity, and Miley Cyrus/Hannah Montana and postfeminist discourses of work-life balance. In outlining how tween pop imagined and positioned childhood as both intimate and public as well as a cultural identity to be marketed to, Bickford demonstrates the importance of children's music to core questions of identity politics, consumer culture, and the public sphere.