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I am on top of a mountain by a lake, with other mountains towering irregularly in all directions; a primeval wilderness, in fact, for every mountain is covered with a dense forest, and we reached our lake by an ascent up an almost perpendicular “corduroy” road—made of logs. Agatha and I walked most of the time, for the way the horses stumbled and strained was appalling. Of course poor Bertie had to stay in the “buckboard”—a sort of box on wheels without springs—and stand the terrible jolting; but I think the unique experience diverted him and he would have enjoyed it rather if it had not been for the poor horses. I could not look at them, and lingered some distance behind and stared into this wonderful forest. The Adirondacks are said to be one of the original ranges of the earth, and when one reflects that these spruces and maples and hemlocks and birches had great-grandfathers about the same time—the sensation is almost uncanny, and I realise how over-civilised we all are. Not that I am blasée at twenty-six. God forbid; and I never have been so keen about anything in my life as I am to see every rapidly succeeding phase of this extraordinary country. It is so new, so various, so contradictory, so vital, so un-European. But to return to the Adirondacks. By the merest good fortune we did not have to go to an hotel, for, in spite of the fact that we brought over a retinue of servants, I am sure that even Quick never would have known how to go to work to find a house in this wilderness, and it would have come to our taking a floor—if we could get it—of some hotel, and having no end of bother. But on the Oceanic we got to know rather well a Mr. Rogers, who belongs to one of the many clubs that own lakes and tracts in the Adirondacks, and he offered us his house or “camp”—said that his mother and sister were going abroad this summer, and that he could live at the Club House, which he preferred. Of course Bertie and Agatha demurred, as the club rules would not permit Mr. Rogers to accept any rent; but I said at once to take it, and gave them no peace till they consented. I urged that we could repay Mr. Rogers’ hospitality a hundred fold in England, that we all hated hotels and bother, and that it was of the utmost importance to settle Bertie at once. Now they are very grateful to me, for Bertie, poor darling, is better already, and the house is not only comfortable but charming. It would hold five or six people besides the servants, and is built of big logs, with the rough bark on, and an upper and lower veranda connected by little flights of stairs. Inside it is “sealed” with diagonal strips of polished wood instead of plaster; the floors are also of hard wood with rugs, and the furniture is mostly cane and very picturesque and jolly. In the living-room is a huge fireplace of stones with the moss on, the low ceiling is crossed with heavy beams, and there are several mounted deer heads. From the front verandas and windows we get a fine view of the lake and the little irregularities which form its bays, but on all other sides we look directly into the forest. There is no clearing to speak of about the house, and the tall spruce-trees, pointed like church spires, and the maples with their delicate beautiful leaves form a perfect wall; for their branches grow to the very ground. It is all very wild, and I am writing to you on a table made from the lower section and part of the roots of a tree.
Over the last two decades, the experiences of colonization and decolonization, once safely relegated to the margins of what occupied students of history and literature, have shifted into the latter's center of attention, in the West as elsewhere. This attention does not restrict itself to the historical dimension of colonization and decolonization, but also focuses upon their impact upon the present, for both colonizers and colonized. The nearly fifty essays here gathered examine how literature, now and in the past, keeps and has kept alive the experiences - both individual and collective - of colonization and decolonization. The contributors to this volume hail from the four corners of the earth, East and West, North and South. The authors discussed range from international luminaries past and present such as Aphra Behn, Racine, Blaise Cendrars, Salman Rushdie, Graham Greene, Derek Walcott, Guimarães Rosa, J.M. Coetzee, André Brink, and Assia Djebar, to less known but certainly not lesser authors like Gioconda Belli, René Depestre, Amadou Koné, Elisa Chimenti, Sapho, Arthur Nortje, Es'kia Mphahlele, Mark Behr, Viktor Paskov, Evelyn Wilwert, and Leïla Houari. Issues addressed include the role of travel writing in forging images of foreign lands for domestic consumption, the reception and translation of Western classics in the East, the impact of contemporary Chinese cinema upon both native and Western audiences, and the use of Western generic novel conventions in modern Egyptian literature.