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Neon designer Dusty Sprengnagel has travelled the world, photographing neon. His company in Vienna has won many awards for its excellence in design and installation of neon signage and graphics. This book features the best neon he's designed and seen, and "neon guru" Rudi Stern, author of Let there be Neon and a good friend of Sprengnagel's, provides timely commentary in the introduction.
Take to the road to discover the history and artistry of North America’s disappearing neon signs. Neon Road Trip chronicles the history of the commercial neon sign with a curated collection of photographs capturing the most colorful and iconic neon still surviving today. The vivid photographs are arranged according to the signs' imagery, with sections such as Spirit of the West, On the Road, Now That’s Entertainment, and Ladies, Diving Girls & Mermaids. Sixteen of the most iconic landmark signs include brief histories on how that unique sign came to be. A resource section includes a photography index by location and a Neon Museums Visitor’s Guide. John Barnes studied art, graphic design, sculpture and photography, earning a BFA degree in documentary photography from the University of Delaware 1984. He worked as a commercial advertising photographer for over fifteen years both on the east coast and in San Francisco, and has been a fine art photographer for the last 30 years. He recently spent the last two years traveling around the United States and Canada photographing iconic neon signs. John resides in Seattle but spends most of his time traveling taking photographs.
"Neon is art! [The author is] an international authority on neon, who is himself an artist and sculptor. [He] has gathered a collection of dramatic photos of neon; colourful visual examples from an extraordinarily diverse variety of sources divided into the following categories: graphics, architecture, products and sculpture". -Inside flap.
A meditation on southwestern terrains, intergenerational queer dynamics, and surveilled brown artists that crosses physical and conceptual borders. Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez’s debut essay collection, Brown Neon, gleans insight from the sediment of land and relationships. For Gutiérrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds. Whether contemplating the value of adobe as both vernacular architecture and commodified art object, highlighting the feminist wounding and transphobic apparitions haunting the multigenerational lesbian social fabric, or recalling a failed romance, Gutiérrez traverses complex questions of gender, class, identity, and citizenship with curiosity and nuance.
A National Book Foundation "5 Under 35" Honoree “An enchanting, sparkling book about the many meanings of sisterhood.” —Kristin Iversen, Refinery29 Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don’t), and the unexpected friends who help you find your truest self Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They take over the care of a halfway house, where they live alongside their charges, such as the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone to teach math at a local all-girls high school, where for the first time in years she has to reckon all on her own with what she sees and feels. Who will she be if she isn’t with her sisters? These women, the church, have been her home. Or has she just been hiding? Disarming, delightfully deadpan, and full of searching, Claire Luchette’s Agatha of Little Neon offers a view into the lives of women and the choices they make.
Neon signs turned North America's roadside into a luminous wonderland in the mid-20th century. These unforgettable depictions of exploding bowling pins, crashing cars, baton twirling majorettes, and lassoing cowboys were the fodder for legend and lore. Neon designer Len Davidson has captured their magic with over 350 photos of superb vintage signs. In the text, voices of neon sign makers, shopkeepers, photographers, and preservationists record their legends in words, while a definitive photo archive gives architects and sign artisans an invaluable resource. This volume is a treasure for all who have been captured by the spell of vintage neon.
A collection of stories about the outsiders - the criminals, the soldiers, the addicts, the mathematicians, the gamblers and the cage fighters, the refugees and the rebels. From the battlefield to alternate realities to the mean streets of the dark city, we walk in the shoes of those who struggle to survive in a neon-saturated, tech-noir future. Twelve hard-edged stories from the dark, often violent, sometimes strange heart of cyberpunk, this collection - as with all the best science fiction - is an exploration of who were are now. In the tradition of Dashiell Hammett, Philip K Dick, and David Mitchell, Neon Leviathan is a remarkable debut collection from a breakout new author. "Haunting and iridescent--combines the paranoid weirdness of the best Philip K Dick, the chilly but cool-as-fuck future gleam of cyberpunk, and an achingly beautiful literary inflection reminiscent of mainstream heavyweights like Murakami or Ishiguro. T. R. Napper's futures feel at once gritty and vertiginous and close-focus human in the way only the best SF can manage. Whatever roadmap he's working from, I can't wait to see where he's taking us next." Richard Morgan, author of Altered Carbon "It is easier to write about violence than to write about the aftermath--the grief, the guilt, the long-held trauma. It's easier to write about the shouted argument than the taut silence which follows it. It's easier to write about dreamlike unreality than it is to invest a reader in the mundane and the everyday. And yet the stories within Neon Leviathan balance all these competing demands with a deft and masterful hand." Adrian Tchaikovsky, author of Children of Time "Heartbreaking... it evokes the depth of Chinese history, the successive wars, the poetry that expresses both the love of the landscape and the pain of the soldier leaving home, perhaps never to return." (for Dark on a Darkling Earth) Lois Tilton, Locus Magazine "T. R. Napper's cyberpunk story is a standout [in the collection], featuring a download with the tension of a high-speed chase" (for Twelve Minutes to Vinh Quang) Publisher's Weekly "The story is by turns blackly funny, speculatively impressive, and bleakly moving." (for A Strange Loop) Rich Horton, Locus Magazine "Wonderfully strange" (for An Advanced Guide to Successful Price-Fixing in Extra-Terrestrial Betting Markets) Sci Fi Review "Darkly gonzoid" (for An Advanced Guide to Successful Price-Fixing in Extra-Terrestrial Betting Markets) Lois Tilton, Locus Magazine "Thrilling and Moving" (for Ghosts of a Neon God) Rocket Stack Rank "The whole reads like a fever dream" (for Great Buddhist Monk Beat Down) Tangent Online