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A widower with four adopted daughters, Emmit McKay likes to keep a handle on things. But nothing can prepare the former FBI sharpshooter for the battles coming to his small hometown. Especially the one which arrives in such a tempting package. Savannah Walker moves to Blue Creek to take over as principal of the school Emmit’s daughters attend. With a masters’ degree in education and a no-nonsense attitude, she is caught off guard by the behavior of the McKay girls and never expects to fall in love with them—or in lust with their father. But her intimacy with the family stirs up rumors and unearths secrets. Savannah and Emmit cannot deny the chemistry which draws them together, but the closer they get, the more dangerous the stakes become. When a murderer is hidden amongst you, you can’t let the dead lie.
The second in a crime series set in 1950's South Africa when apartheid laws were first introduced, Detective Emmanuel Cooper now returns to face murder, passion, and corrupt South African politics. Emmanuel Cooper’s life has an “ex” through it: ex-soldier, ex-detective sergeant, and ex-white man. He now works undercover surveillance on the seedy Durban docks to make a living, documenting police corruption for his old boss. All of that changes when he discovers the body of a brutally murdered young errand boy, forcing Emmanuel out of the shadows. He decides that he has no choice but to elude the police in order to conduct his own unofficial investigation. But after two more identical murders, Emmanuel becomes the police department’s prime suspect. Finding the serial killer is even more urgent than before. He dives into the Durban underworld for answers and finds the murders are part of something bigger than he could have imagined, and is soon deep into the politics within South Africa. Under the pressure of new racial segregation laws Emmanuel must find the killer before the Durban police pin the crimes on him. Full of suspense and an unraveling mystery, Nunn offers a glimpse into South African politics during the 1950s and living under the racial segregation laws enforced by the National Party.
Kristin van Ogtrop knows she's lucky-fulfilling career, great husband, three healthy kids, and, depending on the hamster count, an impressive roster of pets. You could also say she's half-insane, but name one working mom who isn't. Using stories and insights from her own life, van Ogtrop offers a lexicon for working moms everywhere. Terms and concepts illustrate the highs (kids who know where their soccer cleats are, coworkers who don't hit "Reply All," dogs who helpfully eat whatever falls from the table) and the lows (getting out of the house in the morning, getting along with everyone at the office, getting willful kids into bed) of balancing work and family. Filled with amusing and resonant observations, Just Let Me Lie Down establishes van Ogtrop as the Erma Bombeck of the new millennium.
A centuries-old bust of an evil, demonic man was stolen from a New Orleans grave. Its current owner shows up at Danni Cafferty's antiques shop, but before Danni can buy the statue, it disappears and the owner is found dead. Michael Quinn, a private investigator, believes that the right thing to do is to find and destroy this object weighted with malevolent powers. He and Danni follow it through sultry nights to hidden places in the French Quarter and secret ceremonies on abandoned plantations.
"Casey is a true craftswoman, a writer who beguiles one through the most twisted of plots with a confident and seductive hand. Let The Dead Speak is sharp, complex and gripping to the very end" Alex Marwood, bestselling author of Wicked Girls and The Killer Next Door When eighteen-year-old Chloe Emery returns to her West London home she finds her mother missing, the house covered in blood. Everything points to murder, except for one thing: there’s no sign of the body. London detective Maeve Kerrigan and the homicide team turn their attention to the neighbours. The ultra-religious Norrises are acting suspiciously; their teenage daughter and Chloe Emery definitely have something to hide. Then there’s William Turner, once accused of stabbing a schoolmate and the neighborhood’s favorite criminal. Is he merely a scapegoat, or is there more behind the charismatic façade? As a body fails to materialize, Maeve must piece together a patchwork of testimonies and accusations. Who is lying, and who is not? And soon Maeve starts to realize that not only will the answer lead to Kate Emery, but more lives may hang in the balance. With Let the Dead Speak, Jane Casey returns with another taut, richly drawn novel that will grip readers from the opening pages to the stunning conclusion.
Screenwriter Nunn draws on her true-life experience growing up in Africa to create this darkly romantic crime novel set in 1950s apartheid South Africa. Detective Emmanuel Cooper is caught up in a time and place where racial tensions and the raw hunger for power make for dangerous times.
First published: United Kingdom: Little Brown Book Group Limited, 2018.
Detective Sergeant Emmanuel Cooper returns in this powerful, atmospheric novel about two communities forced to confront each other after a murder that exposes their secret ties and forbidden desires in apartheid South Africa, by award-winning author Malla Nunn. The body of a beautiful seventeen-year-old Zulu girl, Amahle, is found covered in wildflowers on a hillside in the Drakensberg Mountains, halfway between her father’s compound and the enormous white-owned farm where she worked. Detective Sergeant Cooper and Detective Constable Samuel Shabalala are sent to the desolate landscape to investigate. They soon discover that Amahle’s life was woven into both the black and white communities in ways they could never have imagined. Cooper and Shabalala must enter the guarded worlds of a traditional Zulu clan and a divided white farming community to gather up the secrets she left behind and bring her murderer to justice. In a country deeply divided by apartheid, where the law is bent as often as it is broken, Emmanuel Cooper fights against all odds to deliver justice and bring together two seemingly disparate and irreconcilable worlds despite the danger that is arising.
Saida Agostini's first full-length poetry collection, let the dead, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. Audacious, sensual, and grieving, this work explores how Black women harness the fantastic to craft their own road to freedom. A journey across Guyana, London, and the United States, it is a meditation on black womanhood, queerness, the legacy of colonization, and pleasure. These poems craft a creation story fat with love, queerness, mermaids, and blackness.
“The entire series is simply elegant.”—Lisa Gardner, #1 New York Times bestselling author In this historical mystery from the national bestselling author of Who Slays the Wicked, the abduction and murder of a young boy takes Sebastian St. Cyr from the gritty streets of London to the glittering pleasure haunts of the aristocracy... London, 1813. One of the city's many homeless children, Benji Thatcher was abducted and murdered—and his younger sister is still missing. Few in authority care about a street urchin's fate, but Sebastian St. Cyr, Viscount Devlin, refuses to let this killer go unpunished. Uncovering a disturbing pattern of missing children, Sebastian is drawn into a shadowy, sadistic world. As he follows a grim trail that leads from the writings of the debauched Marquis de Sade to the city's most notorious brothels, he comes to a horrifying realization: Someone from society's upper echelon is preying upon the city's most vulnerable. And though dark, powerful forces are moving against him, Sebastian will risk his reputation and his life to keep more innocents from harm...