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Perhaps the greatest book of poetry ever written. Matty Cox is a sheer genius and a cunning linguist. He paints words onto a page the way Da Vinci did onto ceilings, or was that Michelangelo? Either way, he's impressive. The emotionality of this master work explodes from the pages and hits you straight in the face with a walloping force. This book will mesmerize and provocatize. If you don't buy this book right now you must suffer from some sort of genetic disorder that affects the part of your brain that controls good decisions, because you will be clearly making a bad decision. Considered by the Incas to be a cross between William Shakespeare and Wilt Chamberlain, Matty Cox is truly a genius of our time. Please, let him put his poems in you. They won't disappoint.
This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire—how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.
Perhaps the greatest book of poetry ever written. Matthew James is a sheer genius and a cunning linguist. He paints words onto a page the way da Vinci did onto ceilings, or was that Michelangelo? Either way, he's impressive. The emotionality of this master work explodes from the pages and hits you straight in the face with a walloping force. This book will mesmerize and provocatize. Nothing is taboo to Matthew James. He regularly breaks boundaries with his insights on subjects like sex, liquor fuelled promiscuity, and women. Considered by the Incas to be a cross between William Shakespeare and Wilt Chamberlain, Matthew James is truly a genius of our time. Please, let him put his poems in you. They won't disappoint.
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
Learning about the ancient Jewish tradition of midrash, a rabbinic form of textual interpretation that seeks and imagines answers to unanswerable questions, felt to Amy Bornman like a poetic invitation to re-engage with the Bible in a new way. There is a Future: A Year of Daily Midrash – an award-winner in the Paraclete Poetry Prize competition – grew from a yearlong project to read the Bible daily, and write daily midrashic poems in response to the readings—to honor the text by wondering about, and struggling with, it. By engaging particular passages of scripture across the Old and New Testaments directly, these poems imagine new dimensions of the text, and make vivid connections to the world as it is now and to the author’s own life—emerging at year’s end with new hope in a future that at times feels impossible, as the days pile on days and the text’s enduring questions continue to ring.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Within the pages of 'The Santa's Big Book of Christmas Tales: 500+ Novels, Stories, Poems, Carols & Legends' lies a treasure trove of carefully curated works, each contributing to the rich tapestry of Christmas literature across the ages. This anthology boasts an impressive array of literary styles, from the gilded narratives of Charles Dickens to the poignant verses of William Wordsworth, enveloping readers in the diverse and multifaceted celebrations of Christmas. Noteworthy for its inclusivity and breadth, the collection showcases a vast spectrum of emotional and thematic variations on the Yuletide spirit, making it a quintessential compendium for the holiday season. The collection stands out for its embracement of both the legendary, as seen in the fantastical tales of George Macdonald, and the intimately personal, as reflected in Emily Dickinson's delicately wrought poetry, offering a panoramic view of Christmas through the literary lens. The assembled authors, a veritable who's who of literary giants spanning centuries, bring together a harmonious blend of voices that reflect their respective eras, cultural backgrounds, and personal philosophies. From the romantic optimism of Henry Wadsworth Longfellow to the critical social narratives of Charles Dickens, the anthology bridges the gap between past and present, making timeless themes of hope, generosity, and reflection accessible to a contemporary audience. The diversity of literary movements represented—from Romanticism to Realism and beyond—enriches the collection, providing a layered and nuanced exploration of Christmas traditions and their evolution. By delving into 'The Santa's Big Book of Christmas Tales,' readers are afforded an unparalleled opportunity to explore the depth and breadth of Christmas literature. The collection not only serves as a testament to the enduring allure of holiday storytelling but also as an educational journey through the landscapes of literary history. It is an essential addition to the libraries of scholars and enthusiasts alike, inviting a deepened appreciation for the artistic and cultural dimensions of the holiday season. Offering more than just entertainment, this anthology stimulates a dialogue between the classic and the contemporary, the solemn and the celebratory, encouraging readers to revisit and rediscover the enchantment of Christmas through the ages.