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Joe Strummer's untimely death at the age of fifty in December 2002 took from us one of the truly unique voices of modern music. The quintessential Rude Boy, punker, rebel musician, artist and activist, Strummer wrote some of the most important and influential music of the last century including "Guns of Brixton," "The Washington Bullets," "Spanish Bombs," "White Man in Hammersmith Palace," "London's Burning," "Lost in the Supermarket," and "Garageland." Effectively melding raw creativity with radical politics, Strummer transformed punk rock from its early associations with reactionary, right wing and nihilistic politics into a social movement. From Rock Against Racism to the Anti-Nazi League Festival to supporting the H-Block protests, Strummer and The Clash led the charge for human rights. Let Fury Have the Hour collects articles, interviews, essays and reviews that chronicle Strummer's life both as a musician and a political activist. Included in this collection are essays and interviews by Antonino D'Ambrosio, alongside contributions from Peter Silverton, Barry Miles, Anya Philips, Sylvia Simmons, Vic Garbarini, Caroline Coons, Todd Martens, Joel Schalit and others. This book also includes original lyrics, photography, art, posters, and flyers, and offers the first serious examination of the life of this extraordinary man.
Andre the Giant Has a Posse is a street art campaign based on an original design by Frank Shepard Fairey created in 1989 while Fairey was a student at the Rhode Island School of Design (RISD). At the time Fairey declared the campaign to be "an experiment in phenomenology." Over time the artwork has been reused in a number of ways and has become a world-wide pataphysical movement, following in the footsteps of Ivan Stang's Church of the SubGenius and populist WWII icon Kilroy Was Here. At the same time, Fairey's work has evolved stylistically and semantically into the OBEY Giant campaign. This book displays 10 years of graphic evolution - from the first photocopied "Andre the Giant" sticker that Shepard Fairey made at RISD to the giant billboard posters you see all around the world. A stunning full-colour documentation of Fairey's T `campaign' of postering and stencils It attempts to simultaneously bring the viewer to question propaganda absorption and to encourage a better use of public space.
A Heartbeat and a Guitar tells of the collaboration of two distinct yet connected musicians--iconoclast Johnny Cash and pioneering folk artist Peter La Farge-- Bitter Tears: Ballads of the American Indian, the album that influenced the likes of Bruce Springsteen and Bob Dylan. In this intimate portrayal of the two musicians, D'Ambrosio interviewed surviving members of Cash's band, his producers, and admirers Pete Seeger and Kris Kristofferson. He renders a dramatic picture of both an era of radical protest and the making of one of the most controversial and enduring works of political pop art of the 1960s. A Heartbeat and a Guitar is the inspiration for the new album "Look Again to the Wind: Johnny Cash's Bitter Tears revisited" featuring a collective of top Americana artists including Emmylou Harris, Steve Earle, Gillian Welch, and Kris Kristofferson.
War is uncomfortable for Christians, and worldwide war is unfamiliar for today’s generations. Jim Downing reflects on his illustrious military career, including his experience during the bombing of Pearl Harbor, to show how we can be people of faith during troubled times. The natural human impulse is to run from attack. Jim Downing—along with countless other soldiers and sailors at Pearl Harbor on December 7, 1941—ran toward it, fighting to rescue his fellow navy men, to protect loved ones and civilians on the island, and to find the redemptive path forward from a devastating war. We are protected from war these days, but there was a time when war was very present in our lives, and in The Other Side of Infamy we learn from a veteran of Pearl Harbor and World War II what it means to follow Jesus into and through every danger, toil, and snare.
August 1991. Soviet hardliner Pavel Medvedev knows that only bloodshed can save the USSR from complete collapse. With violence breaking out in the streets of Moscow. few realize that he is piloting the Soviet Union on a collision course with its deadliest enemy yet: NATO. US Marine Colonel Robert Buckner. passed over for a coveted command. takes a post working for Vice Admiral Falkner on his way to retirement. As the world lurching towards World War Ill. he finds his way towards a panoramic view of the unfolding crisis with a pivotal role to play. War breaks out across the globe. but the pin falls in the far north. where soldiers and civilians alike must battle not just the enemy. but the unforgiving elements. With arsenals of high-tech weapons loosed in both directions. the ultimate reward may not be victory. but survival. H-Hour is the first book of the Northern Fury series. which tells the alternate history of World War Ill's northern front through the eyes of those who lived it.
Featuring contributions by distinguished scholars from ten countries, The Wiley Handbook of the History and Philosophy of Criminology provides students, scholars, and criminologists with a truly a global perspective on the theory and practice of criminology throughout the centuries and around the world. In addition to chapters devoted to the key ideas, thinkers, and moments in the intellectual and philosophical history of criminology, it features in-depth coverage of the organizational structure of criminology as an academic discipline world-wide. The first section focuses on key ideas that have shaped the field in the past, are shaping it in the present, and are likely to influence its evolution in the foreseeable future. Beginning with early precursors to criminology’s emergence as a unique discipline, the authors trace the evolution of the field, from the pioneering work of 17th century Italian jurist/philosopher, Cesare Beccaria, up through the latest sociological and biosocial trends. In the second section authors address the structure of criminology as an academic discipline in countries around the globe, including in North America, South America, Europe, East Asia, and Australia. With contributions by leading thinkers whose work has been instrumental in the development of criminology and emerging voices on the cutting edge The Wiley Handbook of the History and Philosophy of Criminology provides valuable insights in the latest research trends in the field world-wide - the ideal reference for criminologists as well as those studying in the field and related social science and humanities disciplines.
Punk Rock Warlord explores the relevance of Joe Strummer within the continuing legacies of both punk rock and progressive politics. It is aimed at scholars and general readers interested in The Clash, punk culture, and the intersections between pop music and politics, on both sides of the Atlantic. Contributors to the collection represent a wide range of disciplines, including history, sociology, musicology, and literature; their work examines all phases of Strummer’s career, from his early days as ’Woody’ the busker to the whirlwind years as front man for The Clash, to the ’wilderness years’ and Strummer’s final days with the Mescaleros. Punk Rock Warlord offers an engaging survey of its subject, while at the same time challenging some of the historical narratives that have been constructed around Strummer the Punk Icon. The essays in Punk Rock Warlord address issues including John Graham Mellor’s self-fashioning as ’Joe Strummer, rock revolutionary’; critical and media constructions of punk; and the singer’s complicated and changing relationship to feminism and anti-racist politics. These diverse essays nevertheless cohere around the claim that Strummer’s look, style, and musical repertoire are so rooted in both English and American cultures that he cannot finally be extricated from either.
This non-fiction guide covers the myriad scams, tricks and money business that Asia is famous for, as well as a philosphical foray into the world of punk and outsidership.
Joe Strummer was the archetypal citizen artist. As a member of The Clash, Strummer composed some the most important rebel music of the twentieth century. Fusing raw creativity with a humanist global sensibility, he helped convert punk rock from its early associations with reactionary and nihilistic politics into a movement of creative response and world citizenship. Let Fury Have the Hour—the inspiration for D'Ambrosio's extraordinary documentary of the same name—is a unique collection of original writing, interviews, essays, and visual art. Included are essays and photographs by D'Ambrosio and pieces by Chuck D, Billy Bragg, Tom Morello, DJ Spooky, Shepard Fairey, and more, together illustrating how Strummer's work inspired a movement.
Joe Strummer's untimely death at the age of fifty in December 2002 took from us one of the truly unique voices of modern music. The quintessential Rude Boy, punker, rebel musician, artist and activist, Strummer wrote some of the most important and influential music of the last century including "Guns of Brixton," "The Washington Bullets," "Spanish Bombs," "White Man in Hammersmith Palace," "London's Burning," "Lost in the Supermarket," and "Garageland." Effectively melding raw creativity with radical politics, Strummer transformed punk rock from its early associations with reactionary, right wing and nihilistic politics into a social movement. From Rock Against Racism to the Anti-Nazi League Festival to supporting the H-Block protests, Strummer and The Clash led the charge for human rights. Let Fury Have the Hour collects articles, interviews, essays and reviews that chronicle Strummer's life both as a musician and a political activist. Included in this collection are essays and interviews by Antonino D'Ambrosio, alongside contributions from Peter Silverton, Barry Miles, Anya Philips, Sylvia Simmons, Vic Garbarini, Caroline Coons, Todd Martens, Joel Schalit and others. This book also includes original lyrics, photography, art, posters, and flyers, and offers the first serious examination of the life of this extraordinary man.