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Somber poems deal with the end of summer, winter dawn, travel, mortality, childhood, education, nature and the spiritual aspects of life.
'Incredibly wise, comforting and beautiful' - Joanna Lumley It is never too soon to start thinking about old age. In Let Evening Come, Mary C. Morrison, herself eighty-seven at the time of first publication, considers the gains and losses of the ageing process in all their depth and richness. She writes about old age from her own personal experience, describing without sentimentality or despair how it actually feels to grow old, to be old, to look back over life, to look forward to death. In a series of meditative passages and journal entries she presents old age as a time that calls for gallantry and courage, but one that also offers unique opportunities for inner growth and wisdom. Let Evening Come is a remarkable book; simply but elegantly written, it is both moving and uplifting. It is not only for those standing on the edge of old age, it is for people of all ages, and once read will be recommended to others for the very special pleasures found within its pages.
Now at the ten-year anniversary of her death, Kenyon's Collected Poems assembles all of her published poetry in one book.
“Jane Kenyon had a virtually faultless ear. She was an exquisite master of the art of poetry.” —Wendell Berry Published twenty-five years after her untimely death, The Best Poems of Jane Kenyon presents the essential work of one of America’s most cherished poets—celebrated for her tenacity, spirit, and grace. In their inquisitive explorations and direct language, Jane Kenyon’s poems disclose a quiet certainty in the natural world and a lifelong dialogue with her faith and her questioning of it. As a crucial aspect of these beloved poems of companionship, she confronts her struggle with severe depression on its own stark terms. Selected by Kenyon’s husband, Donald Hall, just before his death in 2018, The Best Poems of Jane Kenyon collects work from across a life and career that will be, as she writes in one poem, “simply lasting.”
The poems in Jane Kenyon’s first book are full of respect for a life deeply felt. Her vision apprehends the mystery beneath everyday circumstances and objects, from the thimble to the edges of the map. The final section is translations of six poems by Anna Akhmatova.
The late author of five books on poetry, including the recent "Otherwise, " sheds light on her writing life, growing spirituality, and her struggle with leukemia, in this enlightening collection of prose.
As her husband Donald Hall writes in the afterword to Otherwise, we share "her joy in the body and the creation, in flowers, music, and paintings, in hayfields and a dog."
A teen girl disappears from her small town deep in the bayou, where magic festers beneath the surface of the swamp like water rot, in this chilling debut supernatural thriller for fans of Natasha Preston, Karen McManus, and Rory Power. La Cachette, Louisiana, is the worst place to be if you have something to hide. This tiny town, where seventeen-year-old Grey spends her summers, is the self-proclaimed Psychic Capital of the World—and the place where Elora Pellerin, Grey's best friend, disappeared six months earlier. Grey can't believe that Elora vanished into thin air any more than she can believe that nobody in a town full of psychics knows what happened. But as she digs into the night that Elora went missing, she begins to realize that everybody in town is hiding something—her grandmother Honey; her childhood crush Hart; and even her late mother, whose secrets continue to call to Grey from beyond the grave. When a mysterious stranger emerges from the bayou—a stormy-eyed boy with links to Elora and the town's bloody history—Grey realizes that La Cachette's past is far more present and dangerous than she'd ever understood. Suddenly, she doesn't know who she can trust. In a town where secrets lurk just below the surface, and where a murderer is on the loose, nobody can be presumed innocent—and La Cachette's dark and shallow lies may just rip the town apart.
What’s the point of poetry? It’s a question asked in classrooms all over the world, but it rarely receives a satisfactory answer. Which is why so many people, who read all kinds of books, never read poetry after leaving school. Exploring twenty-two works from poets as varied as William Blake, Seamus Heaney, Rita Dove and Hollie McNish, this book makes the case for what poetry has to offer us, what it can tell us about the things that matter in life. Each poem is discussed with humour and refreshing clarity, using a mixture of anecdote and literary criticism that has been honed over a lifetime of teaching. Poetry can enrich our lives, if we’ll let it. The Point of Poetry is the perfect companion for anyone looking to discover how.