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Originally published in 1926, this book examines how interest in German literature in England grew immediately before and during the Romantic period.
"Sets [Lessing's] life and work in the context of the intellectual, social, and cultural background of eighteenth-century Europe."--Provided by publisher.
Lessing displays a remarkable familiarity with the English literary scene and shows himself especially aware of Samuel Johnson's literary output and his dramatic critical achievement in neo-classical England. The study traces and examines affinities of Lessing's ideas with those of Johnson and a certain impact of Johnson on Lessing's ideas in the field of dramatic critical theory and practice. The investigation centres on Johnson's Rambler, his Dictionary, and his edition of The Plays of William Shakespeare and on Lessing's Laokoon and the Hamburgische Dramaturgie. Plays studied are Irene, Miss Sara Sampson, Emilia Galotti and Minna von Barnhelm.