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With an uninterrupted printing history since it was first published in 1939, this classic interpretation of the book of Revelation has served as a solid resource and source of inspiration for generations. Using sound principles of interpretation, William Hendriksen unfolds the mysteries of the apocalypse gradually, always with the purpose of showing that "we are more than conquerors through Christ." Both beginning and advanced students of the Scriptures will find here the inspiration to face a restless and confusing world with a joyful, confident spirit, secure in the knowledge that God reigns and is coming again soon. This edition features a newly designed interior layout.
Megan Hustad and her family try to reconcile an evangelical upbringing in a post-Christian America When Megan Hustad was a child, her father uprooted their family from Minneapolis to embark on a cross-cultural journey in the name of evangelical Christianity. As missionaries they brought the Gospel to the Caribbean island of Bonaire and later to the outskirts of Amsterdam. After a decade away, they returned to the States only to find themselves more alien than before. The evangelical landscape had transformed from the idealistic, market-averse movement it was in the 1970s to one where media-savvy pastors held sway over mega-churches. As the family struggled with the economic and spiritual aftermath of their break from middle-class Middle America, Megan and her sister, Amy, began to plot their escape. Megan sets her sights on New York City, where everything she was denied as a child would be at her fingertips, and Amy makes her home among the intellectual swagger of New Englanders. But fitting in proves harder than they'd imagined. As much as Megan tries to shake them, thoughts of the God she was ignoring follow her into every party and relationship. In More Than Conquerors, Hustad explores what happens when the habits of your religion coincide with the demands of your social class, and what breaks when they conflict. With a sharp tongue and deep insight, Hustad offers a vivid account of the cultural divisions, anxieties, and resentments that continue to divide our country and her own family.
Although evangelicals enjoyed repect and leadership in American society in the decades before the Civil War, their fortunes declined precipitately in the wake of the industrialism, modernism, and secularism of the next half-century. But the 1920s evangelicals felt like an embattled minority within a largely unbelieving culture, and perceived that history was very much out of their control. Frank examines the spiritual significance of these events by placing them against a biblical understanding of the gospel. He sees in the confidence and self congratulation of the turn-of-the-century evangelicals a protrait of the spiritually rich of the Bible who must lose their riches before they can come to know God truly. Harmful uses of the gospel are explored through dispensational premillenialism, the 'victorious life' theology, and the revivalism of Billy Sunday. Altogether, Less Than Conquerors is a call to replace the blurred and self-serving gospel of a besieged subculture with the genuine gospel of Jesus Christ.
In Conquerors' Pride, Timothy Zahn, Hugo Award-winning author of the New York Times bestselling Star Wars(r) trilogy, unfurled an epic tale of drama and courage as the interstallar Commonwealth faced savage invasion by alien starships of unknown origin. Now he probes deeply into the world of the invaders themselves in one of the most powerful evocations of an alien society ever created. The Zhirrzh have won a temporary respite in their war with the barbarians. But the Human captive Pheylan Cavanaugh has escaped, and for that Thrr-gilag, the young Searcher, finds himself disgraced, his bond-engagement to a female of a rival clan imperilled. Soon he becomes a target of hidden and powerful forces seeking to remake Zhirrzh society in their own merciless image. His only hope is to prove that the overclan authorities are wrong: that it was not the Humans who started the war. But time is short. The forces of the Zhirrzh are overextended and face swift retaliation. The Zhirrzh have learned to conquer death itself -- but even that awesome power will be no match for the devastating might of the Human Conqueror armadas. Thrr-gilag soon comes to realize that his people face a two-fold threat: destruction by Human technology. . . or destruction from within.
NOT A SURVIVOR / MORE THAN A CONQUEROR is a journey of life, a journey that reveals that there is nothing that is impossible with God. NOT A SURVIVOR / MORE THAN A CONQUEROR is written with the hope that those who are only surviving will begin to believe in their God intended purpose. NOT A SURVIVOR / MORE THAN A CONQUEROR is a true account of the challenges in life that have been conquered by surrendering to God.
The Conquerors describes the struggle between the Kuomintang and the Communists in the Cantonese revolution of the 1920s. It is both an exciting war story and a gallery of intellectual portraits: a ruthless Bolshevik revolutionary, a disillusioned master of propaganda, a powerful Chinese pacifist, and a young anarchist. Each of these "conquerors" will be crushed by the revolution they try to control. In a new Foreword, Herbert R. Lottman discusses the political background of the book, and the extent to which Malraux invented the history he wrote about. "[The Conquerors] is a valuable introduction to Malraux himself, who would, like his fictional counterpart, become an analgam of talents as novelist, essayist, Leftist and Gaullist, Resistance hero and art critic. He was among the most 'universal' of French men of letters."—Choice "The novel can be enjoyed as a remarkable work of modernism. With images derived from the silent cinema and prose from the telegraph, it moves at a tremendous pace. Canton all comes to violent life, seen as though from a speeding car."—Kirkus "No other writer of the 20th century had the same capacity to translate his personal adventure into a meeting with history and a dialogue of civilization."—Carlos Fuentes, New York Times Book Review
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