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Composed by Franz Liszt, Les Preludes—Symphonic Poem No. 3 is arranged for Full Orchestra.
"Each symphonic poem is discussed in terms of its melodic and harmonic organization, origins in surviving sketches and manuscript drafts, and reception by critics in major German cities, as well as in Paris, London, and New York. The volume is illustrated with ... facsimiles and full-page musical examples"--Publisher.
"Les Preludes" (Symphonic Poem No. 3), "Mazeppa "(Symphonic Poem No. 6), and "Heroide Funebre" (Symphonic Poem No. 8). Authoritative, full-score reproductions from the Breitkopf & Hartel edition."
A fresh evaluation of Liszt's symphonic poems, based on contextual, philosophical and musical evidence.
Mahler in Context explores the institutions, artists, thinkers, cultural movements, socio-political conditions, and personal relationships that shaped Mahler's creative output. Focusing on the contexts surrounding the artist, the collection provides a sense of the complex crosscurrents against which Mahler was reacting as conductor, composer, and human being. Topics explored include his youth and training, performing career, creative activity, spiritual and philosophical influences, and his reception after his death. Together, this collection of specially commissioned essays offers a wide-ranging investigation of the ecology surrounding Mahler as a composer and a fuller appreciation of the topics that occupied his mind as he conceived his works. Readers will benefit from engagement with lesser known dimensions of Mahler's life. Through this broader contextual approach, this book will serve as a valuable and unique resource for students, scholars, and a general readership.
Table of contents: Preface 1. Music Terminology 2. Narrative Text 3. Citations 4. Musical Examples 5. Tables and Illustrations 6. The Printed Program 7. Electronics 8. Best Practices for Student Writers Appendix: Problem Words and Sample Style Sheet Bibliography.
Reprint of the original, first published in 1877.