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Despite their importance during the French Revolution, the Paris middle classes are little known. This book focuses on the family organization and the political role of the Paris commercial middle classes, using as a case study the Faubourg St. Marcel and particularly the parish of St. M dard. David Garrioch argues that in the late seventeenth and early eighteenth centuries the commercial middle classes were steadfastly local in their family ties and outlook. He shows, too, that they took independent political action in defense of their local position. This gradually changed during the eighteenth century, and the Revolution greatly accelerated the process of integration, at the same time broadening the composition of what may now be termed the Parisian bourgeoisie. Central to Garrioch's argument is the idea that family, politics, and power are intimately connected. He shows the centrality of kinship to local politics in the first half of the eighteenth century, and the way new family structures were related to changes in the nature of politics even before the Revolution. Among the many important issues considered are birth control, the role of women, the importance of lineage, the spatial limits of middle-class lives, and the language and secularization of politics.
By delving into the religious, economic, social, and political attitudes and practices of the French bourgeoisie in the 18th century, Mrs. Barber dispels the idea that they were a revolutionary class bent on the destruction of the ancien régime. Instead, she reveals that only slowly and partially did they become antagonistic to the established society. Her particular attention is given to bourgeois feelings about, and chances for, social mobility. The book provides fresh insights into a familiar period, both in the wealth of information about the bourgeois class and in the use of sociological methods in a historical study. As an excellent example of a new and increasingly fruitful approach to history, it will interest both the historian and the social scientist. Originally published in 1955. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This work presents a concise summary of 18th-century French society, the fresh ideas of the Enlightenment, and how they contributed to the French Revolution. Edward Lowell provides a balanced portrait of the Ancien Regime, depicting the social classes, customs, politics, economics, and culture while detailing their strengths and flaws.
Written at the height of the Harlem Renaissance, this is the story of Angela Murray, a young black girl from Philadelphia who discovers she can pass for white.
Originally published in 1975. Following the vein of French historiography, many twentieth-century scholars of the French Revolution believed that the middle class of lawyers played a crucial role in the Revolution. In The Barristers of Toulouse, Lenard Berlanstein contends with that notion in a case study examining the response of the Toulousian legal community to the French Revolution. Using tax rolls, marriage contracts, and court records as primary sources, Professor Berlanstein argues that class interests—such as a desire to preserve their status in the cultured, conservative urban elite—led many Toulousian judges and lawyers to reject the Revolution and to remain loyal to the aristocratic Parlement. In other words, those in the legal community of Toulouse conducted themselves in ways that were consistent with other members of their social and economic class. To supplement his argument, Berlanstein's integrates methods from the New Social History movement.
Louis XIV, regency, rococo, neoclassical, empire, art nouveau, and historicist pastiche: furniture styles march across French history as regimes rise and fall. In this extraordinary social history, Leora Auslander explores the changing meaning of furniture from the mid-seventeenth to the early twentieth century, revealing how the aesthetics of everyday life were as integral to political events as to economic and social transformations. Enriched by Auslander's experience as a cabinetmaker, this work demonstrates how furniture served to represent and even generate its makers' and consumers' identities.