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Art Deco—the term conjures up jewels by Van Cleef & Arpels, glassware by Laique, furniture by Ruhlmann—is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Art Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity yet were rooted in past traditions. Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. the style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts—such as Cubism and Fauvism—and a taste for the exotic, all of which converged in exceptionally luxurious and innovative objects. While the practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has grown steadily. Based on the Metropolitan Museum's renowned collection French Art Deco presents more than eighty masterpieces by forty-two designers. Examples include Süe et Mare's furniture from the 1925 Exposition; Dufy's Cubist-inspired textiles; Dunand's lacquered bedroom suite; Dupas's monumental glass wall panels from the SS Normandie; and Fouquet's spectacular dress ornament in the shape of a Chinese mask. Jared Goss's engaging text includes a discussion of each object together with a biography of the designer who created it and is enlivened by generous quotations from writings of the period. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco. With its rich text and sumptuous photographs, this is not only one of the rare books on French Art Deco in English, but an object d'art in its own right.
This fascinating publication presents the roles two men have played in turning a small workshop in nineteenth-century Paris into one of the most successful and recognized brands in the world. Known for both craftsmanship and must-have high design, Louis Vuitton the luxury house was started by its eponymous founder in 1854. The first half of this publication traces the innovations by Vuitton, who turned the little-known guild profession of emballeur (packer) into the foremost luxury trunk maker in Paris, with a clientele that included in his lifetime the French nobility as well as the elite of a prosperous empire. Prime and never-before-seen examples of Vuitton’s craftsmanship, along with the fashion that went into them, are the highlights of these chapters. The second half of the book examines the role of Marc Jacobs as Louis Vuitton’s creative director (since 1997), who took the Louis Vuitton house into a new era with a series of collaborations with artists and designers—such as Takashi Murakami, Richard Prince, and Stephen Sprouse—as well as designing a line of highly successful and desired clothing for the company. By examining two divergent but often similar careers one hundred years apart, Louis Vuitton / Marc Jacobs is not only a layered study of the evolution of a luxury brand in the past 150 years but also a celebration of technical and design innovations in the new century.
An extraordinary book celebrating the unique connection between the House of Dior and the United States. Published on the occasion of the retrospective staged at the Brooklyn Museum, this new title chronicles the history of the House of Dior from 1947, when Chris-tian Dior heralded the birth of a new era of elegance with his revolutionary New Look, to the present day, with a special focus on the House’s legacy in America. Featuring a sophisticated Swiss binding, this book presents the exhibition’s highlights with creations by Christian Dior and the artistic directors who succeeded him: Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri. Captured by artist Katerina Jebb, some of the House’s most legendary designs are displayed in highly unique images. A portfolio of iconic photographs by American masters—including Richard Avedon, Cass Bird, Henry Clarke, Louise Dahl-Wolfe, Zoë Ghertner, Ethan James Green, Tyler Mitchell, Irving Penn, and many more—underscores Dior’s undeniable cultural influence.
-- Remarkable selection of objects that surpass the typical design associations of their day and enter into the realm of art -- First time most of these objects have been published -- Features 90 superb examples of jewelry, furniture and architecture with fascinating stories of their creation and provenance Throughout history, French artists, artisans and designers have created astonishingly beautiful decorative arts. Stuff of Dreams features 90 marvelous pieces that have surpassed all standards of tradition, craftsmanship and utility. Many of these objects possess a latent surrealistic element, linking the rich, the elegant, the elaborate, the curious and the sensuous. This publication accompanies an international exchange exhibition organized by the Portland Art Museum, which will travel to the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, and then to the Birmingham Museum of Art in Alabama before the artworks return to be permanently installed at the Paris Musee des Arts Decoratifs in 2003. Most of the works of art selected for this publication carry with them fascinating stories about their origins, their makers, and those persons who commissioned, collected, used or loved them.
Art Deco made its formal appearance in Paris at the 1925 L'Exposition Internationale des Arts Dâecoratifs et Industriels Modernes, a showcase for art, architecture, and design that promoted progress, modernity, and the present. The greatest export from this exhibition was a style that has since been recognized as one of the great design movements of the 20th century. Art Deco's growing recognition coincided with the growth of Los Angeles as the entertainment capital. Between the world wars, the city's architecture sprouted characteristic signs of Art Deco: the interplay of vertical and horizontal features, geometric shapes, use of exotic and modern materials, as well as simplified streamlined forms. This volume's collection of images celebrates Los Angeles's Art Deco heritage, showcasing such structures as Bullock's Wilshire, Sunset Tower, the Oviatt Penthouse, the Wiltern and Pantages Theatres, and many more.--From publisher description.
The first book to explore Art Deco's influence in all areas of life.
By the time of the great Paris Exhibition of 1925, the idea that an interior and its furnishings should form a complete design--a "total look"--dominated the thinking of both designers and their sophisticated clients. In the later 1920s and 1930s, whole studios were established, notably in France and the United States, to serve the needs of a design- and style-conscious middle class intent on showing off its newly refined taste for things modern and exotic: the richly lacquered screen, the tubular steel chair, the vivid geometric carpet. Art Deco Interiors documents this flourishing of design ingenuity in Europe and America. Using contemporary photographs and illustrations of interiors, juxtaposed with modern photographs of individual pieces, it traces the stylistic evolution and dominant motifs of Deco. Patricia Bayer illustrates the triumph of the 1925 exhibition and the establishment of the pure high style of the leading Paris ensembliers, and assesses the tremendous growth of jazzy, Streamline Moderne offshoots in the United States. Major chapters are devoted to large-scale designs for ocean liners, cinemas, theaters, offices, and hotels, and to the revival in the 1970s and 1980s of Deco as a decorative style.
Filled with color examples of art, architecture, and decorative craft, this volume explores America's contribution to one of the 20th century's most influential artistic movements.
From delicate jewelry to the most elaborate goblet, this book brings together gems of the applied arts from the Middle Ages right through to the Renaissance. The 216 hand-colored copperplate engravings offer the contemporary reader both a record and a sourcebook of all that can be achieved by the human hand and creative imagination.
The Art Deco era was one of beauty, elegance, sensuality, and vivid, colorful graphics! This is the first collectibles book with an emphasis on the everyday, affordable items, such as games, playing cards, advertising brochures, tins, packaging, labels, fans, fashion and book illustrations, packaging from the cosmetic industry, travel literature, and automobile brochures. All are illustrated in 535 color photos. Price guidelines are included.