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First published in 1992, this Routledge Revival sees the reissue of a truly original exploration of the nature of urbanization and capitalism. Linda Clarke’s vital work argues that: Urbanization is a product of the social human labour engaged in building as well as a concentration of the labour force. The quality of the labour process determines the development of production. Changes to the built environment reflect changes in the production process and, in particular, the development of wage labour. To support these arguments, the author identifies a qualitatively new historical stage of capitalist building production involving a significant expansion of wage labour, and hence capital, and the transition from artisan to industrial production. Linda Clarke draws from a wide range of original material relating to the development of London from the mid-eighteenth to the early nineteenth century to provide a complete description of the development process: materials extraction, roadbuilding, housebuilding, paving, cleansing, etc; profiles of builders and contractors involved, and a picture of the new working class communities, as in Somers Town – their living conditions, population, working environment, and politics.
Hell hath no fury like a God scorned. And for Clemence and her group of magical misfits, no truer words were spoken. They're the only thing standing between an ancient African God hell bent on an apocalypse and the salvation of all supernaturals. It's up to them to finish the battle started by their ancestors; however, there's just one small problem---okay, maybe two. Clemence doesn't know the first thing about her power, nor what an Obeah is. Oh, and her friends might be a little bit....well, cursed. Armed with a book they can't open, a sketchy plan and a temperamental map(that's seen better days); it's a fight to the finish to get Clemence trained, break the curse that might be killing her friends and succeed where their ancestors failed---all before the clock runs out and the vindictive God and his soul stealing minion destroy the entire magical community and anyone else that gets in their way. Should be easy, right? Let the countdown to Armageddon begin.
WWI historian Martin K.A. Morgan presents 450 of the most compelling and dramatic photographs captured in northern France during the first day and week of its liberation. Together, these photographs reveal minute details about weapons, uniforms, and equipment, while simultaneously narrating an intimate human story of triumph, tragedy, and sacrifice. From Omaha Beach to Utah, from Sainte-Mère-Église to Pointe du Hoc, The Americans on D-Day is a striking visual record of the epic air, sea, and land battle that was the Normandy invasion.