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"Straightforward and brief biographical sketches of 29 women including Doäna Marina, Juana Inâes de la Cruz, Manuela Sâaenz, and Leopoldina of Brazil"--Handbook of Latin American Studies, v. 58.
Women writers of nineteenth- and twentieth-century Italy reinvigorated the modern epistolary novel through their re-fashioning of the genre as a tool for examining women's roles and experiences. Addressing the Letter argues that many epistolary novels purposely tie narrative structure to thematic content, creating in the process powerful texts that reflect and challenge literary and socio-cultural norms. Through the lens of the genre, Laura A. Salsini considers how the works of authors including the Marchesa Colombi, Sibilla Aleramo, Gianna Manzini, Natalia Ginzburg, and Oriana Fallaci highlight such issues as love, the loss of ideals, lack of communication and connection, and feminist ideology. She also analyses what may be the first woman-authored Italian example of epistolary fiction: Orintia Romagnuoli Sacrati's Lettere di Giulia Willet (1818). In their reworking of the epistolary narrative form, Italian women writers challenged dominant assumptions about female behaviours, roles, relationships, and sexuality in modern Italy.
An international cast of contributors (Americans, former East Germans, and former West Germans) take the reader on a journey from the view of science policymakers, to the construction of "socialist" institutions for science, to the role of espionage in technology transfer, to the social and political context of the chemical industry, engineers, nuclear power, biology, computers, and finally the career trajectories of scientists through the vicissitudes of twentieth-century German history."--BOOK JACKET.
"In order to address these questions and to better understand Ocampo's work, the analysis sustains an extended dialogue between her short fiction and current Euro-American feminist theory. While the analysis is intended primarily for scholars interested in Latin American authors, every effort has been made to facilitate a reading by the non-specialist."--BOOK JACKET.
In providing a detailed account of the leftist opposition and its bloody repression in Brazil during the Old Republic and the early years of the Vargas regime, John W. F. Dulles gives considerable attention to the labor movement, generally neglected by historians. This study focuses on the formation and activities of anarchists and Communists, the two most important radical groups working within Brazilian labor. Relying on a wide variety of sources, including interviews and personal papers, Dulles supplies information that for the most part is unavailable in English and not easily accessible in Portuguese. The struggles of Brazilian workers—usually against an alliance of company owners, state and federal troops, and state and federal governments—suffered reverses in 1920 and 1921. These setbacks were cited by Astrogildo Pereira and other admirers of Bolshevism as reasons for the proletariat to forsake anarchism and adhere to the Communist Party, Brazilian Section of the Communist International. Anarchists and Communists, struggling against each other in the labor unions in the mid 1920’s, joined opposition journalists and politicians in supporting military rebels in a romantic uprising marked by adventure and suffering, jailbreaks and long marches, and death in the backlands. Slowly, Brazilian Communism gained strength during the latter part of the 1920’s, but 1930 brought the beginnings of failure. Worse for the Party than the government crackdown and the Trotskyite dissidence was the growing attraction of the Aliança Liberal, the oppositionist political movement that brought Getúlio Vargas to power. While workers and Party members flocked to the Aliança in defiance of Party orders, sectarian edicts from Moscow resulted in the expulsion or demotion of the Party’s former leaders and in the condemnation of intellectuals. Luís Carlos Prestes, “the Cavalier of Hope” who had led the military rebels in the mid-1920’s, turned to Communism—only to find himself not welcome in the Party. Taken to Russia by the Communist International in 1931, he was finally accepted into the Brazilian Party in absentia in 1934. Later that year, misled in Moscow by optimistic reports brought by Brazilian Communists, he agreed to lead a rebellion in Brazil. That decision and its consequences in 1935 were disastrous to Brazilian Communism. The struggles among anarchists, Stalinists, and Trotskyites in Brazil were reflections of a worldwide struggle. This study discloses and assesses the effects of Moscow policy changes on Communism in Brazil and contributes to an understanding of Moscow’s policies throughout Latin America during this period.
In 1930s rural Argentina, a determined fifteen-year-old left an isolated, poverty-stricken life to find her fortune in the “Paris of South America”—Buenos Aires. There, with few connections, little education, but plenty of persistence, Maria Eva Duarte gained a toehold in the city’s artistic scene. Eva—Evita—then navigated the radio revolution to fortune, providing for her mother and siblings along the way. She caught the eye of rising political star Colonel Juan Perón, and with him, she rode the pro-labor wave all the way to the presidential palace. The story of Eva Duarte Perón highlights not just her own extraordinary life, but the opportunities seized by women of all classes and backgrounds in post-independence modernizing Latin America. This work offers an alternate method for understanding modern Latin America and its history. The ten figures treated are ethnically mixed, of African, Indigenous, European, and mestiza heritage. They include figures from all social classes, geographic settings, and occupations seen in Latin America, and they acted over the entirety of the more than two centuries of the modern period. Through their stories, the reader comes away with a deeper understanding of this rich, diverse region.
From the first North American scholar permitted to study in residence at Hemingway's beloved Cuban home comes a radically new understanding of “Papa’s” life in Cuba Ernest Hemingway first landed in Cuba in 1928. In some ways he never left. After a decade of visiting regularly, he settled near Cojímar—a tiny fishing village east of Havana—and came to think of himself as Cuban. His daily life among the common people there taught him surprising lessons, and inspired the novel that would rescue his declining career. That book, The Old Man and the Sea, won him a Pulitzer and, one year later, a Nobel Prize. In a rare gesture of humility, Hemingway announced to the press that he accepted the coveted Nobel “as a citizen of Cojímar.” In Ernesto, Andrew Feldman uses his unprecedented access to newly available archives to tell the full story of Hemingway’s self-professed Cuban-ness: his respect for Cojímar fishermen, his long-running affair with a Cuban lover, the warmth of his adoptive Cuban family, the strong influences on his work by Cuban writers, his connections to Cuban political figures and celebrities, his denunciation of American imperial ambitions, and his enthusiastic role in the revolution. With a focus on the island’s violent political upheavals and tensions that pulled Hemingway between his birthplace and his adopted country, Feldman offers a new angle on our most influential literary figure. Far from being a post-success, pre-suicide exile, Hemingway’s decades in Cuba were the richest and most dramatic of his life, and a surprising instance in which the famous American bully sought redemption through his loyalty to the underdog.
In Scholars in Action, an international group of 40 authors open up new perspectives on the eighteenth-century culture of knowledge, with a particular focus on scholars and their various practices.