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Digby and his sister, Hannah find Leonardo Da Vinci's palette in an antiques market and Mr. Rummage tells them about Da Vinci's life and how he made history.
The discovery of this masterpiece Whistler's "Portrait of William Merritt Chase," along with another important Whistler painting, "Harmony in Black, No10," reveals exciting new discoveries on Whistler's artistic methods, from the Old Masters and the artistic truisms of the Renaissance. Documented analysis including x-ray examination, forensics and recognized paintings by Whistler's followers will confirm this portrait and "Harmony in Black, No10," with x-ray revealing two lost paintings. These Whistler paintings connect scholarship and identify paintings worthy of merit and what makes a masterpiece a masterpiece.
This book is not on religions, but about whom the religious figures and many more persons were and are. Patriarchs, prophets, Buddha, Jesus, Mary, Joseph and associates, Lamas and Mohammad apologize to their followers for the millenarian fake they have been promoting. All the religious figures promote themselves through parasiting of dreams inducing in/appropriated scenes and images in the dreamer conforming to their convenience. Without this resource, they had been unable to publicise themselves. Doubts like these raised in the II Vatican Council perhaps propitiated John XXIII death. Here is the story of serial sexual abuses –and of other violent acts– that, with deceits, the main religious figures try to conceal.
List of IllustrationsIntroduction and AcknowledgmentsOn StatuesThe Mummy's SecretPisanello: The Best of Both WorldsVerrocchio: The New CiceroneLeonardo's NephewBernini at Harvard/Chicago BaroqueWho Was Thomas Jones?Degas in the EveningDegas in ChicagoSeurat and the SewersThe Secrets of MaillolBecoming PicassoJoseph Cornell: "Monuments to Every Moment"Rauschenberg: The Voracious EgoJohns: A Banner with a Strange DeviceNotesIndex Copyright © Libri GmbH. All rights reserved.
For more than five centuries The Last Supper has been an artistic, religious and cultural icon. The art historian Kenneth Clark called it 'the keystone of European art', and for a century after its creation it was regarded as nothing less than a miraculous image. And yet there is a very human story behind this artistic 'miracle'. Ross King's Leonardo and the Last Supper is both a 'biography' of one of the most famous works of art ever painted and a record of Leonardo da Vinci's last five years in Milan.
Twenty-seventh anniversary of the bioenergemal ['spiritual'] research. Patriarchs, prophets, Buddha, Jesus, Mary, Joseph and associates, Lamas and Mohammad apologize to their followers for the millenarian fake they have been promoting. All the religious figures promote themselves through parasitizing of dreams, inducing in/appropriated scenes and images in the dreamer conforming to their convenience. Without this resource, they had been unable to publicise themselves. Nevertheless, this book is not on religions, but about whom the religious figures and many persons more were and are. Doubts like these raised in the II Vatican Council, perhaps propitiated John XXIII biocollapse ['death']. Exceptional information! (Basic English).
"Learn about the incredible saga of Leonardos Earlier Mona Lisa with this beautifully detailed, 240 page book that includes the historical background, scientific testing, forensic expertise and cutting-edge research in art authentication. It took 500 years to make the paintings story public when you read the book, you will understand why."-- Publisher's description.
1478 was the year in which Leonardo da Vinci, aged 26, obtained his first official commission and witnessed the Pazzi Conspiracy against the Medici family. In that year, he probably opened his independent workshop, leaving that of his master Andrea del Verrocchio, and, in its final months, he began to paint two paintings representing the Virgin Mary. One of these paintings is very likely the Benois Madonna at the State Hermitage, St. Petersburg; a work that marks a strong change in Leonardo’s style and power of expression and his representation of light and human emotions. This book provides an in-depth analysis of Leonardo’s growth as an artist in this year, detailing his training, his culture, his collaboration with Verrocchio, and his engagement in the artistic and cultural life of 1460s and 1470s Florence.
The art of the Renaissance is usually the most familiar to non-specialists, and for good reason. This was the era that produced some of the icons of civilization, including Leonardo da Vinci’s Mona Lisa and Last Supper and Michelangelo’s Sistine Ceiling, Pietà, and David. Marked as one of the greatest moments in history, the outburst of creativity of the era resulted in the most influential artistic revolution ever to have taken place. The period produced a substantial number of notable masters, among them Donatello, Filippo Brunelleschi, Masaccio, Sandro Botticelli, Raphael, Titian, and Tintoretto. This second edition of Historical Dictionary of Renaissance Art contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on artists from Italy, Flanders, the Netherlands, Germany, Spain, and Portugal, historical figures and events that impacted the production of Renaissance art. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Renaissance art.