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Leonardo makes a deal with God to get out of purgatory.
"A considerable work of assimilative scholarship and common sense...races along merrily."—The Boston Globe A lively biography of the high genius of the renaissance, Leonardo da Vinci French writer Serge Bramly's classic work of biography portrays Leonard da Vinci as a genius torn by inner conflicts. Using contemporary sources including Leonardo's notebooks and annotated erotic drawings, he presents a complete portrait of the man as well as his genius.
Examines the life and accomplishment of Leonardo da Vinci.
Examines the life and accomplishment of Leonardo da Vinci.
This fascinating exploration of Leonardo da Vinci's life and work identifies what it was that made him so unique, and explains the phenomenon of the world's most celebrated artistic genius who, 500 years on, still grips and inspires us. Martin Kemp offers us exceptional insights into what it was that made this Renaissance man so special, and the 'real' meaning behind such masterpieces as the Mona Lisa and the Last Supper. Tracing Leonardo's career in all its variety, we learn of his unfulfilled dreams, relationships with powerful patrons, and the truth about his views on God, humans, and nature. The famous notebooks are the key to understanding the secret of Leonardo's success and genius, as they clearly reveal the workings of his mind and display the true innovative and investigative nature of his creative vision. Over 20,000 pages of drawings and notes detail his incredible discoveries and inventions - from the workings of the human eye to designs for flying machines and giant crossbows. Bringing the story up to the present day, Martin Kemp considers what he means to us today, investigates the 'Leonardo industry', and speculates about what he would be doing if he were alive today. This updated edition of Martin Kemp's best-seller is the first book on Leonardo to include two newly discovered works, the most important such discoveries in over a hundred years.
Was Leonardo’s pronounced vocation for scientific research a help or a hindrance to him as an artist? It is normal to quote him as an example of scientific and artistic theory joined together. In him, genius took on a new meaning combining reason that actually reinforced the imagination and the emotions. A profound savant and an incomparable creator, he was the only man in the history of mankind who has at once delved into the most radiant beauty and who has united the science of Aristotle with the art of Phidias. Studying nature with passion and all the independence proper to his character, Leonardo da Vinci did not fail to combine precision with liberty and truth with beauty. The master’s reason of being and glory consist in this final emancipation, this perfect mastery of modeling, of illumination, and of expression, and of this breadth and freedom. Others may have struck out new paths also, but none traveled further or mounted higher than this master of Renaissance art.
This is the first book dedicated to Leonardo da Vinci’s commission for The Virgin of the Rocks. Leonardo completed fewer than twenty paintings in his lifetime, yet he returned twice to this same mysterious subject over the course of a twenty-five year period. Identical in terms of iconography, stylistically these paintings are worlds apart. The first, of c.1482-4, was Leonardo’s magnum opus, catapulting the young artist from obscurity to fame. When, in 1508, he finished the second painting, he was nearing the end of his artistic career and had become an international celebrity. Why did he revisit The Virgin of the Rocks? What was the meaning behind the cavernous subterranean landscape? What lies behind the colder monumentality of the second version? This book opens up Leonardo’s world, setting the scene in Republican Florence and the humanist court of the Milanese warlord Ludovico Sforza, to answer these questions. Through lyrical yet scholarly analyses of Leonardo’s paintings, notebooks and technical experimentation, it unveils the secret realms of human dissection and Neo-Platonic philosophy that inspired the creation of the two masterpieces. In doing so, the book reveals that The Virgin of the Rocks holds the key to the greatest philosophical, scientific and personal transformations of Leonardo’s life. Images and links to figures are available at www.virginoftherocks.com.
This remarkable manuscript is almost 500 years old and was hand-written in Italian by Leonardo da Vinci in his characteristic "mirror writing" and supported by copious sketches. It covers a wide range of his observations and theories on astronomy, the properties of water, rocks, fossils, air, and celestial light. The Codex Leicester provides a rare insight into the inquiring mind of the definitive Renaissance artist, scientist, and thinker as well as an exceptional illustration of the link between art and science and the creativity of the scientific process. Each delicate page is faithfully reproduced and accompanied by an insightful interpretation of the original Italian texts by the foremost Leonardo scholar, Professor Carlo Pedretti. There is also an introductory essay by Michael Desmond.
Famous in his time as a painter, prankster, and philosopher, Leonardo da Vinci was also a musician, sculptor, and engineer for dukes, popes, and kings. What remains of his work-from futuristic designs and scientific inquiry to artwork of ethereal beauty-reveals the ambitious, unpredictable brilliance of a visionary, and a timeless dreamer. Robert Byrd celebrates this passionate, playful genius in a glowing picture book replete with the richness and imagination of Leonardo's own notebooks. Twenty lavish spreads, including side drawings, supplemental texts, and quotes from Leonardo's writings, highlight distinct periods and make the master's art, jokes, explorations, and inventions wonderfully vivid and accessible. A striking tribute to an irrepressible mind and to the potential within all who are curious.