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Catalog of an exhibition of the collection presented at the Phoenix (Arizona) Art Museum from Feb. 6-May 5, 2013.
Comprehensive edition regarding the first 5 multimedia installations as originally envisioned by artist Oiticica (b. Brazil) and conceived in collaboration with the filmmaker D'Almeida (b. Brazil). The Cosmococa photographic series consist of single rolls of film in accordance with the artist's concept of "quasi-cinema", participative spaces that transcend the cinematographic experience and call into question the contemplative nature of the art object and designed as collective experiences making the spectator an active participant. The present edition is faithful to the artist's original concept in it's presentation of facsimiles of both his notebooks in which the works were conceptualized and Oiticica's own typewritten transcriptions along photographs of installations recently mounted at the Pinacoteca de Sao Paulo and at the Centro de Arte Hélio Oiticica in Rio de Janeiro, two multimedia installations that precede the original photographs for Cosmacoca. The book also contains critical essays by César Oiticica Filho (curator of Projeto Hélio Oiticica), Paulo Herkenhoff and Kátia Maciel.
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.
A PASSIONATE, AFFECTIONATE RECORD OF ADVENTURES AND MISADVENTURES IN THE WORLD'S HOTTEST METROPOLIS Tourists come to Bangkok for many reasons—a sex change operation, a night with two prostitutes dressed as nuns, a stay in a luxury hotel. Lawrence Osborne comes for the cheap dentistry. Broke (but no longer in pain), he finds that he can live in Bangkok on a few dollars a day. And so the restless exile stays. Osborne's is a visceral experience of Bangkok, whether he's wandering the canals that fill the old city; dining at the No Hands Restaurant, where his waitress feeds him like a baby; or launching his own notably unsuccessful career as a gigolo. A guide without inhibitions, Osborne takes us to a feverish place where a strange blend of ancient Buddhist practice and new sexual mores has created a version of modernity only superficially indebted to the West. Bangkok Days is a love letter to the city that revived Osborne's faith in adventure and the world.
This exhibition presents new insights into these artists' visual deconstructions of language and examines the connections and collisions among visual art, the word and the social world.
Relief printing : woodcut, metal type, and wood engraving -- Intaglio and planographic printing : engraving, etching, mezzotint, and lithography -- Color printing : hand coloring and multiple-impression color -- Bits and pieces : modern art prints, oddities, and photographic precursors -- Early photography in silver : daguerreotypes, early silver paper processes and tintypes -- Non-silver processes : carbon, blueprint, platinum, and a couple of others -- Modern photography : developing-out gelatin silver printing -- Color notes : primary colors and neutrality -- Color photography : separation-based processes and chromogenic prints -- Photography in ink : relief and intaglio printing : the letterpress halftone and gravure printing -- Photography in ink : planographic printing : collotype and photo offset lithography -- Digital processes : binary issues, inkjet, dye sublimation, and digital C-prints -- Where do we go from here? : some questions about the future
A New York Times Bestseller Winner of the Chicago Tribune Heartland Prize Winner of the Hillman Prize for Book Journalism Named a best book of the year by: the Los Angeles Times the San Francisco Chronicle the Saint Louis Post-Dispatch the Chicago Tribune the Seattle Times "A stunning look at a problem that has dire consequences for our country.”-New York Post The dramatic story of Methamphetamine as it comes to the American Heartland-a timely, moving, account of one community's attempt to confront the epidemic and see their way to a brighter future. Crystal methamphetamine is widely considered to be the most dangerous drug in the world, and nowhere is that more true than in the small towns of the American heartland. Methland is the story of the drug as it infiltrates the community of Oelwein, Iowa (pop. 6,159), a once-thriving farming and railroad community. Tracing the connections between the lives touched by meth and the global forces that have set the stage for the epidemic, Methland offers a vital and unique perspective on a pressing contemporary tragedy. Oelwein, Iowa is like thousand of other small towns across the county. It has been left in the dust by the consolidation of the agricultural industry, a depressed local economy and an out-migration of people. If this wasn't enough to deal with, an incredibly cheap, long-lasting, and highly addictive drug has come to town, touching virtually everyone's lives. Journalist Nick Reding reported this story over a period of four years, and he brings us into the heart of the town through an ensemble cast of intimately drawn characters, including: Clay Hallburg, the town doctor, who fights meth even as he struggles with his own alcoholism; Nathan Lein, the town prosecutor, whose case load is filled almost exclusively with meth-related crime, and Jeff Rohrick, who is still trying to kick a meth habit after four years. Methland is a portrait of a community under siege, of the lives the drug has devastated, and of the heroes who continue to fight the war. It will appeal to readers of David Sheff's bestselling Beautiful Boy, and serve as inspiration for those who believe in the power of everyday people to change their world for the better.
Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point – Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai –the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies.
In The Shock of Recognition, Lewis Pyenson examines art and science together to shed new light on common motifs in Picasso’s and Einstein’s education, in European material culture, and in the intellectual life of one nation-state, Argentina.