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The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery..
A top crime journalist reveals precisely how the world-shattering murder of John Lennon happened—and why In Let Me Take You Down, Jack Jones penetrates the borderline world of dangerous fantasy in which Mark David Chapman stalked and killed Lennon: Mark David Chapman rose early on the morning of December 8 to make final preparations. . . . Chapman had neatly arranged and left behind a curious assortment of personal items on top of the hotel dresser. In an orderly semicircle, he had laid out his passport, an eight-track tape of the music of Todd Rundgren, his little Bible, open to The Gospel According to John (Lennon). He left a letter from a former YMCA supervisor at Fort Chaffee, Arkansas, where five years earlier, he had worked with refugees from the Vietnam War. Beside the letter were two photographs of himself surrounded by laughing Vietnamese children. At the center of the arrangement of personal effects, he had placed the small Wizard of Oz poster of Dorothy and the Cowardly Lion. “I woke up knowing, somehow, that when I left that room, that was the last time I would see the room again,” Chapman recalled. “I truly felt it in my bones. I don’t know how. I had never seen John Lennon up to that point. I only knew that he was in the Dakota. But I somehow knew that it was it, this was the day. So I laid out on the dresser at the hotel room . . . just a tableau of everything that was important in my life. So it would say, ‘Look, this is me. Probably, this is the real me. This is my past and I’m going, gone to another place.’ “I practiced what it was going to look like when police officers came into the room. It was like I was going through a door and I knew I was going to go through a door, the poet’s door, William Blake’s door, Jim Morrison’s door. . . . I was leaving what I was, going into a future of uncertainty.” Praise for Let Me Take You Down “Jack Jones has written a beautiful book, rare in its attention to the social context giving rise to stalkers and assassins of celebrities . . . celebrity worship is ambivalent—admiration shares the altar with envy. When the worshipped disappoints, a ‘nobody’ can become a ‘somebody’ by killing the pop culture idol. Let Me Take You Down is both fascinating and brilliant.”—Ladd Wheeler, Professor of Psychology, University of Rochester, Former President of the Society for Personality and Social Psychology
New York, December 8, 1980: The announcement shocked the world. Beatles founder and legendary musician John Lennon had been murdered in front of his New York home. With no warning, a lone gunman opened fire, shooting Lennon in the back just as Lennon returned from a recording session with his wife, Yoko Ono. Husband, father of two, cultural icon, and hero to millions, Lennon was dead. Around the globe, people mourned the loss of a man who had stood for peace, a man who had given so much joy to the world through his gift of music. No one had seen it coming...except one man—Mark David Chapman, Lennon's assassin. What drove this former Beatles fan to commit such a terrible act? Follow the lives of both Lennon and Chapman, learn about the political and cultural settings in which both grew up, and trace—step by excruciating step—the final moments of John Lennon's life.
Based on six years of extensive research into the background and motives of assassin Mark Chapman and the circumstances of the murder, the author contends that Chapman was part of a political plot
Discover one of the greatest true crime stories in music history, as only James Patterson can tell it. With the Beatles, John Lennon surpasses his youthful dreams, achieving a level of superstardom that defies classification. “We were the best bloody band there was,” he says. “There was nobody to touch us.” Nobody except the original nowhere man, Mark David Chapman. Chapman once worshipped his idols from afar—but now harbors grudges against those, like Lennon, whom he feels betrayed him. He’s convinced Lennon has misled fans with his message of hope and peace. And Chapman’s not staying away any longer. By the summer of 1980, Lennon is recording new music for the first time in years, energized and ready for it to be “(Just Like) Starting Over.” He can’t wait to show the world what he will do. Neither can Chapman, who quits his security job and boards a flight to New York, a handgun and bullets stowed in his luggage. The greatest true-crime story in music history, as only James Patterson can tell it. Enriched by exclusive interviews with Lennon’s friends and associates, including Paul McCartney, The Last Days of John Lennon is the thrilling true story of two men who changed history: One whose indelible songs enliven our world to this day—and the other who ended the beautiful music with five pulls of a trigger.
In his commanding new book, the eminent NPR critic Tim Riley takes us on the remarkable journey that brought a Liverpool art student from a disastrous childhood to the highest realms of fame. Riley portrays Lennon's rise from Hamburg's red light district to Britain's Royal Variety Show; from the charmed naivetéf "Love Me Do" to the soaring ambivalence of "Don't Let Me Down"; from his shotgun marriage to Cynthia Powell in 1962 to his epic media romance with Yoko Ono. Written with the critical insight and stylistic mastery readers have come to expect from Riley, this richly textured narrative draws on numerous new and exclusive interviews with Lennon's friends, enemies, confidantes, and associates; lost memoirs written by relatives and friends; as well as previously undiscovered City of Liverpool records. Riley explores Lennon in all of his contradictions: the British art student who universalized an American style, the anarchic rock 'n' roller with the moral spine, the anti-jazz snob who posed naked with his avant-garde lover, and the misogynist who became a househusband. What emerges is the enormous, seductive, and confounding personality that made Lennon a cultural touchstone. In Lennon, Riley casts Lennon as a modernist hero in a sweeping epic, dramatizing rock history anew as Lennon himself might have experienced it.
In a riveting, minute-by-minute format, a best-selling author follows the events leading to the moment when Mark David Chapman killed rock icon John Lennon in New York City, in a book that also looks at the aftermath.
When people think of John Lennon, many may not think much about the murderer himself. Mark David Chapman, the man who killed John Lennon is revealed through the impartial eyes of his pastor, Ken Babington, and given a story, a backdrop. Readers learn of his troubled childhood, his spiritual struggle, and the pastor's relationship through an attentive narrative perspective. Not My God: My Life As the Pastor of The Man Who Killed John Lennon is a one-of-a-kind focus on the tragedy of one of the greatest members of one of the most popular classic rock bands in the world.