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The Leningrad System is one of the sharpest and most interesting replies to 1 d4, and since this typical set-up is also playable against the flank openings 1 c4 and 1 Nf3, it provides the Black player with a genuine universal weapon. A repertoire for Black based on 7...Qe8 in the main line of the Leningrad System is presented here, but since the typical motifs and ideas for both sides are fully explained, White players too will benefit from a study of the book. Book jacket.
The Leningrad System of the Dutch Defence is an interesting hybrid of the Dutch and the King's Indian. For many years, it was viewed with some suspicion in view of the slight positional weaknesses created in Black's position. However, in the 1980s dynamic new approaches were introduced by such players as Sergei Dolmatov, Evgeny Bareev, Mikhail Gurevich and especially Vladimir Malaniuk. These players showed how an active approach could compensate for these defects, and offer Black excellent winning chances. Since then, the Leningrad has been a popular and effective opening choice for players of all levels.
Closing the gap between the contemporary Russian novel and the masterpieces of the early Soviet avant-garde, this masterful mixture of prose and poetry, excerpts from private letters and diaries, and quotes from newspapers and NKVD documents, is a unique amalgam of documentary, philosophical novel, and black humor. Revolving around three central characters—a composer; his lover, Vera; and Vera's husband, a naval officer intercepting enemy communications—we are made witness to the inhuman conditions prevailing during the Siege of Leningrad, against a background of starvation and continuous bombing. In their wild attempts to survive, the protagonists hold on to their art, ideals, and sentiments—hoping that these might somehow remain uncorrupted despite the Bolsheviks, Nazis, and even death itself.
The Dutch Defence has a well-deserved reputation for being an uncompromising and aggressive opening; it is used by attack-minded players who are determined to win. The Leningrad system is one of the most popular and dynamic variations of the Dutch, and is a particular favourite of the younger generation of Russian and former Soviet Grandmasters. Joan Ehlvest, one of the greatest modern exponents, provides a clear explanation of the key ideas of the Leningrad variation, concentrating on dynamic new ideas.
“An unforgettable story of love, survival and the power of imagination in the most tragic circumstances. Elegant and poetic.” —Isabel Allende, New York Times bestselling author of Zorro The ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America, she cannot hold on to fresh memories—the details of her grown children's lives, the approaching wedding of her grandchild—yet her distant past is miraculously preserved in her mind's eye. Vivid images of her youth in war-torn Leningrad arise unbidden, carrying her back to the terrible fall of 1941, when she was a tour guide at the Hermitage Museum and the German army's approach signaled the beginning of what would be a long, torturous siege on the city. As the people braved starvation, bitter cold, and a relentless German onslaught, Marina joined other staff members in removing the museum's priceless masterpieces for safekeeping. As the Luftwaffe's bombs pounded the proud, stricken city, Marina built a personal Hermitage in her mind—a refuge that would stay buried deep within her, until she needed it once more. . . . “Extraordinary. . . . Dean’s exquisite prose shimmers . . . illuminating us to the notion that art itself is perhaps our most necessary nourishment.” —Chang-Rae Lee, New York Times bestselling author of Aloft and Native Speaker “A poignant tale.” —Booklist, starred review “Dean writes with passion and compelling drama.” —People “Rare is the novel that creates that blissful forgot-you-were-reading experience . . . but that is precisely what Debra Dean has achieved with her image-rich book.” —Seattle Post-Intelligencer “Poetic.” —San Francisco Chronicle Book Review “[A] heartfelt debut.” —New York Times Book Review “Remarkable”— NPR, Nancy Pearl Book Review
Based on an unparalleled access to Russian archival sources and going far beyond the military aspects of other historical works, Glantz's book is a testament to the nearly two million Russians who lost their lives during the battle for Leningrad. 90 illustrations. 16 maps.
This book recounts one of the greatest tragedies of the twentieth century: the siege of Leningrad. It is based on the searing testimony of eyewitnesses, some of whom managed to survive, while others were to die in streets devastated by bombing, in icy houses, or the endless bread queues. All of them, nevertheless, wanted to pass on to us the story of the torments they endured, their stoicism, compassion and humanity, and of how people reached out to each other in the nightmare of the siege. Though the siege continues to loom large in collective memory, an overemphasis on the heroic endurance of the victims has tended to distort our understanding of events. In this book, which focuses on the "Time of Death", the harsh winter of 1941-42, Sergey Yarov adopts a new approach, demonstrating that if we are to truly appreciate the nature of this suffering, we must face the full realities of people's actions and behaviour. Many of the documents published here – letters, diaries, memoirs and interviews not previously available to researchers or retrieved from family archives – show unexpected aspects of what it was like to live in the besieged city. Leningrad changed, and so did the morals, customs and habits of Leningraders. People wanted at all costs to survive. Their notes about the siege reflect a drama which cost a million people their lives. There is no spurious cheeriness and optimism in them, and much that we might like to pass over. But we must not. We have a duty to know the whole, bitter truth about the siege, the price that had to be paid in order to stay human in a time of brutal inhumanity.
Winner of the Pushkin House Russian Book Prize Winner of the University of Southern California Book Prize Honorable Mention, Reginald Zelnik Book Prize “Fascinating and perceptive.” —Antony Beevor, New York Review of Books “Stand aside, Homer. I doubt whether even the author of the Iliad could have matched Alexis Peri’s account of the 872-day siege which Leningrad endured.” —Jonathan Mirsky, The Spectator “Powerful and illuminating...A fascinating, insightful, and nuanced work.” —Anna Reid, Times Literary Supplement “Much has been written about Leningrad’s heroic resistance. But the remarkable aspect of [Peri’s] book is that she tells a very different story: recounting the internal struggles of ordinary people desperately trying to survive and make sense of their fate.” —John Thornhill, Financial Times “A sensitive, at times almost poetic examination of their emotions and disordered mental states. It both contrasts with and complements the equally accurate official Soviet portrait of a stalwart population standing firm in the face of evil and in defense of Soviet ideals.” —Robert Legvold, Foreign Affairs In September 1941, two and a half months after the Nazis invaded the Soviet Union, the German Wehrmacht encircled Leningrad. Cut off from the rest of Russia, the city remained blockaded for 872 days, at a cost of almost a million lives. It was one of the longest and deadliest sieges in modern history. The War Within chronicles the Leningrad blockade from the perspective of those who endured it. Drawing on unpublished diaries, Alexis Peri tells the tragic story of how young and old struggled to make sense of a world collapsing around them. When the blockade was lifted in 1944, Kremlin officials censored publications describing the ordeal and arrested many of Leningrad’s wartime leaders. Some were executed. Diaries—now dangerous to their authors—were concealed, shelved in archives, and forgotten. The War Within recovers these lost accounts, shedding light on one of World War II’s darkest episodes while paying tribute the resilience of the human spirit.
The “gripping story” of a Nazi blockade, a Russian composer, and a ragtag band of musicians who fought to keep up a besieged city’s morale (The New York Times Book Review). For 872 days during World War II, the German Army encircled the city of Leningrad—modern-day St. Petersburg—in a military operation that would cripple the former capital and major Soviet industrial center. Palaces were looted and destroyed. Schools and hospitals were bombarded. Famine raged and millions died, soldiers and innocent civilians alike. Against the backdrop of this catastrophe, historian Brian Moynahan tells the story of Dmitri Shostakovich, whose Seventh Symphony was first performed during the siege and became a symbol of defiance in the face of fascist brutality. Titled “Leningrad” in honor of the city and its people, the work premiered on August 9, 1942—with musicians scrounged from frontline units and military bands, because only twenty of the orchestra’s hundred members had survived. With this compelling human story of art and culture surviving amid chaos and violence, Leningrad: Siege and Symphony “brings new depth and drama to a key historical moment” (Booklist, starred review), in “a narrative that is by turns painful, poignant and inspiring” (Minneapolis Star-Tribune). “He reaches into the guts of the city to extract some humanity from the blood and darkness, and at its best Leningrad captures the heartbreak, agony and small salvations in both death and survival . . . Moynahan’s descriptions of the battlefield, which also draw from the diaries of the cold, lice-ridden, hungry combatants, are haunting.” —The Washington Post
The Dutch chess opening is renowned as a fighting weapon against 1.d4, as 1...f5 immediately sets up an unbalanced struggle. Then Black's kingside fianchetto, which defines the Leningrad Dutch, allows pawn-storming play in similar style to the King's Indian Defense. Mihail Marin is the ideal author to explain both the strategic ideas and the latest theory. Leningrad Dutch covers lines where White also fianchettoes the king's bishop - these lines are the critical test of the Leningrad. The companion volume, Dutch Sidelines, completes Black's Dutch repertoire.