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In 1791, shortly after the United States won its independence, George Washington personally asked Pierre Charles L’Enfant—a young French artisan turned American revolutionary soldier who gained many friends among the Founding Fathers—to design the new nation's capital. L’Enfant approached this task with unparalleled vigor and passion; however, his imperious and unyielding nature also made him many powerful enemies. After eleven months, Washington reluctantly dismissed L’Enfant from the project. Subsequently, the plan for the city was published under another name, and L’Enfant died long before it was rightfully attributed to him. Filled with incredible characters and passionate human drama, Scott W. Berg’s deft narrative account of this little-explored story in American history is a tribute to the genius of Pierre Charles L'Enfant and the enduring city that is his legacy.
In today's world of endless photographing, tagging, and posting images online, what is a preteen girl's relationship to the camera? Upending assumptions of contemporary digital image-making practices, photographer Rania Matar reframes these young women through her poignant portraits of them, revealing in 'L'Enfant-Femme' how girls between the ages of 8 and 12 interact with the camera and in so doing depicts them in deeply personal and poetic ways. Addressing themes of representation, voyeurism, and transgression, Matar's images remind us of the fragility of yough while also gesturing towards its unbridled curiosity and joy. Candidly capturing her subjects at a critical juncture in the early stages of adolescence, Matar's images convey the confluence of angst, sexuality, and personhood that defines the progression from childhood into adulthood.
In 1791, shortly after the United States won its independence, George Washington personally asked Pierre Charles L’Enfant—a young French artisan turned American revolutionary soldier who gained many friends among the Founding Fathers—to design the new nation's capital. L’Enfant approached this task with unparalleled vigor and passion; however, his imperious and unyielding nature also made him many powerful enemies. After eleven months, Washington reluctantly dismissed L’Enfant from the project. Subsequently, the plan for the city was published under another name, and L’Enfant died long before it was rightfully attributed to him. Filled with incredible characters and passionate human drama, Scott W. Berg’s deft narrative account of this little-explored story in American history is a tribute to the genius of Pierre Charles L'Enfant and the enduring city that is his legacy.
We typically take public space for granted, as if it has continuously been there, yet public space has always been the expression of the will of some agency (person or institution) who names the space, gives it purpose, and monitors its existence. And often its use has been contested. These new essays, written for this volume, approach public space through several key questions: Who has the right to define public space? How do such places generate and sustain symbolic meaning? Is public space unchanging, or is it subject to our subjective perception? Do we, given the public nature of public space, have the right to subvert it? These eighteen essays, including several case studies, offer convincing evidence of a spatial turn in American studies. They argue for a re-visioning of American culture as a history of place-making and the instantiation of meaning in structures, boundaries, and spatial configurations. Chronologically the subjects range from Pierre L’Enfant’s initial majestic conceptualization of Washington, D.C. to the post-modern realization that public space in the U.S. is increasingly a matter of waste. Topics range from parks to cities to small towns, from open-air museums to airports, encompassing the commercial marketing of place as well as the subversion and re-possession of public space by the disenfranchised. Ultimately, public space is variously imagined as the site of social and political contestation and of aesthetic change.
Contains systems of records maintained on individuals by Federal agencies which were published in the Federal Register and rules of each agency concerning the procedures the agency will use in helping individuals who request information about their records.
Reprint of the original, first published in 1863.
Illustrated with plans, maps, and new and historic photographs, the second edition of Worthy of the Nation provides researchers and general readers with an appealing and authoritative view of the planning and evolution of the federal district.