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Lempad of Bali is being produced by the Museum Puri Lukisan in Ubud in conjunction with a major retrospective exhibition of the renowned Balinese artist I Gusti Nyoman Lempad that will be held in the museum from September 20 to October 20, 2014. With some 600 illustrations, the book will function as a catalogue raisonnee dedicated to the life and art of this seminal artist, who has been rightly called the father of the Balinese Pita Maha group of artists. The text will be authored by a team of five respected experts including John Darling, the director of the acclaimed film on Lumpad of the same name, Hedi Hinzler, senior professor and Bali expert at Leiden University, Kaja McGowan, the curator of the Clair Holt collection and professor at Cornell University, Adrian Vicker, professor at Sydney University, Soemantri Widagdo, curator of the Museum Puri Lukisan, and Bruce W. Carpenter, Indonesian art expert.
Lempad of Bali: A Memoir of a Master Artist and the Making of a Film is the first publication dedicated to the subject of I Gusti Nyoman Lempad, who was considered by many to be Bali's greatest artist. When Lempad died in 1978, at an incredible age of 116 years, he had produced a wide body of work over some 100 years including drawings, paintings, sculpture and architecture. More information on John, the film and Lempad himself can be found on www.lempad.net.
The deeper you go in understanding his art works, the more the passion becomes febrile. What a complete artist he was, everything he touched, architecture, sculpture, drawings, reliefs, had that magic or divine inspiration called Taksu among the Balinese which gave all his work a very special dimension. The geniality of the artist is reflected in his drawings in very particular features: the purity of line, the distribution of the space, the expression of the characters or the living plants and trees which seem to vibrate with real life. Everything spans with life and magic and the observer is immediately captured by the talent and spirit behind. Whatever he made, he caught the soul of the theme, weather an action, a creature, a cloud, the mud in the rice fields or even an inanimate object such as the sarongs, the traditional Balinese garment which he makes them look almost palpable, reflecting the animist principle that everything has a soul or ethos. When one observes the family shrine sculpture portraying the different generations (Il. n.) with his self portrait in the right bottom corner, one perceives the love he put into it, the piece shines in front of our eyes!It is full of beauty and positive energy transmitting accurately the way he felt about his family. This work could stand next to the Mona Lisa and they would be smiling in harmony. Or the young soul mask he created while watching his grand daughter which is in itself the description of beauty and youth but also the representation of the fine half Yin of the Balinese microcosm .This mask can be considered one of the most touching works by the Master. Likewise the perfect rhythm found in the dancers in the Dance Lesson where harmony, movement and teaching skill are fully achieved at the same time that technical perfection thus making out of it an outstanding masterpiece.
De Hongaarse beeldhouwer Arthur Fleischmann (1896-1990) verbleef van 1937 tot 1939 in Bali waar hij veel fotografeerde.
As Bali changes from a sleepy agriculturally- based island living its culture on a daily basis, to a dynamic tourism-based resort replacing the traditional with modern and Balinese culture with Western lifestyle, I decided that we needed to record as much as possible for the future. Who better to turn to than the exceptionally talented Jill Gocher whose ability to capture life beautifully with her camera is outstanding. The result, in the pages of this book, is Bali away from the tourist track where life continues as it has for centuries. But even this has another side, another aspect: the myths and legends that underlie so much of Balinese culture. For this we turned to immensely talented historian, art critic and art custodian Jean Couteau, who has been regularly writing on aspects of Balinese culture and belief in NOW! Bali. So this marvellous combination of talents came together to create “Secret Bali”, to bring the “seen” and the “unseen” elements of Balinese life together in these pages.
The Island of Bali--a true paradise is explored in this classic travelogue. From the artists and writers of the 1930s to the Eat, Pray, Love tours so popular today, Bali has drawn hoards of foreign visitors and transplants to its shores. What makes Bali so special, and how has it managed to preserve its identity despite a century of intense pressure from the outside world? Bali: A Paradise Created bridges the gap between scholarly works and more popular travel accounts. It offers an accessible history of this fascinating island and an anthropological study not only of the Balinese, but of the paradise-seekers from all parts of the world who have traveled to Bali in ever-increasing numbers over the decades. This Bali travelogue shows how Balinese culture has pervaded western film, art, literature and music so that even those who've never been there have enjoyed a glimpse of paradise. This authoritative, much-cited work is now updated with new photos and illustrations, a new introduction, and new text covering the past twenty years.
This is the first study to examine in detail ritual objects known as 'Lamak', a fascinating and unique form of ephemeral material culture which is a prominent feature of Balinese creativity.
The Gregorian, or Western, calendar is the most widely used and recognized calendar system in the world—but that doesn't mean it's the only one in use. The concept of time in Bali, and the inherent importance of rites and festivals on daily life, combined to create a calendar system that is bewilderingly complex but intriguing in its history. For the first time, a book has been written which unravels the difficulty of the Balinese calendar system and makes it accessible to a general audience. Time, Rites and Festivals in Bali, written by two recognized specialists of the culture, is a two part exploration of a breathtaking calendar system—and includes 62 specially commissioned drawings and a selection of photographs of rites along with wooden and painted calendars from museums around the world. From a lively introduction to the distinctly Balinese concepts of time, to an explanation of the two main calendars of Bali, to an in-depth discussion on the myth of Watugunung which is the basis for the origin of the main calendar system, Time, Rites and Festivals in Bali is a dynamic introduction to the spiritual and daily rituals that evolved at the core of this island nation.
Paint your own picture of these paradise isles -- covered markets in Denpasar, beachfront villas in Sanur, homestays in the Ubud rice paddies, rave clubs in Kuta, dive sites in the Gili Islands -- or let us do it for you, with all-new color photos and completely revised coverage. Our expert authors bring you honest opinions and lively reviews, as well as special information for outdoors enthusiasts, vegetarian travelers, art lovers, and indigenous crafts collectors.