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Princess Diana of Themyscira believes that her 16th birthday will be one of new beginnings-namely, acceptance into the warrior tribe of the Amazons. But her birthday celebrations are cut short when rafts carrying refugees break through the barrier that separates her island home from the outside world. When Diana defies the Amazons to try to bring the outsiders to safety, she finds herself swept away by the stormy sea. Cut off from everything she's ever known, Diana herself becomes a refugee in an unfamiliar land. Now Diana must survive in the world beyond Themyscira for the first time-a world that is filled with danger and injustice unlike anything she's ever experienced. With new battles to be fought and new friends to be made, she must redefine what it means to belong, to be an Amazon, and to make a difference. From New York Times bestselling author Laurie Halse Anderson (Speak) and acclaimed artist Leila del Duca (Shutter), Wonder Woman: Tempest Tossed is a story about growing into your strength, fighting for justice, and finding home.
The essays in Home Words explore the complexity of the idea of home through various theoretical lenses and groupings of texts. One focus of this collection is the relation between the discourses of nation, which often represent the nation as home, and the discourses of home in children’s literature, which variously picture home as a dwelling, family, town or region, psychological comfort, and a place to start from and return to. These essays consider the myriad ways in which discourses of home underwrite both children’s and national literatures. Home Words reconfigures the field of Canadian children’s literature as it is usually represented by setting the study of English- and French-language texts side by side, and by paying sustained attention to the diversity of work by Canadian writers for children, including both Aboriginal peoples and racialized Canadians. It builds on the literary histories, bibliographical essays, and biographical criticism that have dominated the scholarship to date and sets out to determine and establish new directions for the study of Canadian children’s literature.
How did the 'flat' characters of eighteenth-century children's literature become 'round' by the mid-nineteenth? While previous critics have pointed to literary Romanticism for an explanation, Jackie C. Horne argues that this shift can be better understood by looking to the discipline of history. Eighteenth-century humanism believed the purpose of history was to teach private and public virtue by creating idealized readers to emulate. Eighteenth-century children's literature, with its impossibly perfect protagonists (and its equally imperfect villains) echoes history's exemplar goals. Exemplar history, however, came under increasing pressure during the period, and the resulting changes in historiographical practice - an increased need for reader engagement and the widening of history's purview to include the morals, manners, and material lives of everyday people - find their mirror in changes in fiction for children. Horne situates hitherto neglected Robinsonades, historical novels, and fictionalized histories within the cultural, social, and political contexts of the period to trace the ways in which idealized characters gradually gave way to protagonists who fostered readers' sympathetic engagement. Horne's study will be of interest to specialists in children's literature, the history of education, and book history.
Harlequin® Presents brings you four new titles for one great price with bonus Christmas short story - Christmas at the Castello! This Presents box set includes: AN HEIR FIT FOR A KING (AN HEIR FIT FOR A KING ) by Abby Green After entering a Parisian perfume house to buy a fragrance for a current lover, exiled King Alix Saint Croix leaves with a powerful craving for another woman altogether—stunningly exotic perfumer Leila Verughese. But it's an alchemy with life-changing repercussions… THE WEDDING NIGHT DEBT by Cathy Williams Billionaire Dio Ruiz's convenient union was meant to secure two things: vengeance and the enticing Lucy Bishop. But then Dio found his marriage bed inconveniently empty. Two years later, his virgin bride wants a divorce. But freedom has a price… HIDDEN IN THE SHEIKH'S HAREM by Michelle Conder When Prince Zachim Darkhan escapes capture he takes the daughter of his nemesis with him. But while Farah Hajjar is hidden in his harem the line between hatred and desire soon blurs, leading Zachim past the point of no return. RESISTING THE SICILIAN PLAYBOY by Amanda Cinelli Leo Valente is as notorious as the tabloids say he is. But feisty wedding planner Dara Devlin isn't deterred. She needs his family castle for her top client, so she boldly accepts Leo's outrageous challenge to be his fake girlfriend! Look for 8 new exciting stories every month from Harlequin® Presents!
This examination of Caryl Phillips' novels ranges from the Final Passage to The Nature of Blood and considers them in relation to his plays and essays. Starting with a textual analysis of his fiction, it examines how it charts a diasporic awareness.
An exiled king finds welcome refuge in the arms of an innocent Parisian beauty in this international romance—with a bonus holiday romance novella. While exiled king Alix Saint Croix lies in wait to reclaim his small island kingdom, a mistress would provide a welcome distraction. Entering a Parisian perfume house to buy a fragrance for his current lover, he leaves with a powerful craving for another woman altogether—stunningly exotic perfumer Leila Verughese. The very smell of Alix awakens Leila’s every nerve. If she’s going to give her innocence to anyone, who better than a king? But it’s an alchemy with life-changing repercussions. After giving in to his seduction, Leila’s life spirals out of control. Until she realizes her power . . . . She’s carrying his royal heir! This edition of An Heir Fit for a King includes the bonus novella Christmas at the Castello.
“Glorious.” —Kirkus Reviews A colorful journey of self-discovery and identity, this sweet, vibrant picture book follows young Leila as she visits her grandmother’s house for their weekly family dinner, and finds parts of herself and her heritage in the family, friends, and art around her. Sometimes I’m not sure if I like being me. When Leila looks in the mirror, she doesn’t know if she likes what she sees. But when her grandmother tells her the saffron beads on her scarf suit her, she feels a tiny bit better. So, Leila spends the rest of their family dinner night on the lookout for other parts of her she does like. Follow Leila’s journey as she uses her senses of sight, smell, taste, touch to seek out the characteristics that make up her unique identity, and finds reasons to feel proud of herself, just as she is.