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Earl of Leicester's expedition to the Netherland, 1585-6.
In this first full history of the first great Elizabethan play company, Laurie Johnson shows the vital role of Leicester's Men in developing the main features of Shakespearean theatre. Unearthing new discoveries from wide-ranging primary material, he tells the fascinating stories of the lives of the earliest Elizabethan players.
My first thanks must go to the Electors to Ford's Lectureship in English History in the University of Oxford, who honoured me with the invitation to discharge that formidable responsibility in 1969, generously interpreting the statute so as to allow me to deal with a subject which contained nearly as much Netherlands as it did English history. To Hugh Trevor-Roper, Regius Professor of Modern History in the University of Oxford, and his fellow Electors, I am grateful for much encouragement, guidance and hospitality. The colleagues and pupils upon whom I have from time to time inflicted discussion of problems arising from my subject are far too numerous to be thanked individually. Two must nevertheless be singled out. Vivian Fisher of Jesus College, Cambridge, very kindly read the completed manuscript, and I have benefited by a number of characteristically penetrating comments and suggestions which he made. Geoffrey Parker, Fellow of Christ's College, generously allowed me to make use of his unique knowledge of the Spanish, French and Italian archives to check and supplement my own information. I am deeply grateful to both. Finally, it will be evident that quite apart from my own researches these lectures owe a heavy debt to many scholars, Dutch, Belgian, American and British especially, who have worked in this or related fields of inquiry. I am not less indebted to those from whose interpretations I have ventured to differ than to those with whom I have found myself in agreement.
Before William Shakespeare wrote world-famous plays on the themes of power and political turmoil, the Shakespeare family of Stratford-upon-Avon and their neighbors and friends were plagued by false accusations and feuds with the government — conflicts that shaped Shakespeare's sceptical understanding of the realities of power. This ground-breaking study of the world of the young William Shakespeare in Stratford and Warwickshire discusses many recent archival discoveries to consider three linked families, the Shakespeares, the Dudleys, and the Ardens, and their battles over regional power and government corruption. Robert Dudley, earl of Leicester, and Ambrose Dudley, earl of Warwick, used politics, the law, history, and lineage to establish their authority in Warwickshire and Stratford, challenging political and social structures and collective memory in the region. The resistance of Edward Arden — often claimed as kin to Mary Arden, Shakespeare's mother — and his friends and family culminated in his execution on false treason charges in 1583. By then the Shakespeare family also had direct experience with the London government's power: in 1569, Exchequer informers, backed by influential politicians at Court, accused John Shakespeare, William's father, of illegal wool- dealing and usury. Despite previous claims that John had resolved these charges by 1572, the book's new sources show the Exchequer's continuing demands forced his withdrawal from Stratford politics by 1577, and undermined his business career in the early 1580s, when young William first gained an understanding of his father's troubles. At the same time, Edward Arden's condemnation by the Elizabethan regime proved problematic for the Shakespeares' friends and neighbours, the Quineys, who were accused of maintaining financial connections to the traitorous Ardens — though Stratford people were convinced of their innocence. This complicated community directly impacted Shakespeare's own perspective on local and national politics and social structures, connecting his early experiences in Stratford and Warwickshire with many of the themes later found in his plays.
This book reveals the lasting impact of the Dutch Revolt on Britain's commercial, religious and political culture.
Football is the most popular sport on the planet partly because it’s so simple to play – but as philosopher, novelist and avid fan Stephen Mumford shows, behind the straightforward rules of the game there lurks a world of intriguing complexity. Mumford considers the intellectual basis upon which football rests, guiding readers through a number of issues at the heart of the game. How can a team be greater than the sum of its individual players? What is the essential role of chance? Should we want to win at all costs? What does it mean to control space? And can true beauty be found in football? Rich with colourful examples from football’s past and present, Mumford’s book is both a love letter to football and a reflection on its enduring capacity to enthral and excite.
Until now, scholarly analysis of Elizabethan processions has always regarded them as having been successful in their function as propaganda, and has always found them to have effectively 'won over' the common people - that group of the population at whom they were chiefly aimed. Both her Royal entries and progresses were regarded as effective public relations exercises, the population gaining access to the Queen and thus being encouraged to remain loyal subjects. This book represents a new approach to this subject by investigating whether this was actually the case - that is, whether the common people were actually won over by these spectacular rituals. By examining original documents that have thus far been ignored, as well as re-examining others from the perspective of the common people, the book casts a new light on Elizabethan processions.
No period in British history has more resonance and mystery today than the sixteenth century. New Worlds, Lost Worlds brings the atmosphere and events of this great epoch to life. Exploring the underlying religious motivations for the savage violence and turbulence of the period-from Henry VIII's break with Rome to the overwhelming threat of the Spanish Armada-Susan Brigden investigates the actions and influences of such near-mythical figures as Elizabeth I, Thomas More, Bloody Mary, and Sir Walter Raleigh. Authoritative and accessible, New Worlds, Lost Worlds, the latest in the Penguin History of Britain series, provides a superb introduction to one of the most important, compelling, and intriguing periods in the history of the Western world.