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Leicester had a strong radical tradition, and was represented in Parliament during the Great War by the outspoken Labour MP Ramsay MacDonald. MacDonald's anti-war views divided opinion in Leicester sharply, but whilst it was slow to provide troops for Kitchener's Army, this was not through lack of patriotism. Instead, Leicester's three main industries – footwear, hosiery and engineering – all had bulging order books as a result of government war contracts.??Bravery on the battlefield, strikes at home, conscientious objectors and the great flu pandemic were all part of Leicester's story in the Great War, and all are covered here. The author allows Leicester citizens, who lived through these momentous events, to tell their stories in their own words, and powerful eyewitness accounts from men, women and children run through this book. Many of these accounts are previously unpublished, and lend a sense of freshness and immediacy to the narrative, making this an ideal purchase for First World War enthusiasts and social historians alike.
This is the first major history of the Leicestershire Regiment in the Great war to be published since the 1930s. Weaving personal recollections with official accounts, it brings the character of the four battalions raised in Leicestershire vividly to life. There are over 200 photographs, many from private collections, maps and several appendices.
Widows of the Great War is the first major account of the experience of women who had to cope with the death of their husbands during the conflict and then rebuild their lives. It explores each stage of their bereavement, from the shock of receiving the news that their husband had been killed, through grief and mourning to the practical issues of compensation and a widow's pension. The way in which the state and society treated the widows during this process is a vital theme running through the book as it reveals in vivid detail how the bureaucracy of war helped and hindered them as they sought to come to terms with their loss. Andrea Hetherington also describes often overlooked aspects of bereavement, and she features many telling first-hand accounts from the widows themselves which show how they saw their situation and how they reacted to it. Her study gives us a fascinating insight into the way in which the armed services and the government regarded war widows during the early years of the twentieth century.
The Author was among the first to respond to Kitchener’s call for volunteers in 1914. He joined 8th Battalion, The Leicestershire Regiment at the outbreak of war as a Private and, within weeks, he and the Battalion were heading for Northern France with the British Expeditionary Force. In this superb memoir we see how the spirit of adventurous patriotism that carried him to war gradually turns to sober reflection as the fighting intensifies and he loses so many friends and comrades at the Battles of the Somme and the Marne. In 1917 he is commissioned into the Royal Sussex Regiment and makes a long, hazardous journey to Egypt to join his new battalion only to be recalled to take part in the Second Battle of the Marne, where his leadership and bravery win him the Croix de Guerre. Written with great modesty and insight, Dick Read’s account contains a wealth of graphic descriptions of his experiences over the whole period of The Great War including the Somme 1916, Hindenburg Line, Egypt, Flanders and the Final Advance. The book is further enhanced by the inclusion of excellent drawings by the Author himself. Many memoirs will be published to commemorate the Centenary of ‘the War to end all Wars’ but it can be said with confidence that Of Those We Loved is unlikely to be bettered. It makes for gripping reading both at home and as a companion on any visit to the Battlefields. Refined over the years, but retaining a rare sense of authenticity, this is a moving personal record of a survivor’s war and a profoundly moving epitaph for a lost generation.
How can we begin to make sense of the Great War now that over 100 years have passed since it ended with the defeat of Germany, Austria-Hungary, the Ottoman empire and Bulgaria, and the collapse of Tsarist Russia? The conflict had such a profound influence on world history that is it difficult to reconcile the different perspectives and draw clear conclusions. That is why this thought-provoking collection of original essays on the outcome of the war and its aftermath is of such value.It completes the trilogy of ground-breaking volumes conceived and edited by Peter Liddle which presents the latest scholarly thinking about the Great War from an international perspective. The first two volumes Britain Goes to War and Britain and the Widening War made this stimulating new writing accessible to a broad readership and this final volume has the same aim.A group of over twenty expert contributors reconsider the military reasons for the outcome of the fighting and look at the consequences for the principal nations involved. They explore the way the war and the peace settlement shaped the twentieth century and had an enduring impact within Europe and beyond.
A groundbreaking new history of the British home front during the First World War.
While a plethora of studies have discussed why so many men decided to volunteer for the army during the Great War, the experiences of those who were called up under conscription have received relatively little scrutiny. Even when the implementation of the respective Military Service Acts has been investigated, scholars have usually focused on only the distinct minority of those eligible who expressed conscientious objections. It is rare to see equal significance placed on the fact that substantial numbers of men appealed, or were appealed for, on the grounds that their domestic, business, or occupational circumstances meant they should not be expected to serve. David Littlewood analyses the processes undergone by these men, and the workings of the bodies charged with assessing their cases, through a sustained transnational comparison of the British and New Zealand contexts.
The book is concerned with how, during four demanding, dislocating and world-changing years, that most Victorian of institutions, the museum, was forced or prompted to meet the extraordinary test of war on the home front. Museums were no more immune from the pressures of war than any other institution and the changes in museums during this period, some long term, others transitory, do much to explain the nature and character of museums in Britain today. Their history reveals and reflects the broader history of the home front, and the willing, stumbling, confused efforts to do the right thing at the right time. They were far away from the fighting, the despair and degradation of the battlefields. But they were in some measure not only close to, but part of, a society carrying both its fears and expectations for those operating in a war which disassembled all their lives. The discussion covers the progress of museums from just before the advent of war in August 1914 to the immediate post-war period, 1920, although this is set in the context of museum developments before and after this span of time. Museums are considered in relation to the tensions and prevalent conditions of this period. Further, the nature and effect of the experience of them and the public services they provide, in both the long and short term, are examined.
In this, the first fully documented study of British and Irish popular reactions to the outbreak of the First World War, Catriona Pennell explores UK public opinion of the time and successfully challenges the myth of British 'war enthusiasm'. A Kingdom United explores what people felt, and how they acted, in response to an unanticipated and unprecedented crisis. It is a history of both ordinary people and elite figures in extraordinary times. Dr Pennell demonstrates that describing the reactions of over 40 million British and Irish people to the outbreak of war as either enthusiastic in the British case, or disengaged in the Irish, is over-simplified and inadequate. Emotional reactions to the war were ambiguous and complex, and changed over time. By the end of 1914 the populations of England, Scotland, Wales, and Ireland had largely embraced the war, but the war had also embraced them and showed no signs of relinquishing its grip. The five months from August to December 1914 set the shape of much that was to follow. A Kingdom United describes and explains that twenty-week formative process. Pennell draws from a vast array of diaries, letters, journals, and newspaper accounts by the very people who experienced the war in its first dramatic five months. She outlines the variety of responses felt amongst both the ordinary people and elite figures from across the country.
As the hundredth anniversary approaches, it is timely to reflect not only upon the Great War itself and on the memorials which were erected to ensure it did not slip from national consciousness, but also to reflect upon its rich and substantial cultural legacy. This book examines the heritage of the Great War in contemporary Britain. It addresses how the war maintains a place and value within British society through the usage of phrases, references, metaphors and imagery within popular, media, heritage and political discourse. Whilst the representation of the war within historiography, literature, art, television and film has been examined by scholars seeking to understand the origins of the 'popular memory' of the conflict, these analyses have neglected how and why wider popular debate draws upon a war fought nearly a century ago to express ideas about identity, place and politics. By examining the history, usage and meanings of references to the Great War within local and national newspapers, historical societies, political publications and manifestos, the heritage sector, popular expressions, blogs and internet chat rooms, an analysis of the discourses which structure the remembrance of the war can be created. The book acknowledges the diversity within Britain as different regional and national identities draw upon the war as a means of expression. Whilst utilising the substantial field of heritage studies, this book puts forward a new methodology for assessing cultural heritage and creates an original perspective on the place of the Great War across contemporary British society.