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James Stirling was one of the most influential architects of the late twentieth century. He established his world-wide reputation in the 1960s while still in partnership with James Gowan, and his strong personal style is first seen to emerge in the extraordinary Leicester University Engineering Building, the last project to be completed by the partnership. Its slender, almost transparent, tower rises above the projecting forms of its wedge-shaped auditoria. This constructivist inspired ensemble is juxtaposed with the industrial toughness of the engineering workshops whose saw-tooth factory glazing cuts across its roof at an acute angle, setting up a powerful and contradictory geometry.
Introduction -- Formulas, free plans, and a Piranesian city -- Third generation -- Junk, bunk, and tomorrow -- The cube and the pile-up -- The uses of nostalgia -- The mechanical hobgoblin -- Aftermath.
A re-evaluation of three 'red buildings', designed by Jim Stirling: the University of Leicester Engineering Building (and James Gowan), the History Faculty and Library at Cambridge and the residential Florey Building at Queen's College, Oxford. These are buildings much praised by architects, yet hated by the members of the universities that use them. Alan Berman has drawn together essays which put the buildings in their historical context, and which explore both their radical features and their technical failings. In addition, twenty-four of today's most famous architects - including Will Alsop, Norman Foster, Richard MacCormac and Richard Rogers - explain and partly seek to defend, the importance of these radical and controversial buildings. With top contributors and newly commissioned photography, as well as stunning drawings taken from the Jim Stirling archives, this book attempts a serious re-engagement with the continuing debate between modern architects and the public.
Pevsner wrote that "Leicestershire is not a county of extremes" and agreed that "no other county in England surpasses Rutland for unspoiled quiet charm". The large and the small Midland counties possess a varied and rewarding range of buildings. Church architecture encompasses the classical Normanton, preserved in remote isolation from the flood of Rutland Water, to Market Harborough with its elegant medieval steeple, and a fine group of Victorian churches in Leicester. The major country houses include Belvoir Castle, Staunton Harold and Burley-on-the-Hill, while the more modest homes of the late nineteenth century include notable work by Ernest Gimson, Voysey and a garden city at Leicester by Parker & Unwin. Leicestershire also possesses fine modern buildings, from its architecturally progressive schools to the justly renowned buildings of Leicester University, dominated by Stirling & Gowan's Engineering Building.
The British architect James Frazer Stirling (1924–1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. He earned international renown through such innovative—and frequently controversial—projects as the Leicester University Engineering Building (1959–63); the History Faculty building at Cambridge University (1964–67); the Neue Staatsgalerie, Stuttgart (1977–84); the Clore Gallery at Tate Britain (1984); and the Arthur M. Sackler Museum at Harvard University (1979–84). Stirling was also a visiting professor at the Yale School of Architecture, where he trained and influenced many of the current leaders in the field. Fully illustrated with previously unpublished documents and new photography from the James Stirling/Michael Wilford Archive at the Canadian Centre for Architecture, Montreal, this book allows for a close examination of design drawings, photographs, and models spanning Stirling’s entire career. These materials deepen our understanding of the influences, early formation, approach, and process of an architect whose work resists labeling. Filled with in-depth analytical and critical presentations of exemplary projects and their reception, the volume reveals Stirling to be a remarkably informed and consistent thinker and writer on architecture.
As existing buildings age, nearly half of all construction activity in Britain is related to maintenance, refurbishment and conversions. Building adaptation is an activity that continues to make a significant contribution to the workload of the construction industry. Given its importance to sustainable construction, the proportion of adaptation works in relation to new build is likely to remain substantial for the foreseeable future, especially in the developed parts of the world. Building Adaptation, Second Edition is intended as a primer on the physical changes that can affect older properties. It demonstrates the general principles, techniques, and processes needed when existing buildings must undergo alteration, conversion, extension, improvement, or refurbishment. The publication of the first edition of Building Adaptation reflected the upsurge in refurbishment work. The book quickly established itself as one of the core texts for building surveying students and others on undergraduate and postgraduate built environment courses. This new edition continues to provide a comprehensive introduction to all the key issues relating to the adaptation of buildings. It deals with any work to a building over and above maintenance to change its capacity, function or performance.
Previously unpublished writings by and about James Stirling (1924-1992), arguably the most influential and controversial post-war British architect.
James Stirling is one of the few postwar architects to whom the word genius can be applied. Formidable, ebulient, self-centred, at times outrageous, he pursued architecute and the creation of buildings with a single-minded intensity, evoking hero-worship and sometimes hatred in the process. Mark Girouard traces Stirling's life from his tough boyhood in Liverpool to the revolutionary buildings of the 1960s - the Engineering Buiding for Leicester University, the History Faculty Building at Cambridge and the Florey Building at Oxford - and the acclaimed Stuttgart Art Gallery in 1980. Celebrated abroad, in Britain Stirling's association with Palumbo's plan for a new building in the centre of the City of London divided the architectual world into furious camps, creating fiery debates which lasted until his early death in 1992. The arguments, and the passions, still reverberate today. Mark Girouard's perceptive, entertainign account combines an intimate picture of the man - his personality, his relationships, his life-styl his mania for collecting, his constant doodling with an informed
Materials for Architects and Builders provides a clear and concise introduction to the broad range of materials used within the construction industry and covers the essential details of their manufacture, key physical properties, specification and uses. Understanding the basics of materials is a crucial part of undergraduate and diploma construction or architecture-related courses, and this established textbook helps the reader to do just that with the help of colour photographs and clear diagrams throughout. This new edition has been completely revised and updated to include the latest developments in materials research, new images, appropriate technologies and relevant legislation. The ecological effects of building construction and lifetime use remain an important focus, and this new edition includes a wide range of energy saving building components.
Part of a series that places buildings within their historical context, thisext considers the Engineering Department Building at Leicester University,he Willis Faber Dumas Building and the Lloyd's Building. It includespecially produced technical drawings that explain how the buildings wereetailed and put together. By looking at the buildings together, the readeran analyze and chart the development of modern British architecture andxamine the distinctive approaches taken by three different partnerships.