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The ultimate Leica guide--written by the company's top technical expert--now includes the Leica MP. This classic source contains a goldmine of technical information and insider knowledge, and covers Leica's famed lenses plus every film model from the M1 through the MP--along with schematic diagrams and explanations of metering, focusing, flash systems, film advance, and more.
What it is and what it isn't. This not a camera manual for the Leica M, nor is it a book that will teach you photography. Nevertheless, in Bertram Solcher's book you will learn a whole lot about your camera and how to use it, and about the art and craft of photography. This book contains a collection of illustrated essays that are meant to reveal the secrets of working with a rangefinder camera. To be more precise, with the best camera ever made. The book's ultimate goal is to ignite your passion for the kind of spontaneous, minimalist, and creative photography we admire in the works of Henri Cartier-Bresson, Joel Meyerowitz, and other great Leica photographers. All Leica M model cameras, both analog and digital, use rangefinder technology. Because of its design, working with a Leica M requires a more methodical style of photography where the photographer must slow down and exercise attention and purpose. Using these cameras is both challenging and rewarding. With a Leica M, you can mingle discretely within your environment to capture candid, exciting, insightful images. Bertram Solcher, a professional Leica M photographer for over 35 years, demonstrates how to use this unique camera in a practical and effective way. Solcher's enthusiasm, substantial experience, and technical expertise will help you learn the skills necessary for creating masterful photographs with any Leica M camera.
A user's guide to the Leica "M"camera. It includes advice on film, exposure, printing and accessories, together with a chapter on buying Leicas second-hand. The book is illustrated throughout with photographs demonstrating the range of the camera's possibilities.
'Never does that old maxim "the harder I practice, the luckier I get" ring truer.' - Matt Stuart Street photography may look like luck, but you have to get out there and hone your craft if you want to shake up those luck vibes. Matt Stuart never goes out without his trusty Leica and, in a career spanning twenty years, has taken some of the most accomplished, witty and well-known photographs of the streets. From understanding how to be invisible on a busy street, to anticipating a great image in the chaos of a crowd, Matt Stuart reveals in over 20 chapters the hard-won skills and secrets that have led to his greatest shots. He explains his purist and uniquely playful approach to street photography leaving the reader full of ideas to use in their own photography. Illustrated throughout with 100 of Stuart's images, this is a unique opportunity to learn from one of the finest street photographers around.
There is no other product in the world that is as exacting technically as the Leica M camera, whose design, manufacture and styling remained nearly unchanged during the past 60 years. This book vividly describes, in words and with numerous illustrations how this unique camera came to be and how it was possible to continually optimize its functions and to complement them with new technologies that were both innovative and sensible. Completely up-to-date with all information on the new Digital Leica M Typ 240. Text in English and German.
The Leica M system has been with us since 1954. It rapidly became, and has remained the favorite instrument of photographers, especially photojournalists, who, like Henri Cartier-Bresson, seek to ""catch life in the act"", to record ""the decisive moment"". In this Leica M Compendium Jonathan Eastland describes the whole Leica M system from his experience as a professional photographer. He explains how to use, enjoy and get the best out of the cameras and lenses, regardless of age. The latest lenses can be used on the earliest cameras, and vice-versa, and the Visoflex, although no longer made, is now much easier to use with the M6 and its TTL metering. Advice on planning and shooting a story with the Leica and extensive tables of technical data complete this ideal companion for the practical Leica M photographer, as well as for the Leica collector and enthusiast.
This updated edition profiles twenty of the world’s leading street photographers and teaches readers how to capture profound urban moments. In recent years, photo sharing on social media has rejuvenated street photography, and its spirit has been reborn. The Street Photographer’s Manual is about the possibilities of street photography as a medium, and how it can be approached in an accessible way. The book begins with an overview of street photography, examining its past, present, and future, and looking at how the genre has changed over time. The reader is then introduced to twenty of the most acclaimed international street photographers. This new, revised edition features six new photographers: Troy Holden, Merel Schoneveld, Melissa Breyer, David Gaberle, Michelle Groskopf, and Craig Whitehead. Integrated within the profiles are twenty fully illustrated tutorials, including how to shoot a face in a crowd and how to train your eye to observe and capture the unexpected. The Street Photographer’s Manual shows you that being a street photographer is partly about looking for luck. But luck requires inspiration—and that is where this book is indispensable.
81/2 x 10Since publication this title has proved to be very popular for both the serious lens user wishing to understand more about his lenses, as well as the Leica enthusiast considering which lens would be suitable to add to his outfit.Do you know your "Coma from your Aberrations"? If "Yes," then part 2 of Erwin Puts' new book will be of considerable interest to you. Either way you may find this section easier to understand than you expect; the illustrations and diagrams do help.Part 1 goes into the optical history of E. Leitz, Wetzlar and the Leica Camera of Solms in detail with all the personalities involved. This section is well illustrated with some new pictures. The commercial demands are always battling with the perfectionists at Leica who created some of the world's most famous lenses.Part 2 is an optical digression explaining the lens and glass design features, problems and terms and the continual battle to ensure that Leica users end up with the highest possible standard of lens.Part 3 is the largest part of the book. Puts has tested Leica lenses from 1925 to date; each lens, in most cases with diagram, is detailed with its performances at the critical apertures.
Follow in the footsteps of Leica Camera Ambassador Craig Semetko’s 10 year trek across the globe to capture the spontaneity, humor, and juxtaposition of the human experience. In the book’s forward, iconic photographer Elliott Erwin writes, “Good photographs are tough enough to shoot. Really funny ones are even harder. Good and funny photographs observed in nature not arranged or manipulated but simply observed in real time with amazing consistency, constitute a minor miracle now presented in Mr. Semetko’s book…In my book, he is the essential photographer. That is, the one who sees what others could not have seen.” Inspired by Cartier-Bresson, Robert Frank, and Elliott Erwitt, Craig Semetko is a collector of the spontaneous moment. With an uncanny knack for using Leica Cameras to capture the beautiful and unexpected that surrounds us all, Semetko offers a striking collection of imagery shot during 10 years of traveling around the world, from Edinburgh to Amsterdam, France to Los Angeles, Hanoi to Bangkok, and beyond. This visual celebration records the first decade of the twenty-first century across all walks of life. Semetko documents the muted beauty of regular people simply living their lives, and captures the humor found in the offbeat and eccentric contrasts all around us. Unposed is a memorable exploration of an era shot by a skilled photographer, dubbed by Esquire magazine as “a noble torchbearer” of the Leica Camera legacy.
Magnum photographer Jacob Aue Sobol moved to Tokyo in Spring 2006. He began photographing in the streets and public areas, drawn to the tightly confined reality of the city. His search was for the individual human being in an environment simultaneously attractive and repellant. He hung out with the rent boys in Kabukicho, the red light district. He visited the homeless sleeping in the streets and the parks. Most of all, he sought to understand Japanese youth, the generation which lacks any connection to traditional Japanese culture and values.