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The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources,Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.
The most impressive legacy of the Dynasty of Akkade (ca. 2310-2160 B.C.E.) was the widespread, popular legends of its kings. Dr. Westenholz offers an annotated edition of all the known legends of the Akkadian kings, with transliteration, translation, and commentary. Of particular interest to biblical scholars is the inclusion of “The Birth Legend of Sargon,” which is often compared to Moses in Exodus.
A new epic fantasy series from the New York Times bestselling author chosen to complete Robert Jordan's The Wheel of Time® Series
Name of the Wind meets Witcher! The legend of Tal Harrenfel is sung across the Westreach-and with each telling, the tales grow taller. But he's never claimed to be more than a man... When Tal receives a mysterious visitor, he becomes embroiled in the plots of monarchs and an ancient war with a fabled sorcerer... Can Tal live up to his legend?
Collects the first two years of the most popular webcomic of all time, about two friends, Tycho and Gabe, who spend most of their time gaming.
The newly crowned King Arthur has yet to win the support of the people. Merlin must do something before the king is betrayed, or murdered, or--worst of all--gets married. So Merlin creates a trick: a sword magically placed into a slab of rock that only Arthur can withdraw. Then he lets it be known that whosoever removes the blade will rule all of England, and invites any man who would dare, to try to pull out the sword. But then someone else pulls the sword out first. . . .
For a period of nearly eight hundred years, Perso-Islamic kingship was the source for the dominant social and cultural paradigms organising Indian political life. In the medieval world of South Asia, Persian kingship took the form of a hybridized and adaptive political expression. The Persian king embodied the values of justice, military heroics, and honor, ideals valorized historically and transculturally, yet the influence of the pre-Islamic Persian past and Persian forms of kingship has not yet been fully recognised. In this book, Blain Auer demonstrates how Persian kingship was a transcultural phenomenon. Describing the contributions made by kings, poets, historians, political and moral philosophers, he reveals how and why the image of the Persian king played such a prominent role in the political history of Islamicate societies, in general, and in India, in particular. By tracing the historical thread of this influence from Samanid, Ghaznavid, and Ghurid empires, Auer demonstrates how that legacy had an impact on the establishment of Delhi as a capital of Muslim rulers who made claims to a broad symbolic and ideological inheritance from the Persian kings of legend.
The civil war in Sri Lanka and the part that nationalism seemed to play in it inspired the writing of this book some twenty-three years ago. The argument was developed through a comparative analysis of nationalism in Sri Lanka with the author’s native Australia. At the time this constituted an innovative approach to comparison in anthropology, as well as to nationalism and its possibilities. It was not based on differences but on the way in which perspectives from within the two nationalisms, when seen side-by-side, could present an understanding of their implication in producing the violence of war, racism, and social exclusion. The book has lost none of its importance and urgency as proven by the chapters in the Appendix, written by top scholars working in Sri Lanka and in Australia. These contributions bring together new material and critically explore the book’s themes and their continued relevance to the various trajectories in nationalist processes since the first publication of the book.
Despite his youth, Declan Idrys knows of the evils of the world. He knows of the bastards and brigands who plague the King's lands, of the monsters skulking in the wooded depths of the realm. Together with his companion, Ryn - a beast of rather peculiar talent - he has spent the last decade of his life beneath the bloody banners of a half-dozen mercenary guilds, hunting precisely such festering wickedness within the borders of Viridian. Unfortunately, fate is quick to pull on the leash of its favorite children. When one particularly troubling contract goes sideways, Declan and Ryn find themselves thrust into a war thought legend and long-ended, a conflict so old it is synonymous with a time in which dragons still ruled the western skies. Now, as dead men rise from their graves and the terrible beasts of the northern ranges descend into the kingdom with an appetite for savagery and flesh, Declan is faced with a profane choice. He can turn, can flee an ancient rising horror that would see the realms of man left as shattered death and wind-blown ash. Or, Declan can face this mounting threat, can come to terms with the fact that his oldest friend might just be more than he appears, and learn to wield an ageless power all his own. Centuries pass, after all, but the Blood of Kings does not fade...