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This story takes place in Louisiana in the 1800's. A family from Brazil come to America to buy farms and ranches using money earned from coffee plantations and lumber mills in Rio and Sao Paolo. The daughter, 21 year old Donna, takes command of the Blue Cross Ranchos, which are expanding rapidly and gets herself in skirmishes that only she can get out of.The story has incidents that are described with detail, fact, and fiction to create a saga that will be remembered for a long time. It is a traditional style like old south western stories never written before. A large colorful cast of characters add to the excitement. The Crosstininni's run for it after selling their vast real estate empire to the U.S. Standard Oil Co. for salt and oil explorations in Baton Rouge, Louisiana. The Louisiana Cowgirls and fifty of their employees head for Houston, Texas. Their board the MacKay Clipper Ship sailing for Rio, Brazil to meet family and their lucrative lumber mills and coffee empire. Relaxing along the Amazon and seaports is cut short by a planned war between family and the capital of Columbia-Cali. So once again the Clipper Ship sails off, arriving at the port of Yucatan, near Mexico. There they meet British Archaeologists who are unearthing ancient pyramids (Aztec?). Denim Blue and her friends help the British smuggle mummies who twitch when exposed to smoke from burning sacred Tanin Leaves. Follow the action-right to a Baltimore, Maryland museum.
This story takes place in Louisiana in the 1800's. A family from Brazil come to America to buy farms and ranches using money earned from coffee plantations and lumber mills in Rio and Sao Paolo. The daughter, 21 year old Donna, takes command of the Blue Cross Ranchos, which are expanding rapidly and gets herself in skirmishes that only she can get out of. The story has incidents that are described with detail, fact, and fiction to create a saga that will be remembered for a long time. It is a traditional style like old south western stories never written before. A large colorful cast of characters add to the excitement.
"Lean back into Louisiana lore with an earful of New Orleans jazz and a bellyful of Cajun cuisine. But when the music dies down and the lights flicker out, hushed conversations bleed into the darker mysteries of the Pelican State. Storied outlaws like John Murrell, Eugene Bunch and Leather Britches Smith steal into the room. Voodoo priestesses Marie Laveau and Julia Brown are already there, along with the Phantom Whistler and the Axeman of New Orleans. Folklorist Alan Brown educates and entertains with tales of the unseemly, bizarre and otherworldly, like the legends of the Rougarou, the Lutin and the Honey Island Swamp Monster."--Back cover.
The living folklore of Louisiana returns in this new edition of the classic Gumbo Ya-Ya. Long considered the finest collection of Louisiana folk tales and customs, Gumbo Ya-Ya chronicles the stories and legends that have emerged from the bayou country. Meet the Krewe of Zulu, New Orleans' most colorful all-black Carnival club, and the many tribes of Indians who help celebrate Mardi Gras with their fierce pageantry. Listen to the street criers entice customers to buy their goods. Produce peddlers hawk watermelon, cantaloupe, snap and butter beans, and strawberries. The charcoal man sells fuel to stoke the wash-day fires, while the kindling man offers to saw two cords for a dollar and dinner. Zabette and Rose Gla dispense the choicest coffee available in the French Quarter of New Orleans. The bottle man collects old bottles, rags, and bones, driving a hard bargain with the children who expect handfuls of peppermints, whistles, horns, and rattles for their hoards of treasure. All aspects of society are detailed in this wonderful album of Louisiana tradition: the Vieux Carr Creoles, with their strict codes of family honor; the burly Irish Channel immigrants; the lively Italians who still honor St. Joseph and St. Rosalia with all the pomp of the Old Country; and the fun-loving Cajuns, with their curious family names and spirited fais do do. There's no escaping superstition and voodoo in Louisiana. Several sections explain the customs and beliefs that have sprung up over the centuries. Always burn onion peels to ensure a steady supply of money. Sprinkle nutmeg in a woman's left shoe every night at midnight to drive her crazy. Kiss your elbow to change your sex. Gumbo Ya-Ya ( Everybody Talks at Once ) is a charming look at the legends and practices of Louisiana, particularly New Orleans. Originally written as part of the WPA's Louisiana Writers' Program, it has endured as a classic of its genre and is again available in a beautiful Pelican edition.
From the infamous pirate Jean Laffite and the storied couple Bonnie and Clyde, to less familiar bandits like train-robber Eugene Bunch and suspected murderer Leather Britches Smith, Legendary Louisiana Outlaws explores Louisiana's most fascinating fugitives. In this entertaining volume, Keagan LeJeune draws from historical accounts and current folklore to examine the specific moments and legal climate that spawned these memorable characters. He shows how Laffite embodied Louisiana's shift from an entrenched French and Spanish legal system to an American one, and relates how the notorious groups like the West and Kimbrell Clan served as community leaders and law officers but covertly preyed on Louisiana's Neutral Strip residents until citizens took the law into their own hands. Likewise, the bootlegging Dunn brothers in Vinton, he explains, demonstrate folk justice's distinction between an acceptable criminal act (operating an illegal moonshine still) and an unacceptable one (cold-blooded murder). Recounting each outlaw's life, LeJeune also considers their motives for breaking the law as well as their attempts at evading capture. Running from authorities and trying to escape imprisonment or even death, these men and women often relied on the support of ordinary citizens, sympathetic in the face of oppressive and unfair laws. Through the lens of folk life, LeJeune's engaging narrative demonstrates how a justice system functions and changes and highlights Louisiana's particular challenges in adapting a system of law and order to work for everyone.
Here are more than two hundred oral tales from some of Louisiana's finest storytellers. In this comprehensive volume of great range are transcriptions of narratives in many genres, from diverse voices, and from all regions of the state. Told in settings ranging from the front porch to the festival stage, these tales proclaim the great vitality and variety of Louisiana's oral narrative traditions. Given special focus are Harold Talbert, Lonnie Gray, Bel Abbey, Ben Guiné, and Enola Matthews—whose wealth of imagination, memory, and artistry demonstrates the depth as well as the breadth of the storyteller's craft. For tales told in Cajun and Creole French, Koasati, and Spanish, the editors have supplied both the original language and English translation. To the volume Maida Owens has contributed an overview of Louisiana's folk culture and a survey of folklife studies of various regions of the state. Car Lindahl's introduction and notes discuss the various genres and styles of storytelling common in Louisiana and link them with the worldwide are of the folktale.
Reproduction of the original: Strange True Stories of Louisiana by George W. Cable