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The first anthology to present the entire range of ancient Greek and Roman stories- from myths and fairy tales to jokes Captured centaurs and satyrs, talking animals, people who suddenly change sex, men who give birth, the temporarily insane and the permanently thick-witted, delicate sensualists, incompetent seers, a woman who remembers too much, a man who cannot laugh-these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology-from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes.
This book collects twenty two previously published essays and one new one by Erich S. Gruen who has written extensively on the literature and history of early Judaism and the experience of the Jews in the Greco-Roman world. His many articles on this subject have, however, appeared mostly in conference volumes and Festschriften, and have therefore not had wide circulation. By putting them together in a single work, this will bring the essays to the attention of a much broader scholarly readership and make them more readily available to students in the fields of ancient history and early Judaism. The pieces are quite varied, but develop a number of connected and related themes: Jewish identity in the pagan world, the literary representations by Jews and pagans of one another, the interconnections of Hellenism and Judaism, and the Jewish experience under Hellenistic monarchies and the Roman empire.
In these fictive creations, Jewish writers reinvented their own past, offering us vital insights into Jewish self-perception.
In the chaos that followed the death of Alexander the Great his distinguished marshal Seleucus was reduced to a fugitive, with only a horse to his name. But by the time of his own death, Seceucus had reconstructed the bulk of Alexander's empire, built Antioch, and become a king in his turn, one respected for justness in an age of cruelty. The dynasty he founded was to endure for three centuries. Such achievements richly deserved to be projected into legend, and so they were. This legend told of Seleucus' divine siring by Apollo, his escape from Babylon with an enchanted talisman, his foundations of cities along a dragon-river with the help of Zeus' eagles, his surrender of his new wife to his besotted son, and his revenge, as a ghost, upon his assassin. This is the first book in any language devoted to the reconstruction of this fascinating tradition.
This text was the first systematic study of what it meant to be 'Greek' in late antiquity and Byzantium, an identity that could alternatively become national, religious, philosophical, or cultural. Through close readings of the sources, Professor Kaldellis surveys the space that Hellenism occupied in each period; the broader debates in which it was caught up; and the historical causes of its successive transformations. The first section (100-400) shows how Romanisation and Christianisation led to the abandonment of Hellenism as a national label and its restriction to a negative religious sense and a positive, albeit rarefied, cultural one. The second (1000-1300) shows how Hellenism was revived in Byzantium and contributed to the evolution of its culture. The discussion looks closely at the reception of the classical tradition, which was the reason why Hellenism was always desirable and dangerous in Christian society, and presents a new model for understanding Byzantine civilisation.
This insightful read traces the development of the principal Western religions and their philosophical counterparts from the beginnings of Alexander the Great's empire in 331 B.C.E. to the emergence of the Christian world in the fourth century C.E.
This collection of essays seeks to demonstrate that many biblical authors deliberately used Classical and Hellenistic Greek texts for inspiration when crafting many of the narratives in the Primary History. Through detailed analysis of the text, Gnuse contends that there are numerous examples of clear influence from late classical and Hellenistic literature. Deconstructing the biblical and Greek works in parallel, he argues that there are too many similarities in basic theme, meaning, and detail, for them to be accounted for by coincidence or shared ancient tropes. Using this evidence, he suggests that although much of the text may originate from the Persian period, large parts of its final form likely date from the Hellenistic era. With the help of an original introduction and final chapter, Gnuse pulls his essays together into a coherent collection for the first time. The resultant volume offers a valuable resource for anyone working on the dating of the Hebrew Bible, as well as those working on Hellenism in the ancient Levant more broadly.
The Hellenistic period (approximately the last three centuries B.C.), with its cultural complexities and enduring legacies, retains a lasting fascination today. Reflecting the vigor and productivity of scholarship directed at this period in the past decade, this collection of original essays is a wide-ranging exploration of current discoveries and questions. The twelve essays emphasize the cultural interaction of Greek and non-Greek societies in the Hellenistic period, in contrast to more conventional focuses on politics, society, or economy. The result of original research by some of the leading scholars in Hellenistic history and culture, this volume is an exemplary illustration of the cultural richness of this period. Paul Cartledge's introduction contains an illuminating introductory overview of current trends in Hellenistic scholarship. The essays themselves range over broad questions of comparative historiography, literature, religion, and the roles of Athens, Rome, and the Jews within the context of the Hellenistic world. The volume is dedicated to Frank Walbank and includes an updated bibliography of his work which has been essential to our understanding of the Hellenistic period.
It was the greatest empire ever, with an unconquerable army, larger-than-life rulers, impressive structures, richly developed art and philosophy, and a vast, advanced culture. Any discussion of our own civilization's law, religion, war, and literature must invoke Rome's name. From the republic's establishment to its timeless legacy, follow the thrilling narrative of Rome's history, impressively illustrated with more than 200 photographs, drawings, and paintings. The spectacular remains are scattered over three continents, and its influence will never fade.
Tells the story of Theodore Laskaris, a thirteenth-century Byzantine emperor, imaginative philosopher, and ideologue of Hellenism.