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A young writer travels to Maine to tell the unusual story of America’s longest-running camp devoted to mysticism and the world beyond. They believed they would live forever. So begins Mira Ptacin’s haunting account of the women of Camp Etna—an otherworldly community in the woods of Maine that has, since 1876, played host to generations of Spiritualists and mediums dedicated to preserving the links between the mortal realm and the afterlife. Beginning her narrative in 1848 with two sisters who claimed they could speak to the dead, Ptacin reveals how Spiritualism first blossomed into a national practice during the Civil War, yet continues—even thrives—to this very day. Immersing herself in this community and its practices—from ghost hunting to releasing trapped spirits to water witching— Ptacin sheds new light on our ongoing struggle with faith, uncertainty, and mortality. Blending memoir, ethnography, and investigative reportage, The In-Betweens offers a vital portrait of Camp Etna and its enduring hold on a modern culture that remains as starved for a deeper sense of connection and otherworldliness as ever.
As World War II began, not only were Japanese Americans herded into internment camps, the young men were then drafted. But at Heart Mountain, a group of resisters drew the line - they refused to comply, on constitutional grounds - and wound up in federal prison. As the author contemplates a simple line drawing of the Heart Mountain camp, he revisits this moment of history with pain, pride, and thoughtful historical perspective. In a section about Japanese American life, Inada pays tribute to his elders, and delights in the detail of the day-to-day. His love for the landscape of Oregon is realized in poems that smell of pine and sparkle like a mountain stream. This is a rich, varied collection of poems brimming with hope, nourished by the wisdom of the past, alive with the electricity of the moment.
Personal documents, art, propoganda, and stories express the Japanese American experience in internment camps after the bombing of Pearl Harbor.
Back in stock! When Chris and Toby Greyeyes find a raven in the garage, they try to trap it and hurt it with hockey sticks. To them, ravens are just a nuisance because they spread garbage all over the street. Or so they think--until a mysterious man who smells like pine needles enters their lives and teaches them his story of the raven. In this intriguing book, George Littlechild, internationally acclaimed artist and author of the Jane Addams Awardwinning book This Land Is My Land, returns to collaborate with Richard Van Camp, an exciting voice in Native American literature. Set in the Northwest Territories of Canada, Van Camp's contemporary story draws from the animal legends and folklore told to him by his Dogrib elders. Littlechild's bold use of color and perspective captures the sense of mystery and magic surrounding the strange raven man who teaches the boys the meaning of respect for nature. Blending past with present, the magical with the real, A Man Called Raven is both a tribute to the wisdom of the raven and a positive reminder that we can all learn from nature.
Born in Oakland, California, in 1910, the young Toshio Mori dreamed of being an artist, a Buddhist missionary, and a baseball player. Instead, he grew flowers in the family nursery business, and -- influenced by contemporaries such as Sherwood Anderson and Ernest Hemingway -- produced a body of extraordinary fiction. Unfinished Message includes fifteen stories, a novella, correspondence, and an interview with Toshio Mori.
"Summers, I live at fishcamp. June through August, Mondays and Fridays, my partner and I catch and sell salmon that pass our beach on their way to spawning streams. The rest of the week, and parts of May and September, Ken and I mend nets, comb the rocky shoreline for useful poles and cottonwood bark, do a thousand camp chores and projects. We live quite happily in a tiny cabin at the top of the beach." --from Fishcamp For the past eighteen summers, Nancy Lord and her partner Ken have made a living, and made a life, fishing for salmon off the west side of Cook Inlet on the southern coast of Alaska. In Fishcamp, Lord provides a nuanced and engrossing portrait of their days and months in camp at the inlet. Beginning with their arrival by plane on a freshly thawed lake, she describes their joys and tribulations as spring gives way to summer and the long months of summer unfold. With poetic cadence and magical tone, Lord draws the reader into life at camp, sharing experiences that range from the mundane to the sublime: the mending of nets; the muscle-wrenching labor of the catch; the exquisite pleasure of an improvised hot-tub; the often unnoticed bounty of the inlet's flora and fauna. Interwoven throughout the descriptions of quotidian adventure are threads of the deeper history of the region -- stories and legends of the native Dena'ina; anecdotes about past and current inlet residents; discussions of the lives of their neighbors, both human and animal, who, like them, live with fish. Fishcamp is Nancy Lord's eloquent paean to the place she calls home. In clear and richly textured prose, she captures the simple beauty of a life lived with nature, "a part" rather than "apart." As Lord explains, she shows us in Fishcamp "something about what even one place and its infinitely varied life contributes to the connections among us all and to the wholes we call 'world' and 'culture.'...Wherever our places are and whatever we do in them, perhaps we might all begin to pay more attention to the little and big things that do indeed connect in profound ways to all the rest, miles and eons and cultures apart." Fishcamp is a remarkable combination of personal, cultural, and natural history from what will surely be recognized as one of the most talented new voices of our time.
Biographies of America's astronauts with a history of the space program.