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Legends of Pro Wrestling offers the first comprehensive look at the entire world of wrestling. With detailed biographies and never-before-seen statistics of some of the greatest athletes in the sport, you will be able to read about hundreds of wrestlers, dating back to the mid-1800s. As the first of its kind, this centralized reference book offers wrestling enthusiasts a range of information at their fingertips and stands alone as the ultimate wrestling resource. This book offers readers a link between what happened a century ago to what is currently happening today. An older fan of Bruno Sammartino or “The Nature Boy” Buddy Rogers can enjoy this book as much as someone who follows John Cena or The Undertaker today. This collection is a never-ending source of facts, figures, and other entertaining data. Professional wrestling is a world of accomplishment, legacy, and, most importantly, fate. Through injuries, sickness, and family tribulations, many wrestlers have given everything they have to give in the ring, and true fans of the sport love every single second of it. No matter your age, if you’re a fan of professional wrestling, Legends of Pro Wrestling is the book for you to own and cherish. Skyhorse Publishing, as well as our Sports Publishing imprint, is proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team. In addition to books on popular team sports, we also publish books for a wide variety of athletes and sports enthusiasts, including books on running, cycling, horseback riding, swimming, tennis, martial arts, golf, camping, hiking, aviation, boating, and so much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
Presents a comprehensive encyclopedia of rock guitar legends examining over three hundred artists beginning in the 1950s and covering a wide range of styles and includes performers such as Chuck Berry, Eric Clapton, Duane Eddy, Buddy Holly, Keith Richards, and more.
Drawing mainly from unpublished materials on frontier history and people, the author recounts legendary law-breaking figures from Pennsylvania to California. Each of the 11 chapters is devoted to an outlaw or outlaw family in a specific U.S. state. In addition to the lesser known legends, he includes the story of Wyatt Earp (and the Earp family), in his post OK Corral years in Idaho's Coeur d'Alene Mountains. Paper edition (unseen), $19.95. Annotation copyrighted by Book News, Inc., Portland, OR
“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).