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Legends of the Hall: 1950s captures a period of time when playing professional football was for tough, honest men who played solely for the love of the game. The 1950s was an era of crew cuts and nicknames like Crazylegs, Hopalong, and Night Train. The decade began with Sammy Baugh throwing his last passes and ended with the death of Bert Bell. This era also produced some of the greatest quarterbacks ever to play the game. They were known as the glamour boys of the league--Otto Graham, Bob Waterfield, Bobby Layne, Y. A. Tittle, and Bart Starr, to name a few. The incomparable, individual brilliance and unique team chemistry that marked this era have transcended this specific time and place to make Legends of the Hall: 1950s an unforgettable part of the magic and myth of professional football.
Five Super Bowl titles, fifteen Hall of Famers, and a litany of legendary players, characters, and games later, the Dallas Cowboys franchise has cemented itself among the most successful in all of sports and, with a fan base that extends all over the world, among the most well known. Legends of the Dallas Cowboys takes an in-depth look at some of the legends who have shaped the Cowboys’ identity, beginning with Tom Landry, the man who was hired before Murchison had been awarded a team and who is still the franchise’s enduring image. Also included is Tex Schramm, under whom the Cowboys had twentystraight winning seasons and who is considered the most forward-thinking NFL executive ever, as well as Randy White, Ed “Too Tall” Jones, Bob Lilly, Lee Roy Jordan, Mel Renfro, and more. Also included are innovators such as Bob Hayes, who forced the creation of the zone defense, and Michael Irvin and Thomas “Hollywood” Henderson, who forced the creation of behavioral clauses in contracts. Each of the legends played his own unique role in shaping the lore of one of sports’ greatest franchises, a franchise that began humbly on a winter day in Miami and is now a model of success.
James Edward McGrory (1904-82) is a Celtic legend, remembered today as the greatest goal-scorer in the history of Scottish football. His record of 550 goals in his 15-year career at Parkhead from 1922 to 1937 is unlikely to be surpassed and will stand forever as a memorial to a player who was a typical product of the period between the two world wars. At a depressing time when wages were low and work was scarce, his feats on the field provided a welcome and much-needed escape for the thousands of ordinary, cloth-capped Scottish working men who packed the dirt terracing to cheer on every move he made. Heroes are Forever tells the full story of McGrory's life and career, and is set against the vividly drawn background of the inter-war period. It is a portrait of a loyal, modest and inspirational man who lifted the hearts of his countrymen and raised the spirits of a nation. It was he, after all, who by scoring twice for Scotland in 1933 provoked the original 'Hampden Roar'.
Presents a comprehensive encyclopedia of rock guitar legends examining over three hundred artists beginning in the 1950s and covering a wide range of styles and includes performers such as Chuck Berry, Eric Clapton, Duane Eddy, Buddy Holly, Keith Richards, and more.
A continuation of 1994’s groundbreaking Cartoons, Giannalberto Bendazzi’s Animation: A World History is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the animation of Russia, Africa, Latin America, and other often-neglected areas and introducing over fifty previously undiscovered artists. Full of first-hand, never before investigated, and elsewhere unavailable information, Animation: A World History encompasses the history of animation production on every continent over the span of three centuries. Volume III catches you up to speed on the state of animation from 1991 to present. Although characterized by such trends as economic globalization, the expansion of television series, emerging markets in countries like China and India, and the consolidation of elitist auteur animation, the story of contemporary animation is still open to interpretation. With an abundance of first-hand research and topics ranging from Nickelodeon and Pixar to modern Estonian animation, this book is the most complete record of modern animation on the market and is essential reading for all serious students of animation history. Key Features: Over 200 high quality head shots and film stills to add visual reference to your research Detailed information on hundreds of never-before researched animators and films Coverage of animation from more than 90 countries and every major region of the world Chronological and geographical organization for quick access to the information you’re looking for
Boom's Blues stands as both a remarkable biography of J. Frank G. Boom (1920–1953) and a recovery of his incredible contribution to blues scholarship originally titled The Blues: Satirical Songs of the North American Negro. Wim Verbei tells how and when the Netherlands was introduced to African American blues music and describes the equally dramatic and peculiar friendship that existed between Boom and jazz critic and musicologist Will Gilbert, who worked for the Kultuurkamer during World War II and had been charged with the task of formulating the Nazi's Jazzverbod, the decree prohibiting the public performance of jazz. Boom's Blues ends with the annotated and complete text of Boom's The Blues, providing the international world at last with an English version of the first book-length study of the blues. At the end of the 1960s, a series of thirteen blues paperbacks edited by Paul Oliver for the London publisher November Books began appearing. One manuscript landed on his desk that had been written in 1943 by a then twenty-three-year-old Amsterdammer, Frank (Frans) Boom. Its publication, to which Oliver gave the title Laughing to Keep from Crying, was announced on the back jacket of the last three Blues Paperbacks in 1971 and 1972. Yet it never was published and the manuscript once more disappeared. In October 1996, Dutch blues expert and publicist Verbei went in search of the presumably lost manuscript and the story behind its author. It only took him a couple of months to track down the manuscript, but it took another ten years to glean the full story behind the extraordinary Frans Boom, who passed away in 1953 in Indonesia.
The 1950s television game show was a cultural touchstone, reflecting the zeitgeist of a flourishing modern nation. The author explores the iconography of the mid-20th century U.S. in the context of TV watching, game playing and prize winning. The scandals that marred the genre's reputation are revisited, highlighting American's propensity for both gullibility and winking cynicism.