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Ingeniously plotted and executed, Print the Legend is an epic masterpiece from Craig McDonald. Beginning to end, I was riveted by this story of character, history and intrigue.--MICHAEL CONNELLY The competition for the future of crime fiction is fierce, but don't take your eyes off Craig McDonald. He's wily, talented and -- rarest of the rare -- a true original. I am always eager to see what he's going to do next."--LAURA LIPPMAN What critics might call eclectic, and Eastern folks quirky, we Southerners call cussedness -- and it's the cornerstone of the American genius. As in: "There's a right way, a wrong way, and my way." You want to see how that looks on the page, pick up any of Craig McDonald's novels. He's built him a nice little shack out there way off all the reg'lar roads, and he's brewing some fine, heady stuff. Leave your money under the rock and come back in an hour. --JAMES SALLIS With Print the Legend, with a James Ellroy-like scope and vision of national history, McDonald takes on governmental conspiracy, Hemingway hagiography, the under-history of the FBI, the Death of the Author (literal and figurative) and the tantalizing, destructive mythologization of the Writer's Life. While the scale is immense, McDonald's hand is deft, and we never forget that, at its center, this is a human story, complex and bruising and deeply felt. --MEGAN ABBOTT "Print the Legend is a landmark book. Lassiter for me is the Flashman/Zelig of the new era, but with a ferocious literary knowledge that is worn so lightly. A book beyond genre, stunning." --KEN BRUEN Craig McDonald's debut, Head Games, a relentlessly slick and action packed literary caper novel, was shortlisted for the Edgar, Anthony, Crimespress and Gumshoe awards for Best First Novel. Now, with Print the Legend, McDonald exceeds the extraordinary promise of his debut, delivering a consummate mystery about a conspiracy gone wrong, and the outer edges of creative jealousy and obsessive revenge. It was the shot heard around the world: On July 2, 1961, Ernest Hemingway died from a shotgun blast to the head... 4 years later, two men have come to Idaho to confront the widow Hemingway—men who have doubts about the circumstances of Hemingway's death. One is crime novelist Hector Lassiter, the oldest and best of Hem's friends...the last man standing of the Lost Generation. Hector has heard rumors of some surviving Hemingway manuscripts: a "lost" chapter of A Moveable Feast and a full-length novel written by a deluded Hemingway that Hector fears might compromise his own reputation. The other man is professor Richard Paulson, who along with his pregnant wife Hannah, herself an aspiring writer, is bent on proving that Mary Hemingway murdered Papa. As Hector digs into the mystery of Hemingway's lost writings, he uncovers an audacious, decades-long conspiracy tied to the emergent art movements of 1920's Paris, the most duplicitous of Cold War espionage tactics, and J. Edgar Hoover's FBI...
From creeping capitalism to abortion to government corruption, these three books shed light on controversial topics that are too often left in the dark. Curated by NYU professor Mark Crispin Miller, the Forbidden Bookshelf series resurrects books from America’s repressed history. All touching on bold and debated topics, these three books are more relevant today than ever. Friendly Fascism: Bertram Gross, a presidential adviser in the New Deal era, explores the insidious way that capitalist politics could subvert America’s constitutional democracy. First published over three decades ago, this book predicted the threats and realities that occur when big business and big government become bedfellows, while demonstrating how US citizens can build a truer democracy. The Search for an Abortionist: Nancy Howell Lee’s eye-opening account reveals the dangerous and illegal options for women seeking an abortion before Roe v. Wade. Based on interviews with 114 women, this groundbreaking work takes an intimate look at the abortion process. Dallas ’63: Peter Dale Scott exposes the deep state, an intricate network within the American government, linking Wall Street influence, corrupt bureaucracy, and the military-industrial complex. Since World War II, its power has grown unchecked, and nowhere has it been more apparent than at Dealey Plaza on November 22, 1963. Scott details the CIA and FBI’s involvement in the JFK assassination, and shows how events like Watergate, the Iran–Contra affair, and 9/11 are all connected to this behind-the-scenes web of corruption.
“Our most provocative scholar of American power” reveals the forces behind the assassination of JFK—and their continuing influence over our world (David Talbot, Salon). On November 22, 1963, President John F. Kennedy was gunned down in Dallas by Lee Harvey Oswald. Shortly after, Oswald himself was killed. These events led many to believe there was a far greater plan at work, with a secret cabal of powerful men manipulating the public and shaping US policies both at home and abroad for their own interests. But no one could imagine how right they were. Beneath the orderly façade of the American government, there lies a complex network, only partly structural, linking Wall Street influence, corrupt bureaucracy, and the military-industrial complex. Here lies the true power of the American empire. This behind-the-scenes web is unelected, unaccountable, and immune to popular resistance. Peter Dale Scott calls this entity the deep state, and he has made it his life’s work to write the history of those who manipulate our government from the shadows. Since the aftermath of World War II, the deep state’s power has grown unchecked, and nowhere has it been more apparent than that day at Dealey Plaza. In this landmark volume, Scott traces how culpable elements in the CIA and FBI helped prepare for the assassination, and how the deep state continues to influence our politics today. As timely and important as ever in the current chaotic political climate, Dallas ’63 is a reality-shattering, frightening exposé not of those who govern us—but of those who govern those who govern us.
In this intimate portrait, Mann incisively illuminates Streisand's climb to fame before she became the icon.

Hearings

United States. Congress. House. Committee on Banking and Currency

Published: 1962

Total Pages: 1234


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This revised edition of Clarke, Dean and Oliver's provocative book tells why accounting has failed to deliver the truth about a company's state of affairs or to give warning of its drift towards failure. A number of well-known cases of corporate collapse from the 1960s to the 1990s and beyond are studied and the recent HIH and One.Tel collapses are examined. Corporate Collapse is essential reading for professional accountants and auditors, company directors and managers, regulators, corporate lawyers, investors and everyone aspiring to join their ranks.