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Long before C.C. Duson--realtor, sheriff, and state senator--established his town on the Louisiana prairie, Cajuns, Europeans, and Native Americans had forged homes on the isolated site. Then in 1894, Duson's city auction enabled numerous ethnic groups to buy lots in the new town. Railroad construction brought Anglo, African-American, and Irish laborers, while Lebanese and Jewish merchants saw retail opportunities in Eunice. Fearful of war rumors in Europe prior to 1914, German families immigrated to prairie farms. In 1929, Italians arrived as the Mississippi River's flooding disrupted their lives. By the 1930s, the Tepetate oil field was discovered south of Eunice, creating fortunes for Anglo workers. Men from nearby World War II military bases often settled in Eunice after marrying local girls. Eunice saw new arrivals as petrochemical plants and pipelines began construction in the 1950s. The diverse traditions of newcomers blended with the dominant Cajun culture, resulting in the rich gumbo of citizens' lives. Legendary Locals of Eunice celebrates some individuals who have contributed to the vibrant and diverse culture of Eunice through the years.
From the infamous pirate Jean Laffite and the storied couple Bonnie and Clyde, to less familiar bandits like train-robber Eugene Bunch and suspected murderer Leather Britches Smith, Legendary Louisiana Outlaws explores Louisiana's most fascinating fugitives. In this entertaining volume, Keagan LeJeune draws from historical accounts and current folklore to examine the specific moments and legal climate that spawned these memorable characters. He shows how Laffite embodied Louisiana's shift from an entrenched French and Spanish legal system to an American one, and relates how the notorious groups like the West and Kimbrell Clan served as community leaders and law officers but covertly preyed on Louisiana's Neutral Strip residents until citizens took the law into their own hands. Likewise, the bootlegging Dunn brothers in Vinton, he explains, demonstrate folk justice's distinction between an acceptable criminal act (operating an illegal moonshine still) and an unacceptable one (cold-blooded murder). Recounting each outlaw's life, LeJeune also considers their motives for breaking the law as well as their attempts at evading capture. Running from authorities and trying to escape imprisonment or even death, these men and women often relied on the support of ordinary citizens, sympathetic in the face of oppressive and unfair laws. Through the lens of folk life, LeJeune's engaging narrative demonstrates how a justice system functions and changes and highlights Louisiana's particular challenges in adapting a system of law and order to work for everyone.
Music of Louisiana was at the heart of rock-and-roll in the 1950s. Most fans know that Jerry Lee Lewis, one of the icons, sprang out of Ferriday, Louisiana, in the middle of delta country and that along with Carl Perkins and Elvis Presley he was one of the very first of these “white boys playing black music.” The genre was profoundly influenced by New Orleans, a launch pad for major careers, such as Little Richard's and Fats Domino's. The untold “rest of the story” is the story of swamp pop, a form of Louisiana music more recognized by its practitioners and their hits than by a definition. What is it? What true rock enthusiasts don't know some of its most important artists? Dale and Grace (“I'm leaving It Up to You”), Phil Phillips (“Sea of Love”), Joe Barry (“I'm a Fool to Care”), Cooke and the Cupcakes (“Mathilda”), Jimmy Clanton (“Just a Dream”), Johnny Preston (“Runnin' Bear”), Rod Bernard (“This Should Go on Forever”), and Bobby Charles (“Later, Alligator”)? There were many others just as important within the region. Drawing on more than fifty interviews with swamp pop musicians in South Louisiana and East Texas, Swamp Pop: Cajun and Creole Rhythm and Blues finds the roots of this often-overlooked, sometimes-derided sister genre of the wildly popular Cajun and zydeco music. In this first book to be devoted entirely to swamp pop, Shane K. Bernard uncovers the history of this hybrid form invented in the 1950s by teenage Cajuns and black Creoles. They put aside the fiddle and accordion of their parents' traditional French music to learn the electric guitar and bass, saxophone, upright piano, and modern drumming trap sets of big-city rhythm-and-blues. Their new sound interwove country-and-western and rhythm-and-blues with the exciting elements of their rural Cajun and Creole heritage. In the 1950s and 1960s American juke boxes and music charts were studded with swamp pop favorites.
Incorporated on April 10, 1869, La Grange is seated in the coastal plain region of eastern North Carolina; it is equal in distance to the North Carolina coast and the capital city, Raleigh. Prior to 1869, La Grange was known as Moseley Hall, properly named by one of its founders, Matthew Moseley. They settled here because of the rich soil. Tobacco, in particular, was a significant cash crop. La Grange received its nickname, the "garden spot," due to its beautiful vegetation and the residents' gardens and flowers that adorned the very center of the town. At the very foundation of North Carolina's history, La Grange has had many state assembly members; the first governor of Florida hailed from La Grange. The area is also known for its agricultural farming, historical homes, and several small-town businesses. La Grange showcases the rich agricultural and community history of this eastern North Carolina town.
The South—an inspiration for songwriters, a source of styles, and the birthplace of many of the nation's greatest musicians—plays a defining role in American musical history. It is impossible to think of American music of the past century without such southern-derived forms as ragtime, jazz, blues, country, bluegrass, gospel, rhythm and blues, Cajun, zydeco, Tejano, rock'n'roll, and even rap. Musicians and listeners around the world have made these vibrant styles their own. Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.
(FAQ Pop Culture). Take a fast-paced survey of the ghosties, ghouls, and associated denizens of the country's haunted history with Haunted America FAQ . Tracing local ghost stories back to Native American legends and then forward through horror tales both ancient and modern, the book revisits some of the best known haunted locales, as well as some of the most obscure creepy places, in America. Delving deep into the cultural history of American hauntings, Haunted America FAQ includes chapters on ghostly books, movies, and television. Also included is an A-Z of reality-TV ghost hunts and a state-by-state gazetteer of haunted spots.
A colorful celebration of Southern foods, Southern cooking, and the people and traditions behind them gathers the best of food writing from magazines, newspapers, books, and journals, with contributions by Rick Bragg, Molly O'Neill, Edna Lewis, Jim Ferguson, Amy Evans, Pat Conroy, Candice Dyer, and many others. Original.
The Real Singing Cowboys profiles contemporary cowboy--and cowgirl--singers and musicians who are, or have been, authentic working cowboys or ranchers, or involved in related occupations tied to ranching and cowboy culture. The book includes sixty brief biographies and photos of the singers and musicians, including Glenn Ohrlin, Dave Stamey, Wylie Gustafson, and R.W. Hampton. The stories of traditional occupational songs of working cowboys and how that tradition continues in today’s world provide context for the contemporary performers included in the book. These men, women, and children are, or have been, working cowboys, ranchers, packers, and horse trainers, or have deep roots in cowboy and ranching culture that have shaped and informed their music.
Beginning with a thematic section covering topics from early America to civil rights, population, and the new millennium, the United States Encyclopedia then delves into essays on each state and the U.S. territories. Also included: U.S. facts and figures, a listing of the presidents, and overviews of important historical American documents.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.