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Water Agarwood was a national treasure passed down from the ancestors of the Wei Empire. The female lead had died because of it and was also born because of it. In order to be together with their loved ones, the female lead and the male lead had to put in all their effort. They had to collect the last tear of the princess of the 12 kingdoms. At such a young age, every princess had a sentimental story. The female lead and the male lead had gone through life and death together and had been obstructed by many obstacles. One could imagine the difficulty involved. In the process, the two loved each other and made a life promise. Unexpectedly, it turned out to be a scam. The male lead had known all this for a long time. He had followed the female lead in order to win the throne of the Emperor. The female lead would rather be smashed into pieces than die. At that time, the male lead finally understood that he had unknowingly fallen in love with the female lead.
Water Agarwood was a national treasure passed down from the ancestors of the Wei Empire. The female lead had died because of it and was also born because of it. In order to be together with their loved ones, the female lead and the male lead had to put in all their effort. They had to collect the last tear of the princess of the 12 kingdoms. At such a young age, every princess had a sentimental story. The female lead and the male lead had gone through life and death together and had been obstructed by many obstacles. One could imagine the difficulty involved. In the process, the two loved each other and made a life promise. Unexpectedly, it turned out to be a scam. The male lead had known all this for a long time. He had followed the female lead in order to win the throne of the Emperor. The female lead would rather be smashed into pieces than die. At that time, the male lead finally understood that he had unknowingly fallen in love with the female lead.
Water Agarwood was a national treasure passed down from the ancestors of the Wei Empire. The female lead had died because of it and was also born because of it. In order to be together with their loved ones, the female lead and the male lead had to put in all their effort. They had to collect the last tear of the princess of the 12 kingdoms. At such a young age, every princess had a sentimental story. The female lead and the male lead had gone through life and death together and had been obstructed by many obstacles. One could imagine the difficulty involved. In the process, the two loved each other and made a life promise. Unexpectedly, it turned out to be a scam. The male lead had known all this for a long time. He had followed the female lead in order to win the throne of the Emperor. The female lead would rather be smashed into pieces than die. At that time, the male lead finally understood that he had unknowingly fallen in love with the female lead.
Water Agarwood was a national treasure passed down from the ancestors of the Wei Empire. The female lead had died because of it and was also born because of it. In order to be together with their loved ones, the female lead and the male lead had to put in all their effort. They had to collect the last tear of the princess of the 12 kingdoms. At such a young age, every princess had a sentimental story. The female lead and the male lead had gone through life and death together and had been obstructed by many obstacles. One could imagine the difficulty involved. In the process, the two loved each other and made a life promise. Unexpectedly, it turned out to be a scam. The male lead had known all this for a long time. He had followed the female lead in order to win the throne of the Emperor. The female lead would rather be smashed into pieces than die. At that time, the male lead finally understood that he had unknowingly fallen in love with the female lead.
Water Agarwood was a national treasure passed down from the ancestors of the Wei Empire. The female lead had died because of it and was also born because of it. In order to be together with their loved ones, the female lead and the male lead had to put in all their effort. They had to collect the last tear of the princess of the 12 kingdoms. At such a young age, every princess had a sentimental story. The female lead and the male lead had gone through life and death together and had been obstructed by many obstacles. One could imagine the difficulty involved. In the process, the two loved each other and made a life promise. Unexpectedly, it turned out to be a scam. The male lead had known all this for a long time. He had followed the female lead in order to win the throne of the Emperor. The female lead would rather be smashed into pieces than die. At that time, the male lead finally understood that he had unknowingly fallen in love with the female lead.
Shanghai, a dynamic world metropolis, is home to a multitude of religions, from Buddhism and Islam, to Christianity and Baha’ism, to Hinduism and Daoism, and many more. In this city of 24 million inhabitants, new religious groups and older faiths together claim and reclaim spiritual space. Shanghai Sacred explores the spaces, rituals, and daily practices that make up the religious landscape of the city, offering a new paradigm for the study of Chinese spirituality that reflects the global trends shaping Chinese culture and civil society. Based on years of fieldwork, incorporating both comparative and methodological perspectives, Shanghai Sacred demonstrates how religions are lived, constructed, and thus inscribed into the social imaginary of the metropolis. Evocative photographs by Liz Hingley enrich and interact with the narrative, making the book an innovative contribution to religious visual ethnography.
With millions of copies sold worldwide, Di Morrissey is Australia's favourite storyteller with new novel The Night Tide out now. Natalie is a young Gold Coast mother with a loving husband, two small children and a happy lifestyle. While helping her mother move house, she finds a little box containing a Burmese artefact. When Natalie learns its unique history through a letter left by her great-great uncle, it ignites an interest in its country of origin and her uncle's unfulfilled plans for this curio. Her investigations collide with her own dramatically changing circumstances and create a catalyst for a moral dilemma that challenges the core of her marriage as she finds herself immersed in two very different golden lands.
The book traces the development of German acquaintance with the Malayan world and language as reflected in publications up to 1700. Beginning with a perusal of earliest cartographic renderings and a recapitulation of economic and political circumstances of German involvement in European Far-Eastern trade after 1500, the volume proceeds to systematically inspect 16th and 17th century German travellers' memoirs and translations of foreign sources. Relevant text passages are quoted in the original with English gloss. Citations of renderings of Malay items are accompanied by transliterations in modern spelling. Ultimate and intermediate sources and the routes by which various items reached the German public are followed, as well as virtual networks of information. Etymologies of numerous real or assumed Malayisms are elaborately reinspected, and corrected where necessary. The development in usage of the acquired Malayisms after 1700, reconstructed from entries in dictionaries and encyclopaedias and through direct quotation from German literature, is shown to reflect fluctuations in public attention towards features from exotic regions.