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"This is the first full length scholarly treatment of the life and work of J. B. Lightfoot. Using large quantities of unpublished sources Geoffrey R. Treloar presents a picture of Lightfoot in relation to the social and cultural conditions of his day and explains the breakthrough the achieved for the higher criticism of the New Testament in the English Church."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Deep Inside the Blues collects thirty-four of Margo Cooper’s interviews with blues artists and is illustrated with over 160 of her photographs, many published here for the first time. For thirty years, Cooper has been documenting the lives of blues musicians, their families and homes, neighborhoods, festivals, and gigs. Her photographic work combines iconic late-career images of many legendary figures including Bo Diddley, Honeyboy Edwards, B. B. King, Pinetop Perkins, and Hubert Sumlin with youthful shots of Cedric Burnside, Shemekia Copeland, and Sharde Thomas, themselves now in their thirties and forties. During this time, the Burnside and Turner families and other Mississippi artists such as T-Model Ford, James “Super Chikan” Johnson, and L. C. Ulmer entered the national and international spotlight, ensuring the powerful connection between authentic Delta, Hill Country, and Piney Woods blues musicians and their audience continues. In 1993, Cooper began photographing in the clubs around New England, then in Chicago, and before long in Mississippi and Helena, Arkansas. On her very first trips to Mississippi in 1997 and 1998, Cooper had the good fortune to photograph Sam Carr, Frank Frost, Bobby Rush, and Otha Turner, among others. “The blues come out of the field,” Ulmer told Cooper. Seeing those fields, as well as the old juke joints, country churches, and people’s homes, inspired her. She began recording interviews with the musicians, sometimes over a period of years, listening and asking questions as their narratives unfolded. Many of the key blues players of the period have already passed, making their stories and Cooper’s photographs of them all the more poignant and valuable.
Man of the Century is the often surprising story of how Winston Churchill, in the last years of his life, carefully crafted his reputation for posterity, revealing him to be perhaps the twentieth century's first, and most gifted, "spin doctor." Ramsden draws on fresh material and extensive research on three continents to argue that the statesman's force of personality and romantic, imperial notion of Britain has contributed directly to many of the political debates of the last decades--including American involvement in Vietnam and the role of the Anglo-American alliance in promoting and protecting a certain vision of world order.
This work provides access to information on the rich and often little known legacy of anthropological scholarship preserved in a diversity of archives, libraries and museums. Selected anthropological manuscripts, papers, fieldnotes, site reports, photographs and sound recordings in more than 150 repositories are described. Coverage of resources in North American repositories is extensive while Great Britain, France, the Netherlands, Australia and certain other countries are more selectively represented. Entries are arranged by repository location and most contributors draw upon a special knowledge of the resources described. Contributors include James R. Glenn (National Anthropological Archives), Elizabeth Edwards and Veronica Lawrence (Pitt Rivers Museum, University of Oxford), Francisco Demetrio, S.J. (Museum and Archives, Xavier University, Philippines) and many others. The guide covers selected documentation in social and cultural anthropology, physical anthropology, archaeology and folklore. Some major area studies collections (such as the Asia Collections, Cornell University Libraries, and the Melanesian Archive at the University of California, San Diego) are also represented. Web URLs have been cited when available and personal, and ethnic name indexes are provided.
Since the Second World War, depictions of Royal Air Force operations in film and television drama have become so numerous that they make up a genre worthy of scholarly attention. In this illuminating study, S. P. MacKenzie explores the different ways in which the men of RAF Bomber Command have been represented in dramatic form on the big and small screen from the war years to the present day. Bomber Boys on Screen is the first in-depth study of how and why the screen-drama image of those who flew, those who directed them, and those who provided support for RAF bomber operations has changed over time, sometimes in contested circumstances. Until now dramas that focus on Bomber Command have tended to be mentioned only in passing or studied in isolation, despite the prevalence of surveys of both the British war film genre and of aviation cinema. In Bomber Boys on Screen MacKenzie examines the development, presentation, and reception of significant dramas on a decade-by-decade basis. Titles from the beginning of the war (The Lion Has Wings, 1939) to the start of new century (Bomber's Moon, 2014) are situated in the context of technical possibilities and limitations, evolving social and cultural norms in the United Kingdom and elsewhere, and the development of moral and utilitarian controversies surrounding the wartime bomber offensive directed against Nazi Germany. While the focus is on feature films and television plays, reference is also made to documentaries, memorials, veterans' organizations, book titles, war comics, and other representations of the war fought by Bomber Command.
Containing more than 250 entries, this unique and ambitious work traces the development of management thinking and major business culture in North America. Entries range from 600 words to 2500 words and contain concise biographical detail, a critical analysis of the thinkers' doctrines and ideas and a bibliography including the subject's major works and a helpful listing of minor works.
Ronald Reagans legacy as president is nearly unparalleled in American history due to his domestic and foreign policy leadership. Reagans contrarian insistence on advocating limited government and supply-side economics drew much bipartisan criticism, causing the Great Communicator to take his argument that lowering taxes would encourage economic growth directly to the people. The result? Congress granted $750 billion in tax cuts in 1981. The Reagan Revolution had begun. By mid-1983, the nations economy was booming. On President Reagans first day in office, the Iran Hostage Crisis finally came to an end. Fifty-two American embassy personnel held hostage by a defiant Iran during the last four hundred-plus days of the Carter administration were freeda definite win for all Americans. But Reagan soon was widely criticized for insulting Russias leaders by calling the Soviet Union the evil empire. Later, Reagan was criticized at home and abroad for challenging Soviet premier Gorbachev to tear down the Berlin Wall. Reagans most criticized proposal of all, however, was his insistence on developing his Strategic Defense Initiative (SDI)space weapons to defend America from incoming Soviet nuclear missiles. Domestic critics dismissed his proposal as a Star Wars fantasy (but the Soviets feared SDI). By December 1991, it was clear that Reagans Star Wars fantasy helped cause the bankruptcy and total collapse of the Soviet Union, bringing a peaceful end to the decades-long Cold War.
The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive subject and geographic index. 640 photographs and illustrations - many color. Free of charge in digital PDF format.