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An autobiography of Ted and Tom LeGarde of The LeGarde Twins.
Showbiz Hustlers An autobiography from the Showbiz Hustlers, Ted and Tom LeGarde of The LeGarde Twins. From the bushlands of Australia to Hollywood. From poverty to dreamtime. Walk and fly with Ted and Tom over 70 years and one million miles in this true to life story. From struggle and heartache to fame and fortune. The Showbiz Hustlers share their life story in hopes of inspiring generations to come!
"In his own words, Jimmy shares memories of working behind country music legends including Dolly Parton, Merle Haggard, Dottie West and many more." -- Publisher.
A founding member of The Beach Boys traces his half-century career, discussing the inspirations for his pop classic lyrics, his struggles with self-destructive habits, his spiritual life, and his partnerships with his cousins Brian, Dennis, and Carl Wilson.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Slim Newton penned this song back in the 1970s and it has been a firm favourite ever since. How anyone could make a bite on the bum from a redback spider funny is a mystery, but Slim achieved it. Now Craig Smith has brought his talent to bear on the song. Aussie animals join in the fun, and it's the cane toads that suffer!
Clinical psychologist and author of The Defining Decade, Meg Jay takes us into the world of the supernormal: those who soar to unexpected heights after childhood adversity. Whether it is the loss of a parent to death or divorce; bullying; alcoholism or drug abuse in the home; mental illness in a parent or a sibling; neglect; emotional, physical or sexual abuse; having a parent in jail; or growing up alongside domestic violence, nearly 75% of us experience adversity by the age of 20. But these experiences are often kept secret, as are our courageous battles to overcome them. Drawing on nearly two decades of work with clients and students, Jay tells the tale of ordinary people made extraordinary by these all-too-common experiences, everyday superheroes who have made a life out of dodging bullets and leaping over obstacles, even as they hide in plain sight as doctors, artists, entrepreneurs, lawyers, parents, activists, teachers, students and readers. She gives a voice to the supernormals among us as they reveal not only "How do they do it?" but also "How does it feel?" These powerful stories, and those of public figures from Andre Agassi to Jay Z, will show supernormals they are not alone but are, in fact, in good company. Marvelously researched and compassionately written, this exceptional book narrates the continuing saga that is resilience as it challenges us to consider whether -- and how -- the good wins out in the end.
The story of legendary record producer Rick Hall and his life, from growing up in extreme poverty to building one of the country's most famous recording studios, Fame Studios in Muscle Shoals, Alabama.