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What's the point of falling in love if it only breaks your heart?I should be flying high. I've graduated from law school, and I'm ready to start my career. So, why do I feel like I'm carrying the world on my shoulders instead of standing on top of it?Oh, right. Him. Bad boy. Billionaire. Larger-than-life Brandon Sterling. In a few short months, he became the center of my universe, only to flip it upside down and inside out, leaving me to make the biggest decision of my life alone. I don't want to miss him like I do. I don't want to love him like I do. But I don't seem to have a choice in the matter.So, the question is, when he comes back--if he comes back--will he forgive me for what I've done?
I had a plan. Finish law school. Start a job. Stay away from men like Brandon Sterling. Cocky, overbearing, and richer than the earth, he thinks the world belongs to him, and that includes me.Yeah, no. Think again.It doesn't matter that his blue eyes look straight into my soul, or that his touch melts my icy reserve. It doesn't even matter that past all that swagger, there's a beautiful, damaged man who has so much to offer beyond private planes and jewelry boxes.But I had a plan: no falling in love. I just have to convince myself.
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Providing a comprehensive understanding of adoption issues and based on research with a large number of adoptive parents, children and birth relatives, the authors consider the impact of direct post-adoption contact on all concerned.
"Skylar Crosby knows betrayal. She knows that deep stab when those closest to you deceive your fragile trust. And she knows what it's like when your secrets cost you everything--including the love of your life. Now kidnapped, scared, and alone, Skylar has no reason to believe in her rescue. Not when she can still see Brandon's face as she smashed his heart to pieces. Even if Skylar can get out of her physical prison, can she escape the cage created by her guilt? Brandon Sterling spent the last fifteen years desperately trying to reinvent himself: as a lawyer, a businessman, and now a candidate for public office. But as these daily stressors mount alongside a dangerous threat to his family and loved ones, the old Brandon reemerges: a ruthless hoodlum who'd rather use fists than brains to solve his problems. Now, when the one he loves most is taken, can Brandon move past her deceit in order to find her? And if he does, will Skylar still want the man he's become in order to protect her?"--Back cover.
The environment concept has shaped humanity's relationship to the natural world and has drawn attention to the effects of human actions on our natural surroundings. But when did we learn that we live in an environment? While scholars have often located the emergence of the environment concept in twentieth-century ecological and political thought, Novel Environments: Science, Description, and Victorian Fiction reconstructs a longer--and a specifically literary--history. It was in the descriptive worldmaking of the Victorian novel that the environment was first transformed from an abstraction into a vivid object of imagination and feeling. Engaging the scientific theories of their contemporaries, Mary Russell Mitford, George Eliot, Thomas Hardy, and Robert Louis Stevenson turned to detailed description--from gardens and landscapes to weather and atmospheres--to model interactions between life and its surroundings. Far from merely furnishing static background, the descriptive apparatus of the Victorian novel imagined the nonhuman environment as dynamically involved with human action, feeling, and development. In making this argument, Novel Environments recovers the scientific vocabulary the Victorians used to name the surroundings of living organisms. The word "environment" dominates our own way of speaking about the nonhuman world, but nineteenth-century scientific writers and novelists availed themselves of a richer conceptual lexicon, which included "environment" along with less familiar concepts such as "milieu," "medium," and "circumstance". Jayne Hildebrand's story begins at the earliest theorization of environmental forces as a dynamic influence in the life sciences, moves through the apotheosis of the idea of a singular "medium" in mid-century organicist philosophy, and ends at the conception of the planet as an environmental system at the fin-de-siècle. By showing how novelistic description helped to elaborate the environment concept over the nineteenth century, Hildebrand sheds new light on the relationship between Victorian literature and the life sciences, and reveals how literary form has shaped the ecological concepts through which we apprehend the nonhuman world.
While Charlie Brown, Snoopy, Lucy, Linus, and the rest of the Peanuts gang have enjoyed the kind of success most cartoon characters can only dream about--becoming pop culture icons of the highest order and entering the global consciousness practically as family members--Robert Short's The Gospel According to Peanuts also has found a place in the hearts of many readers, with sales now totaling more than ten million copies. This anniversary edition features a new cover, a new interior design, and a new foreword by Martin E. Marty. Whether coming to the book for the first time or taking a second look, a delightful experience awaits in this modern-day guide to the Christian faith, fully illustrated with Peanuts.