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One of the few studies of its kind, this political history of the Louisiana penal system from its origin to the near-present places heavy-emphasis on the development of penal policy and shows how the vicissitudes of the system have reflected the prevailing social, economic, and political views of the state as a whole. The author traces Louisiana’s doleful history of convict leasing from 1844 to 1901 and provides a close look at the machinations of the notorious Major Samuel L. James, who controlled the state penal system for more than thirty brutal years. Professor Carleton analyzes the effects of the Huey Long regime and the heel-slashings of the 1950s which brought the penitentiary the label of “America’s Worst Prison.” Finally, he traces the slow, uphill battle of those interested in better treatment and preparatory rehabilitation for state prisoners. “At its worst,” says Carleton, Louisiana’s penal system “has been a barbaric and exploitative form of state slavery. . . . At best it has been a progressive correctional institution, administered by professional penologists with little or no interference from penal reactionaries or politicians.” Politics and Punishment is a significant contribution to penal historiography and will no doubt serve as a model for similar studies in the field.
Back of the Big House: The Architecture of Plantation Slavery
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On June 11, 1950, the Cleveland Plain Dealer published an obituary under the bold headline “Chief Thunderwater, Famous in Cleveland 50 Years, Dies.” And there, it seems, the consensus on Thunderwater ends. Was he, as many say, a con artist and an imposter posing as an Indian who lead a political movement that was a cruel hoax? Or was he a Native activist who worked tirelessly and successfully to promote Haudenosaunee, or Iroquois, sovereignty in Canada? The truth about this enigmatic figure, so long obscured by vying historical narratives, emerges clearly in Gerald F. Reid’s biography, Chief Thunderwater—the first full portrait of a central character in twentieth-century Iroquois history. Searching out Thunderwater’s true identity, Reid documents Thunderwater's life from his birth in 1865, as Oghema Niagara, through his turns as a performer of Indian identity and, alternately, as a dedicated advocate of Indian rights. After nearly a decade as an entertainer in Buffalo Bill’s Wild West Show, Thunderwater became progressively more engaged in Haudenosaunee political affairs—first in New York and then in Quebec and Ontario. As Reid shows, Thunderwater’s advocacy for Haudenosaunee sovereignty sparked alarm within Canada’s Department of Indian Affairs, which moved forcefully to discredit Thunderwater and dismantle his movement. Self-promoter, political activist, entrepreneur: Reid’s critical study reveals Thunderwater in all his contradictions and complexity—a complicated man whose story expands our understanding of Native life in the early modern era, and whose movement represents a key moment in the development of modern Haudenosaunee nationalism.
This comprehensive reference guide catalogs the more than 120 Williamson County historic homes, sites, schools, churches, and commercial buildings listed on the National Register of Historic Places.