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Featured here are the following prizewinning essays in the 1992 and 1993 ASCAP Nathan Burkan Memorial Competition in copyright law: 19921st Prize: Daniel A. Saunders, University of California School of Law at Berkeley, "Copyright Law's Broken 'Rear Window': An Appraisal of Damage and Estimate Repair".2nd Prize: Laurie Stearns, University of California School of Law at Berkeley, "Copy Wrong: Plagiarism, Process, Property and the Law".3rd Prize: Julie Alane Arthur, Georgetown University Law Center, "Jeff Koons: Artist or Thief?"4th Prize: Philip H. Miller, Fordham University School of Law, "Life After Feist: Facts for the Amendment, and the Copyright Status of Automated Databases".5th Prize: Jeffrey H. Brown, University of Wisconsin Law School, "'They Don't Make Music the Way they Used To': The Legal Implications of 'Sampling' in Contemporary Music".19931st Prize: Raleigh William Newsam, II, X, "Architecture and Copyright: An Analytical Framework for Separating the Poeticfrom the Prosaic".2nd Prize: Timothy Scott Teter, Stanford Law School, "Merger and the Machines: An Analysis of the Pro-Compatibility Trend in Computer Science Copyright Cases".3rd Prize: Carl H. Settlemyer, Georgetown University Law Center, "Between Thought and Possession: Artists' 'Moral Rights' and Public Access to Creative Works".4th Prize: Carolyn McColley, University of California School of Law at Berkeley, "Limitations on Moral Rights in French: Droit d'Au
This book explores human creativity to illustrate how the legal system can protect a wide variety of authors from attribution failures and other assaults to the intended messages of their works.
This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. (12 different topics grouped in one book) The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. (Over 100 poster and film scenes) In addition, each film is linked to Youtube and in most cases the films are viewed in full Movie.. Contents of the book: 25 films that made Horror Cinema: The Mummy (1932), Il mulino delle donne di pietra (1960), La maschera del demonio (1960), The Innocents (1961), La frusta e il corpo (1963), I lunghi capelli della morte (1965), Night of the Living Dead (1968), The Abominable Dr. Phibes (1971), La corta notte delle bambole di vetro (1971), The Legend of Hell House (1973), Burnt Offerings (1976) and Suspiria (1977). Of each film: Plot, Cast, Production, Development, casting, Filming, Post-Production, Musical Score, Release, Critical Response, Home Media, Legacy, References, Bibliography, Posters and Fim Scenes.
This is the second book of the anticipated 10-volume Mesorah Matrix series and is called: Tikun Olam; Repair/Perfect the World: Judaism, Humanism and Transcendence. Mesorah Matrix is a major - and potentially landmark - intellectual-spiritual-philosophical endeavor. The plan well-underway is to publish 10 separate books - each on a very focused Jewish theme - under the Mesorah Matrix umbrella.
A comprehensive treatise with detailed analysis of every aspect of copyright law, from registration to licensing to infringement and litigation. Written by Paul Goldstein, Professor of Law at Stanford University and of Counsel to Morrison & Foerster. Includes explanations of applicable copyright law to the music, publishing, motion picture, commercial art, and software industries. Also covers international copyright law, as well as the intersection of copyright law with bankruptcy, antitrust law, and Lanham Act doctrines that fill in the gaps in traditional copyright protection.